Slick Rick gets full pardon

From Yahoo/AP:

ALBANY, N.Y. – New York Gov. David Paterson is granting a full and unconditional pardon to rapper Ricky “Slick Rick” Walters for the attempted murders of two men in 1991.

The pardon is expected to halt efforts to deport Walters to the United Kingdom, the country he left as a child.

The eyepatch-wearing star behind the ’80s rap classic “La-Di-Da-Di” served more than five years in prison after the shooting of his cousin and another man. Both survived.

The governor says Walters is now a rap artist and landlord in the Bronx who hasn’t had any criminal problems since his release from prison in 1997. He also says Walters has volunteered to counsel youths against violence.

Slick Rick: Children’s Story video:

New Travis!: J. Smith

It’d been awhile since I hit the Travis Web site, so I was a bit surprised to see the band is putting the wraps on a new album, this after releasing its first album in almost four years in 2007 (The Boy With No Name).

This new track, J. Smith (the album is called Ode to J. Smith), has Travis fans in a tizzy, describing it as everything from “Queen-ish” to “so rockier!”.

Singer Fran Healy and bassist Dougie Payne have been blogging about the recording/mixing. Emery Dobyns (Mobius Band, Battles) is the producer.

Healy requested the song, which debuted on KCRW’s Morning Becomes Eclectic on May 1, not be upped to YouTube so as to avoid mass compression. I assume the copy I found from the Travis message boards is a rip from the KCRW broadcast.

  • Travis | J. Smith

Elsewhere in the land of Travis, Healy discusses Sing and Driftwood on the Sky Arts series Songbook.

Lastly, the band is offering on its MySpace a muzak version of Closer, which was featured in the video. “Would make quite a cheesy ringtone.”

RELATED:
Travis: New Amsterdam (video).
Favorite albums of 2007 (The Boy With No Name was No. 10).
Travis, Marquee Theatre, 11/25/07.
Travis: Selfish Jean (video).
Travis: My Eyes (video).
Travis: Closer (video).

(I like Travis; so sue me.)

New Vast Aire: The Crush

Vast Aire says at the beginning of The Crush, an unreleased track that originally was scheduled to be included on his forthcoming Deuces Wild (June 24), that this “is not a love song … naaah.”

But let’s be honest: That’s just macho posturing. Because seconds later, Vast launches into a love letter of the highest order: “She got the sweet potato, I got the corn on the cob / tuck your shirt in, she don’t date no slob.” OK, so Barry White might have put it in a subtler manner, but you get the idea.

It got me thinking about my favorite hip-hop odes to love. Without a doubt, the Pharcyde’s Passin’ Me By ranks No. 1. As I look at the list, combing for common traits in the songs, I think the best of them are heartfelt without being cheesy, humorous without being juvenile.

LL Cool J’s I Need Love is the closest you’d come to an R&B jam, and, at the time (1987), it had to be a bit of a surprise – this was, after all, the days of the I’m Bad Cool J, before he sexed us up in every song/video he put out. You could argue, though, that LL made it OK to drop a verse or three about love.

Some more of my favorites (in no particular order):

A Tribe Called Quest, Electric Relaxation.
The Pharcyde, Otha Fish.
Aceyalone, Annalillia?.
The Nonce, Bus Stops.
Atban Klann (ex-Black Eyed Peas), Focus On You.
Del the Funky Homosapien, Why You Wanna Get Funky.
J-Live, Like This Anna.
Mos Def, Ms. Fat Booty.
Murs, Silly Girl.
LL Cool J, I Need Love.
The Roots, You Got Me.

I made a Muxtape out of these. Check it out. What hip-hop love songs did I miss?

  • Vast Aire | The Crush

The Hold Steady: Sequestered in Memphis (stream)

The Hold Steady is streaming Sequestered in Memphis, the first single from the forthcoming LP Stay Positive, on its MySpace page.

The track, available at iTunes, features Ben Nichols of Lucero on backup vocals.

Pretty classic Craig Finn here, with bright horns and prominent piano: “She said I know I look tired but everything is fried here in Memphis.”

[STREAM]: The Hold Steady | Sequestered in Memphis

Young MC: Bust a Move (Diplo remix)

If you grew up in the late ’80s/early ’90s, there was no avoiding Young MC’s Bust a Move. It was a hip-hop hit that crossed over to the highest degree – it might blow up and it did go pop. (Personally, I preferred Principal’s Office, but that’s neither here nor there.)

So it only seemed like a matter of time before Delicious Vinyl commissioned a little remix action on one of the biggest hits of its catalog. The label has digitally released Bust a Move RMXXS – no vowels is so cool – followed by a release on 12-inch vinyl. (Get the digitals at eMusic.)

Frenchman Don Rimini and Mad Decent’s Diplo update Bust a Move for the 21st century.

This is one of those cases where a remix isn’t really necessary, but if it draws a new generation of kids to the original, well, then I’m all for it. (Grab Marvin Young’s classic Stone Cold Rhymin’ at eMusic.)

  • Young MC | Bust a Move (Diplo remix)
  • Young MC | Bust a Move (Diplo remix instrumental)

What the hell:

The Cave Singers, Modified, 5/17/08

About three-quarters of the way through the Cave Singers’ show on Saturday night at Modified, I realized the band was without any sort of bass instrument. That wouldn’t be such a stunning revelation if the trio’s outstanding rhythm hadn’t already held me captive for about 30 minutes.

That’s probably a credit to the guitar playing of Derek Fudesco, whose finger-picking style manages to cover both lead and rhythm roles.

If I was a casual fan of the band’s debut Invitation Songs (get it at eMusic), the live show – with its vibrant energy – has pushed me into full fan mode. (Already I’ve downloaded the Daytrotter session and two B-sides at eMusic.)

Chad Sundin of Phoenix band the Via Maris made a great observation after the show: The Cave Singers put to use simple objects in entertaining ways. Like, say, singer Pete Quirk beating a maraca on a stool for added percussion punch on Dancing on Our Graves. (Never mind Quirk’s distinct and surprisingly warm/powerful nasal-inflected vocal style.)

While modern folk-rock heads into more abstract – and sometimes complicated – territory with the Yeasayers of the world, the Cave Singers insist there be something to hold onto, usually in the form of an infectious shuffle-stomp rhythm.

It might be true of 95 percent of bands, but a live setting is the best way to appreciate the Cave Singers’ appeal, to see the multiple parts at work in unison. I’m glad to say I’ve good reason to resurrect Invitation Songs for closer examination.

The Silver State: Faith You Changed Your Name

Here’s a song that’s owned me the past week. It comes from the Silver State, the Brooklyn-by-way-of-Vegas project of Caleb Lindskoog. The band recently released a tremendous album, Cut and Run, on Young American Recordings.

I’ll have more to say about the album – get it at eMusic – as a whole because it should not go unnoticed.

In the meantime, the video for Faith You Changed Your Name:

Incoming: De La Soul, June 20

This one was a surprise: The legendary De La Soul is playing Venue of Scottsdale (formerly the Cajun House) on June 20.

Tickets are (gulp) $30. Get ’em here.

I saw De La Soul multiple times in the group’s prime (once with A Tribe Called Quest and Souls of Mischief … unreal), and I fear a show like this could taint those memories. That’s not to say the group can’t still bring it, but it’s definitely not 1993 anymore, Toto.

Anyway, one of these weeks I’m going to have a De La Soul Remix Week. I have De La remixes left and right. Here’s one for ya.

  • De La Soul | Eye Know (The Know It All Mix)

I Used to Love H.E.R.: What Made Milwaukee Famous

Just in time for the band’s show Tuesday night at Modified, singer/guitarist Michael Kingcaid of What Made Milwaukee Famous offers up the 27th installment of I Used to Love H.E.R., a series in which artists/bloggers/writers discuss their most essential or favorite hip-hop albums (read intro).

I think that it would be pretty impossible for me to put my finger on any one hip-hop album that would define my love for the genre. It is much easier, however, to list the rap albums that ushered me into different levels of a deeper appreciation for hip-hop and inevitably permeated into my musical tastes for other genres, too. Some of these were (embarrassingly) spoon-fed to me by society. And I would have loved to just throw out obscure albums that would get respect. But this list is more-so about the rap albums that I wouldn’t be me without. In chronological order, they are:

1. Run-DMC – Raising Hell (1986)
one of the first two tapes that I ever bought with my own money. it’s remotely embarrassing that this is my entry into the rap world (by way of Aerosmith). but the bottom line is, that particular crossover put rap on the radar for a lot of white kids that wouldn’t normally be seeking it out. in that sense (but not that sense alone), the album is seminal.

  • Run-DMC | Hit it Run

2. Gang Starr – Step in the Arena (1991)
as far as rap ALBUMS go, this one was the first to capture my full attention for the duration of the whole album. there was such a long time that Yo! MTV Raps just had me buying singles for all the songs that I found on there. this album blew my mind from front to back and I must have listened to it (at least) 500 times within the next five years.

3. Dr. Dre – The Chronic (1992)
I feel like I don’t even need to say anything about this album. this album took everything that everyone loved about NWA, the DOC, Easy, and basically everything about hip-hop to a whole other level. this album put rap on the map as a commercial giant. plus, it’s a phenomenal piece of work.

  • Dr. Dre | Let Me Ride

4. A Tribe Called Quest – Midnight Marauders (1993)
this one might stand alone as the most solid hip-hop album that has come into my life. it seems like it’d be easy to dismiss this one as something that would be stuck in the 90’s. but put it on every 6 months and see how much of it you can regurgitate. that says something.

  • A Tribe Called Quest | We Can Get Down

5. Wu-Tang Clan – Enter the Wu-Tang (36 Chambers) (1993)
there are so many MC’s that wouldn’t exist without the Wu-Tang Clan that I feel like it’s kind of an injustice that there isn’t a statue of them in NYC. not to mention, Ghostface is still putting out albums that almost always end up in everybody’s top records of the year – every year he puts out an album.

  • Wu-Tang Clan | Bring Da Ruckus

6. Nas – Illmatic (1994)
one of the greatest storytelling rap albums that I own. or at least, it was up until that point in my life. I think that I had to buy this CD twice from listening to it so much

  • Nas | Represent

7. Aceyalone – Book of Human Language (1998)
I equate listening to this album with reading one of those books that change your way of thinking for the next few years of your life, like Breakfast of Champions or Siddhartha. Acey’s message is equally as impressive as his delivery.

8. Jay-Z – The Black Album (2003)
I’ve been listening to a lot of Jay-Z recently and I’m pretty sure that he’s my favorite MC. possibly ever. with all the big willy and cash money talk that goes around in hip-hop, his (in retrospect) seems pretty honest. at least, the figures that he starts off touting on his first albums vs. the kind of duckets he throws around these days are reflected accurately in his respective albums.

there are other MC’s and groups that have been equally as influential on my tastes in music (Missy, Outkast, UGK, the Roots, Mos Def). but as far as albums go, those are the pivotal fence posts of my experiences with hip-hop. ok, maybe you could throw UGK’s Super Tight in there, too. but I’ve got plenty more to learn and listen to. and I’m all ears and I’m desperately in need of suggestions because with the year spans listed, I think I’m overdue for my introduction to my next indispensable, hip-hop chapter.

(Click here for all entries in the I Used to Love H.E.R. series.)