Serengeti with Tobacco: Be a Man

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If you’ve listened to Serengeti, you know he’s a fan of baseball. It’s just not a Serengeti album without a “Hawk Dawson” reference – and tell me another rapper that has name-dropped Jeff Pico.

It’s been a busy year for the Chicago-bred emcee, who talked sports with me back in January. In March, he teamed with Sufjan Stevens and Son Lux on the Beak & Claw EP. In April, he dropped the Kenny Dennis EP, on which he raps as his Windy City superfan alter ego. More recently, Serengeti released C.A.R., another highly personal/vulnerable glimpse into his life (buy this album).

Now we have a new 7-inch for Georgia label Graveface’s charity series. The A-side, “Be a Man,” is a collaboration with Tobacco and the B-side features two tracks with Advance Base (aka Owen Ashworth, formerly known as Casiotone for the Painfully Alone). So how does baseball fit into this? Proceeds of sales of the 7-inch will benefit the R.B.I. (Reviving Baseball in Inner Cities) program.

Get a listen to a “Be a Man,” which will be available at digital retailers on Aug. 28. Also: Serengeti supports WHY? at Crescent Ballroom on Monday night. Be there.

Random: Buggin’ (The Metamorphosis)

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Leave it to a former teacher to base a song/video on a literary classic. Phoenix rapper Random (aka MegaRan) left the classroom behind to make the full-time jump into music, but he can’t quite seem to shake the teaching, uh, bug.

Of course, this is the man who earlier this year released an album called Language Arts: Volume One, part of a conceptual multimedia project that was funded by a ridiculously successful Kickstarter campaign.

And that’s the album that brought us “Buggin’ (The Metamorphosis),” inspired by the Franz Kafka novella. The new video (directed by Max Isaacson) finds Ran playing the role of Gregor, waking up to find himself transformed into a vermin. High school English class was never this fun.

And while you’re catching up with Language Arts: Volume One, Random went ahead and dropped Volume Two today. A harder-working rapper would be impossible to find. That said, our TeacherRapperHero is returning home from tour and throwing a show on Saturday at Hidden House.

Below is “Super Move,” an iTunes bonus track off LA: Volume Two featuring some of my favorite emcees (Has-Lo, Open Mike Eagle and Zilla Rocca).

Incoming: Japandroids, Nov. 7, and new video for The House That Heaven Built

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Sweaty shows. Thrashing fans. Grilling meats whilst shirtless. Drinking Jameson from the bottle. Yes, life for Japandroids is pretty much as I expected.

The new video for “The House That Heaven Built” will do nothing to dissuade our youth from chasing rock glory. Japandroids’ music is all about capturing the moment – remember saying things like we’ll sleep when we’re dead? – and this clip (directed by Jim Larson) does just that, following Brian King and Dave Prowse on the road. It’s all a blur, one big fucking party.

For a band that seems to be riding a Hold Steady-like ascent, this is the video that one of the year’s best deserves – all epic and slow motion (everything is better in slow motion). But as the Vancouver duo embarks on four straight months of touring – FOUR MONTHS! – you have to wonder if the party will ever end.

Here’s hoping they’re still bringing it on Nov. 7, when they stop at Martini Ranch because nothing says punk quite like a show in Scottsdale, Ariz. Stateside Presents has all the info you need.

RELATED:
Japandroids, the Casbah (San Diego), 6/16/12
Japandroids: Heavenward Grand Prix
Japandroids: Younger Us
Japandroids on KCRW’s Morning Becomes Eclectic

Incoming: Busdriver, Nocando and Open Mike Eagle, Oct. 24

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Three of Los Angeles’ finest emcees at the forefront of the avant-rap scene – or whatever you wanna call it – are joining up for a fall tour that will stop at Rhythm Room on Oct. 24 (though at this point I’m not sure who is promoting it, so I have little in the way of ticket/age information).

Busdriver, Nocando and Open Mike Eagle are as prolific as they are talented, often showing up as guests on each other’s work, so a collaborative tour makes sense.

In the case of Busdriver and Nocando, they released the album 10 Haters under the Flash Bang Grenada moniker last year. But all three have either released or will release solo material in 2012. Busdriver dropped Beaus$Eros in February; Open Mike Eagle released 4NML HSPTL this summer; and it looks like Nocando is close to unveiling a new album.

In conjunction with the tour announcement, Busdriver premiered a new video for the song “Utilitarian Uses of Love” over at Potholes In My Blog.

I’ve included some more treats below:

Macklemore and Ryan Lewis: Same Love

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Eric took off for Lollapalooza this weekend, but he left us with this post about an important song. Play it loud outside Chick-fil-A.

Macklemore’s subject matter as a rapper is all over the map, whether it’s prescription drug addiction (his own and others’), yoga practice, Irish heritage, the trappings of materialism in the shoe-obsessed Jordan era. Although I’ll admit my personal experience lines up with the yoga and Air Jordans on the brain, no matter the topic, I always find him engaging, thought provoking and inspiring. His straightforward, autobiographical style is something that’s refreshing to me, that “rapper as storyteller” role that I feel like I see much less in today’s hip-hop than when I was growing up.

If you’ve checked out Seattle indie station KEXP at all the last couple of years, you’re sure to have heard Kevin Cole sing his praises at least once or twice, and with good reason. A growing figure in the Seattle music scene, Macklemore, along with collaborator/DJ/producer Ryan Lewis, look to continue their upward trend with the release of The Heist on Oct. 9, the first single from which happens to be one of the bolder, braver choices I’ve seen made in music in awhile.

“Same Love” is a beautiful, impassioned dart thrown directly at critics of marriage equality, a topic we hear politicians addressing from one corner of the ring or the other on a daily basis at this point. Rappers … not so much.

Hip-hop has never had a great track record in the tolerance department. This is not to say that every faction of hip-hop exudes the degree of machismo or misogyny as the gangsta rap of the ’90s, but suffice it to say that its lyrical content, or at the very least the public perception of that content, hasn’t exactly approached a warm and fuzzy approach toward homosexuality. Just as we still, in 2012, have don’t have openly gay athletes in the similarly heterosexual male macho world of professional sports, sexual preference has been a taboo in the world of hip-hop.

Recently, though, there have been signs of a dialogue opening up. Last year, Fat Joe, conspiracy theories aside, was surprisingly candid in encouraging gay rappers to come out, proclaiming that hip-hop is “the greatest gay market in the world.” On July 4, up-and-coming R&B artist Frank Ocean, a member of Odd Future, raised many an eyebrow in the hip-hop community by proclaiming that his first love was with a man.

“Same Love” is an emotional, beautiful track. Bolstered by piano and string arrangements, horns and the soulful voice of Mary Lambert, Macklemore matter-of-factly takes homophobia head-on, examining not only the religious and political agendas that he feels propel hate, but also taking on the perception within the hip-hop community toward gays: “If I was gay, I would think that hip-hop hates me/ Have you read the YouTube comments lately? / ‘Man, that’s gay’ gets dropped on the daily.” Lambert’s soulful voice punctuates his plea for tolerance: “I can’t change/ Even if I tried / Even if I wanted to… / My love, she keeps me warm.” Again, the autobiographical is discussed. While straight himself, Macklemore discusses an early childhood assumption that he was gay for the silliest of preconceived notions, mentions the fact that his uncle is gay and has a longtime partner, calling them collectively “my uncles.”

As a straight person who’s grown up with gay friends and decided long ago that gay marriage makes a lot of sense, I’ll admit I’m easily sold here. He’s preaching to the choir. But my hope is that we’ll see this spirit of inclusion and tolerance in hip-hop become a real trend. MURS recently added another voice in support of gay rights with “Animal Style,” a tragic/powerful song complemented by a video that features the L.A.-based rapper kissing another man.

As part of a partnership with Music for Marriage Equality campaign – seeking to pass a referendum to protect same-sex marriage – Sub Pop has released “Same Love” digitally on iTunes and Amazon and released a 7-inch (limited to 2,000 copies) on Tuesday. All proceeds will benefit marriage equality in Washington state.