All posts by Kevin

Free download: Source Victoria’s The Fast Escape

Anyone who has read this blog knows that Source Victoria means more to me than the average band.

Now you have no reason to not listen to me: The band is offering its 2007 release, The Fast Escape, as a free download – with liner notes, album art and all (mp3s are 320 kbps, by the way) – until 11:59 p.m. May 2. The band plays Hollywood Alley on May 3.

Venture to sourcevictoria.net and click “take the fast escape” for a download of a zip file.

A little background on The Fast Escape: Chris Testa, who won three Grammys for his work on the Dixie Chicks’ The Long Way, mixed the record. (His other credits.)

Jim Adkins of Jimmy Eat World praised the band, and The Arizona Republic ran a story about the free download.

Read more in a recent Phoenix New Times article.

I Used to Love H.E.R.: Man Man

The 25th installment of I Used to Love H.E.R., a series in which artists/bloggers/writers discuss their most essential or favorite hip-hop albums (read intro), comes from Man Man drummer Pow Pow, who was cool enough to put this together before the band headed out on an extensive tour in support of its new album Rabbit Habits.

Man Man plays the Brickhouse in Phoenix on Sunday with Yeasayer. (Buy tickets.)

3 feet high and risingDe La Soul
3 Feet High and Rising (Tommy Boy, 1989)

It’d be best to start with this record. 3 Feet High and Rising was the first record that made me want to be in a “band” and make a record. The record was way ahead of its time. It has a constant fun & positive vibe to the entire record. There’s interludes and funny skits. There’s AMAZING beats and rhymes. It wasn’t just one MC. It was a group. It has a free “do whatever you want” kinda attitude about it without coming off as too too artsy or too abstract. It made me understand the importance of putting together a cohesive record that jumps around in styles and direction and NEVER once takes itself too seriously. It’s well thought out. It sounds like a collaboration. AND…..

Then there’s the cherry on top….. The album cover.

This record cover was the start of my obsession with fluorescent colors. I started wearing these types of colors when this record came out. Fluorescent yellow. Fluorescent pink. Fluorescent orange. I remember drawing them raw looking hippie flowers all over my schoolbooks.

[VIDEO]: 3 Feet High and Rising press kit.

push itSalt-n-Pepa
Push It (single, 1986)

This single was probably the 1st song that made me start playing music. The keyboard/synth lines in this song are so unbelievably catchy !!!!

Hearing it over and over again on the radio made me want to play an instrument. Period. It got me hooked on beats and melodies.

I bought a Casio SK-1 so I could learn how to play this on a keyboard. I would play back the song over and over and over and over again until I learned the melodies front to back. This was most likely when I realized I could easily teach myself how to play an instrument.

The lyrics are great, straightforward party lyrics !! I was really young when i first heard this, so it made me feel cool listening to it cause they were talking about SEXXX !!!

Salt-N-Pepa. YESSSSSS !!!!

arrhythmiaAntipop Consortium
Arrhythmia (Warp Records, 2002)

This record is oozing creativity everywhere.

The beats on this ???!? The beats sound like nothing before it. A pleasant awkwardness. Brilliant, fun, colorful verses. A fresh new take on hip hop.

Another record that doesn’t take itself too seriously, yet is totally successful in seeking and destroying. This record has the perfect mix of glitched out beats, creative verses, catchy keyboard lines & tough ass bubbling bass.

It’s too bad they split up because this is by far one of my most listened to records and they were one of my favorite bands at the time. AMAZINGLY huge influence !!!!!

  • Antipop Consortium | Ping Pong

Fleet Foxes: White Winter Hymnal

I’ve been borderline obsessed recently with the Fleet Foxes EP Sun Giant, a five-song precursor to a self-titled full-length record that I am eagerly awaiting (due out June 3).

On the way to dinner on Sunday, I played the EP again in the car and Annie says: “You’ve been listening to this a lot lately. Who is this?” And it’s those kind of moments I love – and probably the kind Annie dreads … me rambling incessantly about this band or that. And, hey, I’ll just go ahead and put it on your iPod for you, mmmkay?

Yes, the Fleet Foxes push is on. As such, the folks at Sub Pop have made available the first mp3 from the full-length record. It’s called White Winter Hymnal and it’s as gorgeous as anything on Sun Giant.

At Daytrotter, singer Robin Pecknold had this to say, in part, about the song: “On the record it starts with a tongue-in-cheek harmony thing that we hoped would make people laugh or something but I think it just confuses them.”

That actually does make me laugh, because the beginning of the song makes me think of the harmonizing on Row, Row, Row Your Boat for whatever reason.

Fleet Foxes elsewhere:
English House live video at Muzzle of Bees.
Fleet Foxes at Daytrotter.

  • Fleet Foxes | White Winter Hymnal

Spoon’s Girls Can Tell gets vinyl reissue

Try as I might to trim some of the fat out of my music collection, one of my goals is to acquire some of my favorite albums on vinyl. To that end, I’m quite happy to see Merge Records reissuing Spoon’s Girls Can Tell on 180-gram vinyl on May 6.

A Series of Sneaks and The Magnetic Fields’ The Charm of the Highway Strip also will be reissued. Pre-order them for $15 apiece right here. Each includes a digital download coupon.

If you’re into making arbitrary/meaningless lists, here’s one: The Fitted Shirt and Anything You Want definitely rank in my top 5 of back-to-back songs on an album. Seriously, The Fitted Shirt? That riff is hard to top. “I long for the days, they used to say, ma’am and yes, sir.”

  • Spoon | The Fitted Shirt

2:42 … the perfect song length?

I’ve been really intrigued by this piece at The Morning News that argues – maybe somewhat facetiously – that 2:42 is the perfect length for a song (via).

Clearly, this is an arbitrary matter. However, I’ve long been a proponent of the 3-minute song. Get me in and get me out. My daily commute is no more than 15 minutes one way; let’s maximize that time, shall we?

That’s not to say I don’t appreciate a longer song (check Ear Farm’s 8+ feature if you do). But I’m not sure I understand this thinking that favoring shorter songs somehow makes the music (and the listener) less pure or less authentic, that a song under 3 minutes isn’t as genuine as one that is 6 minutes. (Witness the first comment: “The decay continues.”) Look at Buddy Holly, a rock pioneer. I don’t own a song by him that’s longer than 2:36. (Could be that had something to do with the 45 format, too.) Also consider Guided By Voices, a band whose songs traditionally hover at the 2-minute mark.

Like anything in music, it’s purely subjective. But, as it’s often said in my line of work at newspapers: Everyone needs an editor.

Out of curiosity, I sorted my iTunes library by time. I was surprised at how many songs (41, to be exact) I had that clocked in at 2:42. (I didn’t count any vinyl or live radio rips, excluding my own audio editing as a factor.) Nothing really stands out, other than there being two Jimmy Eat World demos from the band’s Futures album and two songs apiece by Matthew Dear and Pete Yorn.

Sleater-Kinney’s Carrie Brownstein also weighs in on the issue at Monitor Mix.

The Morning News article author, Joshua Allen, created a Muxtape of 2:42 songs.

My list of 2:42 songs from my iTunes library after the jump with a few mp3s:

Continue reading 2:42 … the perfect song length?

Destroyer: Madame Butterflies

Hopefully, you made it out to your local independent record store on Saturday for Record Store Day.

I hit Stinkweeds and was encouraged by the crowd and the general hustle and bustle of the store. Yes, every day should be Record Store Day.

Thankfully, I made it in time before some of the exclusive 7-inch records were all gone. I managed to pick up a Built to Spill 7-inch that contains live versions of Don’t Try and The Source. I also grabbed the free Merge offering, a split 7-inch with unreleased songs by Destroyer and Wye Oak.

Before any dust could settle on my virgin vinyl, I converted the Destroyer track, Madame Butterflies, into mp3 format. It sounds like it definitely could have come from recording sessions for Trouble in Dreams with its loose guitar coloring.

Remember: Destroyer plays the Rhythm Room on May 18. (Buy tickets.)

New My Morning Jacket: Evil Urges

I feel like I’m probably part of some weird blogging experiment: How long will it take for this new track from My Morning Jacket to get posted from the time it arrives in bloggers’ e-mail boxes?

I rarely operate that way, but I’ll bite this time. Hey, when a record label offers an mp3 instead of stream of a fairly big band, you’ll take it.

So here ya go. I’m digesting it at about the same time you are. So far, I love it. Jim James’ voice is really reaching into the upper, upper register here.

  • My Morning Jacket | Evil Urges

Record Store Day around Phoenix

As you might already know, Saturday is Record Store Day, a celebration of and, perhaps for the younger generation, an introduction to independent record stores. (Some blogger types are discussing it here.)

NPR’s All Songs Considered blog recently discussed going all digital, a prospect I’m not ready to consider just yet. I still spend a ton of time in record stores (Stinkweeds and Zia, mostly). For all the convenience digital music offers, nothing beats stumbling on a rare find – maybe a CD single, a 45, whatever – at a record store. That’s not meant to sound all weepy and nostalgic. Sometimes I just enjoy having a tangible piece of the music. After all, the packaging – the art, liner notes, lyrics – is part of the price and part of the vision for the artist.

I curse my CDs and records whenever I move – they get damn heavy – but it’s oddly thrilling to re-sort them (alphabetically, of course). And it’s a joy to see guests look through my CDs on shelves, something they couldn’t do if I kept everything digitally. I love thumbing through CD/record collections of others; how else am I supposed to judge them?

Anyway, without romanticizing this too much, I’m happy for Record Store Day. Check out Zia Records and Stinkweeds for events. Read a story at azcentral.com.

The great Pete Rock discusses independent retailers:

LASTLY: Big thanks to Tim at The Blue Walrus for updating my blog to the newest version of WordPress. I didn’t stand a chance without him.

MGMT at Tempe Marketplace

I have about a couple hours to decide if I’m going to head over to the Tempe Marketplace (sigh) to see MGMT (for free!). (You might recall Rogue Waving playing there, too.)

Before I go any further, can somebody clarify something for me? Do you pronounce the band’s name like the word “management” or do you actually spell out the letters M-G-M-T?

In any event, MGMT’s Time to Pretend EP (2005) was rereleased by Cantora Records. Maybe you should pick it up on Record Store Day (more on that on Friday).

  • MGMT | Destrokk