Elbow covers Amy Winehouse: Back to Black

Elbow’s been all over since releasing its latest (and fantastic) album The Seldom Seen Kid.

The band’s latest promo stop was on BBC’s Radio 1 Live Lounge, where they performed (with a string trio) two songs, including a cover of Amy Winehouse’s Back to Black. It’s a very sympathetic and endearing cover.

Clearly, Winehouse has the band’s respect if singer Guy Garvey’s introduction to the cover is any indication: “This song probably defines last couple years in British music. Also, it’s an opportunity to say the artist is someone who’s in the press an awful lot. And I think you should only go on your experience of people. Having met her a few times, I just know her to be a a very sweet girl who works very, very hard.”

  • Elbow | Back to Black (Amy Winehouse cover on Radio 1 Live Lounge)
  • Elbow | One Day Like This (on Radio 1 Live Lounge)

Related:
More Elbow posts on this site (there are too many to list individually).

88-Keys: The Death of Adam

I had the good fortune to speak last week to 88-Keys, the New York-born producer (and now part-time rapper) about his upcoming debut full-length The Death of Adam, expected out on Decon in September.

You can read the resulting story at azcentral.com.

Without going into too much about what the story already says, The Death of Adam is being executive produced by Kanye West (whom we are seeing on Sunday night) and, according to 88-Keys, carries a “very strict storyline.”

Excerpt from story, with unedited quote:

The tale follows Adam, who represents man and mankind, in his quest to woo the opposite sex. More specifically, um, well . . .

“It’s about the power of the female … of the vagina,” 88-Keys says. “This is not a spoiler alert. The pursuit of the punany leads to his demise. But it’s how he dies. That’s where people will want to purchase the album.”

88-Keys is in Tempe tonight at Marquee Theatre on the Fresh Rhymes & Videotape tour with Dilated Peoples, the Alchemist and Aceyalone.

Check out Cuddle Bums below from his upcoming mix tape Adam’s Case Files.

  • 88-Keys (feat. Tanya Morgan) | Cuddle Bums

Also, 88-Keys worked a mix called Platinum Dreams that you can download for free at Decon. The mix features tracks by Aceyalone, Jurassic 5, Z-Trip, Dilated Peoples and more. It’s hot. Get it.

The Baseball Project: Past Time

The news of the Baseball Project – a group led by Scott McCaughey and Steve Wynn – and its forthcoming album couldn’t have landed in my inbox at a more shockingly coincidental time.

I left The Arizona Republic after five-plus years to take a job with MLB.com as an editorial producer, which I started last week (in New York). So for the past week I’ve been buried in baseball (not a bad thing) as I acclimate to the new gig.

And here comes McCaughey with another quirky side project (see also The Minus 5), mining the national pastime’s history for an entire album’s worth of material. The references throughout are so rich – Oscar Gamble’s afro, Pete Rose barreling into Ray Fosse, etc. – they could only come from seamheads.

It’s such a great idea I can’t understand why it hasn’t been done before. But here’s the catch (ha! get it?): The album clearly holds the game in high regard but in a sarcastic, grounded way – it’s the view from the hardened fan too far gone to give up on it. Yeah, we hate millionaire athletes and steroids and scandal. But you can’t quit the game. Not at this point.

Instead, McCaughey and Wynn show their love and appreciation for the characters and legends of baseball. They write a song devoted to Curt Flood, the pioneer of free agency, on Gratitude (For Curt Flood). Pay attention, young wealthy stars, and respect your elders: “I’m the one who paved the way / I laid my body in the road so you can walk on it today.”

Even on the lead single, Past Time, there seems to be a cynic’s touch at work: “So long ago / so long, pastime / are you past your prime?”

Jackie’s Lament is more social commentary than baseball fandom. (And if I have to tell you who Jackie is, well, you probably need to buy this album more than you think.)

And what would be the name of the last song on the album? The Closer, of course – a raw, fuzzy ode to the (underappreciated?) one-inning specialists of our day: “MVP / Strike 3 / my work is done again.”

Volume 1: Frozen Ropes and Dying Quails is due out July 8 on Yep Roc. If you pre-order from Yep Roc, you get a download of Blood Diamond, “a song about a Dodgers fan shooting a Giants fan.”

Stream the entire album.

I Used to Love H.E.R.: Aye Jay!

I knew when I purchased the Gangsta Rap Coloring Book that I had to have its creator, Anthony “Aye Jay!” Morano, take part in this series. His is the 28th installment for I Used to Love H.E.R., a series in which artists/bloggers/writers discuss their most essential or favorite hip-hop albums (read intro).

THIS MACHINE KILLS PACIFISTS
By aye jay!

In these bloggish times we live in, you can find a plethora of lists by A to Z list internet celebs waxing poetic about the records they love and would take to a desert island, as if you could pack to be stranded on a desert island? I never got that. I know that you know that I know Raising Hell and It Takes A Nation of Millions are essential listening. I wanted to expand horizons, and maybe put you up on some records I love, but you may not have heard. In my opinion, all of these are up to snuff, but check your political correctness at the door, cause some are potentially offensive.

Willie D, Controversy
The Houston TX based Geto Boy’s first solo album is the illest Rap record of all time? Quite possibly. It’s all here: Drugs. Sex. Murder. How can something Wrong be oh-so right? For example: the song I Need Some Pussy has the P word repeated 17 times in the first chorus alone! As a bonus, the Geto Boy’s LP cut Do It Like A G.O. is on here too! On Kinky Motherfucker, Willie tells us all about, you guessed it, how he’s a kinky motherfucker. Welfare Bitches tackles the serious social problem of welfare abuse by bitches, and the crown jewel: the song Bald Head Hoes. I consider BHH to be THE definitive song about bald headed groupies, but D doesn’t just point out the problems, he offers solutions: “I’m proposing a bill/ to Capitol Hill/ to kill/ all baldhead women at will.” Willie D for Senator!
Bald Headed Hoes – Willie D

Suga Free, Street Gospel
Pomona-bred permed pimp Suga Free teams up with producer DJ Quik and makes a masterpiece. While his punchline filled fast rap is akin to E-40 Fonzerellli, theres so much more going on here. I hafta shout out J-Zone for putting me up on this record. He once said that I’d Rather Give You My Bitch was the best rap song of all time, and after repeat listenings, it’s hard to disagree. Sex and humor have long been linked, but not so much in the rap music, but Free’s pimp tales make panties drop “just to warm her ankles” and you also get some great cameo raps by Quik and Hi-c, who I love. If your’re still doubtful, just check Why U Bullshittin? And understand that the line “Perm silkier than Charolette’s web/ waves deeper than Redondo Beach” is worth price of admnission alone!

Dr. Dre, Rodium mixtape series
From 1986 to 1990, well after NWA’s ascent to rap royalty, the good Doctor made 4-track mixtapes to sell at the Rodium Swap meet in Compton. If you don’t know what a tape is, I can’t help you, but make sure you Google it after reading this to completion. These tapes had ill song selection, the hits of the day, custom raps by the NWA crew, innovative mixes and mind blowing megamixes that put the Stars on 45 to shame. Humor too! In the beginning of the You got ganked tape, Dre claims there’s no music on the tape, and you got duped. After a few silent seconds, he says “nawwww, we just booolshittin.” But booolshit this stuff is not. The only problem is how great these tapes are and how few people have heard them. Get your internet rap nerd on and find 86 in the mix, Criminal, and especially Raw, which starts with a custom intro from JJ Fad and leads into MC Ren channeling Chuck D over the Bring the Noise beat!

[STREAM]: Audio via YouTube of the Rodium mixtapes (as stated, highly recommended!)

The Click, Down and Dirty (self released version)
Because E-40, B Legit, D Shot, and Suga Tee hath sprinkled the nation, i understand folks know about the Click. They did put V-Town on the map and all, but lets get into the wayback machine for a sec. After self releasing Down and Dirty, and selling mad copies outta the trunk, they signed to Jive Records, but a funny thing happened between the DIY tape and Jive CD: sample clearance issues. It’s unfortunate that the version America heard was all changed around. A song was dropped, snippets were reversed or changed all together. The result is a slightly different record, leaving the superior version to live on bootleg dubbed cassettes passed from person to person like folk tale or spinning yarn. For bonus points, also look for the Lets Side EP, which also stands the test of time.

Ego Trip Presents: The Big Playback
One could argue that I shouldn’t list a compilation here, but my argument is this: why go through the hassle of finding classic cuts yourself when you have rap scholars (Mao, YN, Sacha J, GA and BR) to do so for you? From the groundbreaking magazine of the same name, to TV specials, and reality television forays the ET crew do it well, a la LL, and continue to innovate. As the story goes, after the magazine folded, the crew makes The Book of Rap Lists (aka the best book of all time b/k/a the rap bible) then teams with Rawkus Records to produce a soundtrack to said best book of all time. From MC Shan and Marly Marl to the pre-Adrock stylings of Beat bop, The Big Playback is a primer for those ignorant to rap history, so pull up a desk younguns, and take notes. Make sure to cop this on vinyl (google it) just to see the full spendor of Brent Rollin’s amazing cover art in full 12” x 12” glory. Es muy bueno!

(If anyone can help with mp3s, holler … thanks!)

Frightened Rabbit sort of covers Fake Empire

For whatever reason, the album I listened to most while in New York last week was Frightened Rabbit’s The Midnight Organ Fight (I swear, if one more person calls it The Midnight Organ FLIGHT … ).

Anyway, there’s nothing at all New York about the record, so I can’t really say why I listened to it on repeat. I do find Scottish accents sort of endearing, but it’s obviously more than that – the emotion, the depression, the anger (“I’m armed with the past, and the will, and a brick / I might not want you back, but I want to kill him.”). Powerful stuff.

So, of course, I did a YouTube search for some more Frightened Rabbit material. Here’s a live clip of the group performing Backwards Walk (one of my favorite tracks – “You’re the shit and I’m knee-deep in it”) with a dash of the National’s Fake Empire serving as an introduction. (Makes sense, considering Peter Katis worked on Midnight Organ and previous National records.)

Remember: Frightened Rabbit and Oxford Collapse at the Rhythm Room in Phoenix on June 24.

Rob Dickinson audio ecard

Being that I’m in New York, thousands of miles away from the comfort of my home (and external hard drive), I’m a little out of sorts this week.

But I do have an audio ecard from Rob Dickinson, former singer of Catherine Wheel who is rereleasing his solo debut Fresh Wine for the Horses. The reissue includes a new track, The End of the World (see below), and a second disc of newly recorded Catherine Wheel tracks done acoustically.

I could go on here and question why this album is being rereleased (we already bought it once, thanks), why Dickinson seems to be holding on a little too hard to the CW salad days (see CW logo plastered on ecard) and why he doesn’t just give us some new material. But I’m really tired. It’s 4 in the morning. I’m not even putting a picture in this post, for crying out loud.

And, besides, Black Metallic is probably my favorite CW song and the ecard includes that audio stream. And you should listen to it.

Click this thingy:

Really, just get Catherine Wheel back together already, mmmmkay?

Spoon: Don’t Let it Get You Down (demo)

I’m not sure how long Spoon will keep offering a bonus download every month, but I’ll keep going back until the band stops.

May’s bonus baby is a demo version of Don’t Let it Get You Down, the original of which appears on 2002’s Kill the Moonlight.

Previous bonus downloads included I Turn My Camera On (first version) and Cherry Bomb (demo).

Even better news for Spoon fans: June is just around the corner.

  • Spoon | Don’t Let it Get You Down (demo)
  • Spoon | Don’t Let it Get You Down (album version)

Mama Said Knock You Out (DJ Z-Trip remix)

A few of you seemed to dislike the last DJ Z-Trip remix I posted, his reworking of Nirvana’s Lounge Act.

Well, I’m here to tell you I won’t quit posting anything he does so long as he’s making them available.

This time, Z-Trip takes on a hip-hop heavyweight – LL Cool J’s Mama Said Knock You Out – and adds a touch (OK, more than a touch) of rock to it.

Check out summer tour dates for Z-Trip.

  • LL Cool J | Mama Said Knock You Out (DJ Z-Trip remix)

NOT REALLY RELATED AT ALL: I’m headed to New York on Monday for a week. For those that don’t know, I’ve worked at The Arizona Republic the past five-plus years (my second time around after working there part time in college). Well, that all ended after I took a job with MLB.com, the Web site (and its team sites) of Major League Baseball. Thus, my trip to New York for training.

I’ve already got some good recommendations for record stores for whatever spare time I’ll have. I’ll take any other suggestions for music, restaurants, shopping, etc. Unfortunately, I’m working nights, so I won’t get to any shows.

Besides feeling blessed for working for the professional league of the sport I’ve loved since I could wear a hat, this also means I’ll be doing some freelancing about town here, including for, yes, The Republic. My first bit of work was a review of the Kills show last Thursday.