The National: High Beams (demo)

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Brassland, the label founded by Alec Hanley Bemis and twin National guitarists Aaron and Bryce Dessner, is celebrating its 10th anniversary this month by giving away a song a day in November.

Now, I’m only about 19 days late on this, but there’s still time to get free goodies – and you can easily find some of the tracks Brassland already has given away.

The National, now playing to some 18,000 people these days, got its start from the New York-based label, and any fan (new or old) should take the time to explore the band’s early work on Brassland (not to mention other artists on the label like Baby Dayliner, Doveman and more). On Nov. 3, the label’s giveaway was a song called “High Beams,” which apparently is one of the earliest known demos by The National and has been out of circulation for five years (its last likely appearance coming on a 2005 Music For Robots compilation).

I believe the download link has vanished, but it’s still available to stream via SoundCloud below. As a demo recorded in 2000, this is obviously not the polished product we know now. But it’s great that the National and Brassland have offered it up, letting us trace the band back to its humble beginnings. Still, even in an early demo (and with the benefit of 10 years of material to compare it to), it’s pretty clear to see where the National was headed.

Pitchfork posted Brassland’s giveaway schedule, which includes another National track on Monday (“Mr. November” perhaps?).

Another of my favorites of the batch has been the Baby Dayliner track “When I Look Into Your Eyes,” a new song that is exclusive to the giveaway. New Baby Dayliner is always good in my book. Or as one commenter once said: “Baby Dayliner is pure tits.” I think that works well as a promotional quote for the next album.

110 Percent: Open Mike Eagle talks Bulls, Bears and an intense hatred of LeBron

Open Mike Eagle

The second installment of 110 Percent, a series in which I talk to musicians about sports, features Open Mike Eagle, whose newest album, Rappers Will Die of Natural Causes, is one of the year’s must-haves.

Born and raised in Chicago (and now based in L.A.), Open Mike Eagle took time to talk about his love of the Bears and Bulls and why he doesn’t follow athletes on Twitter.

I know you’re a Bears and Bulls fan. Do you follow baseball at all?
I’m White Sox more than the Cubs. I’m more bandwagon when it comes to Cubs. I grew up by old Comiskey Park.

When did you move to L.A.?
2004.

Have you adopted any of the L.A. teams or would you ever?
No. … [laughs] … I absolutely hate the Lakers but that’s because I don’t like Kobe. I’m not into baseball enough to be rooting for the Dodgers or Angels. And L.A. doesn’t have much else going on. But my thought with them getting a football team: If they got somebody else’s franchise, I wouldn’t care for it too much. If they were able to expand and start a new team, it might be interesting.

Let’s get to the NBA. What are your thoughts on the lockout? Are you pro-anybody in this?
I tend to be pro-player. But that’s only because I really especially in this case felt the owners were set to bully the players from the very beginning. They weren’t going to negotiate and weren’t going to budge because they thought they could break the players. I tend to be pro-player anyway. I guess that’s my general thought. But I don’t necessarily like what the players association is doing in that they’ve waited this long to talk about (union) decertification when they could have done this months ago.

Continue reading 110 Percent: Open Mike Eagle talks Bulls, Bears and an intense hatred of LeBron

110 Percent: Scott Hessel (Source Victoria) talks NBA lockout, Suns and crybaby millionaires

Scott Hessel - Source Victoria

Welcome to 110 Percent, a new, recurring feature that brings together two of my greatest joys: music and sports. The goal is pretty simple (if not a little broad): I plan to talk to musicians about sports, be it their favorite team, the news of the day or anything in between. Everything is, ahem, fair game.

First up is Scott Hessel, drummer of Phoenix band Source Victoria, who will unleash a new album, Slow Luck, with a release party on Nov. 25 at Crescent Ballroom.

I chatted with Scott last week about his life as a Suns fun and the NBA lockout, a few days before the players union rejected the latest proposal from the owners on Monday, thus jeopardizing the 2011-12 season. We had already launched into conversation before I could get a question out, so I’ll let Scott get the proverbial ball rolling here …

Let me put it this way, the first time they did this lockout nonsense – what was it ’99? – I sort of re-embraced the NBA pretty quickly just because the Suns were still very much a team that wasn’t gonna win a championship, but we still were pretty good. This year, OK, well, they get a season going, and what do we have? We have the same questions about the Suns that we had before the season even ended. I hate to say this, but I’m like, “Blow it up.” What could it possibly hurt?

The guy I feel worst for is my basketball hero, Steve Nash. I still feel like that dude is playing at a very high level above the expectations of what even a guy his age is ever supposed to play. So the notion of him losing a year off his career would make me sad. But everybody else just strikes me as being just completely unsympathetic. I never particularly liked (NBA commissioner) David Stern. I don’t like the position a lot of the players are taking publicly … you don’t really have much sympathy for these dudes.

Especially considering the economy. I know they’re also negotiating for future players, but there’s already a huge disconnect between Average Joe and the rich athlete.
I understand the principle, but it could not happen at a worse time for the Average Joe to have much sympathy. I would have considered myself a die-hard basketball fan – that any given night I-don’t-really-care-what-game-I’m-watching fan. But this year, no. I’m completely sitting here going, “Why are we even caring?” I don’t care. It’s just not a good time to be having this sort of thing.

Give me some background. Were you born and raised and raised in Phoenix?
I was born in Florida and moved here in ’74. I was 7.

So the Suns were the only game in town, right?
When I first became a Suns fan they were offering 2-for-1s. The 2-for-1s were like $5, $7, something like that. I remember the New Orleans Jazz came to town. [Starts singing]: “The Suns are playing in town tonight / the Suns are playing in town tonight / Pete Maravich, you know what that means/ from way down ‘yonder in New Orleans.” That stuck with me all these years. That’s when I became a Suns fan.

Was that a commercial?
That was a commercial. It was so hokey. The Suns were on Channel 12, I think, at the time. I’ve been with ‘em all the way. The very first memory I have of the Suns was watching the Suns-Celtics on black-and-white TV, triple OT (Game 5 of the ’76 Finals). That was my first memory, which couldn’t be a better memory.

Continue reading 110 Percent: Scott Hessel (Source Victoria) talks NBA lockout, Suns and crybaby millionaires

Telekinesis: Country Lane (video)

telekinesis_pointofrock

It’s hard to believe, but the time for year-end list making is upon us (unless, like me, you sort of, um, just didn’t make one last year). In some ways, these lists feel a lot like the NCAA Tournament – we’re swayed by what’s fresh in our minds. Who has been most impressive most recently? Albums in the first quarter tend to be forgotten as we fawn over the next Greatest Album of This Week.

I hope that line of thinking doesn’t keep Telekinesis’ 12 Desperate Straight Lines from garnering much-deserved attention.

Perhaps it’s no coincidence then that a new video for the song “Country Lane” arrived on Monday, serving as a conveniently timed reminder of Michael Benjamin Lerner’s power-pop prowess. Using clips from the road and scrapbook-inspired animation, the video looks more like a tour documentary showing just how glamorous life as an indie rock star can be.

RELATED:
Meat Puppets, Telekinesis, more cover Nirvana on Nevermind tribute album
Telekinesis: Please Ask For Help (video)
Q&A with Michael Benjamin Lerner of Telekinesis
Telekinesis: Car Crash
Telekinesis: Parallel Seismic Conspiracies EP

New Source Victoria: Nobody Knows But Me

Source Victoria - Slow Luck

We heard the first bit of the new Source Victoria album in July with a three-song EP for the single “Once I’m Dead” (available at Bandcamp). Now with CDs for Slow Luck in hand, burning a hole in the cardboard box they were shipped in, the band is offering a listen of another new track, “Nobody Knows But Me,” at its website (and below).

It can also be said that the album release show will be on Nov. 25 – that’s Black Friday – at the shiny new Crescent Ballroom in downtown Phoenix with openers Jeff Bufano and Chris Corak (of Reubens Accomplice) and Colorstore. The album artwork was done by Sam Means (formerly of the Format), who is also among the handful of musical contributors that includes Jon Rauhouse (pedal-steel ace and member of Neko Case’s band), Lisa Loeb (yep), Jamal Ruhe (vocals and mastering) and more.

So far as I know, Slow Luck will be available for purchase at most of the major digital retailers (iTunes, Amazon, etc.) and streaming at the usual spots (Spotify, Rhapsody, etc.).

Alas, those are sort of the nuts and bolts of the album. And even though I’ve had it in hand digitally for some time (and now in physical form) and seen the songs live countless times, I’m still digesting it all. Writing anything about your brother’s band is sort of a daunting proposition – not to mention one that will sound totally biased. Nevertheless, I’m hoping to have more as the album release show approaches (maybe even an awkward Q&A with my own brother??).

For now, though, check out “Nobody Knows But Me”:

El-P samples “Tom Sawyer”: Rush Over Bklyn

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Not that you need a good reason to sample Rush’s “Tom Sawyer,” but El-P has a couple. For starters and most important, this remix of “Drones Over Bklyn” – a song that was released as part of Adult Swim’s Singles Program over the summer – serves as a benefit for fellow (uninsured) producer Mr. Dibbs, who has been diagnosed with cirrhosis of the liver. All proceeds of the sales of the song will go to a fund set up for Dibbs.

Second, El-P is using a new technology from Legitmix that allows producers/remixers/DJs to legally bypass the hell of sample clearing. I guess it goes something like this (per the press release): “Legitmix provides an alternative by enabling consumers to recreate on the binary level a sample-based track using their copy of the original music.” I think, from what I can tell, as long as you already own the song, you can remix it via Legitmix, which also offers a way to buy the original song. Read more at the site.

Stream “Rush Over Bklyn” (and “Drones Over Bklyn”) below and buy it here.

El-P: Rush Over Bklyn

El-P: Drones Over Bklyn (uncensored, unmastered)