Obama: “Change has come to America”

Via Crumbler

For Christmas/Hanukkah (I’m a half-Jew, after all) in 2005, my parents gave me Barack Obama’s memoir, Dreams from My Father. In it, my mom (she’s the Jewish one), who was born and raised in Chicago, wrote on the title page with clear prescience:

Dear Kevin … Hope you enjoy this. He might be the next US president from Illinois.

And so it is. I don’t really know what to say. We spent most of the evening at my brother’s, surrounded by friends and family. I’ve never felt so invested in politics, and there I was, pretending not to cry (thanks to my brother for turning down the lights). My mom said she’d never felt so hopeful for a candidate since John F. Kennedy. It was a transcendent moment that needed no explanation. Everyone was cheering without shame; like when people clap at the end of a movie, only this time you felt like joining them. This was a time to be proud and grateful. Did you see Jesse Jackson cry? Did that not move you? Have you a soul?

Credit to John McCain, whose concession speech was classy as they come – the best speech he’s given on this campaign (prepared well in advance, I presume). But Obama … there is a confidence not just in what he says but how he says it. His diction is graceful, delivery flawless. He exudes strength. I could watch his speech on mute and feel the power. What an amazing speech, full of hope, promise and humility.

(My favorite part of the day, actually, is that Obama played some pickup ball earlier in the day … f*cked around and got a triple-double!)

I was really a part of something historic. Something to remember. I got to watch my 5-year-old niece, Quinn, stay up with us (she didn’t go to bed until 10 p.m.!). This won’t make sense to her now, but it will soon, and I hope she can remember staying up so late to watch this.

Then, my wife – so reserved and soft spoken – sent me an e-mail in the aftermath; I was still out while she responsibly called it a night. For as much as Obama’s speech inspired and moved me – moved all of us – Annie uncharacteristically spilled her heart on paper. As I fight to express how I feel, no words could have touched me more than hers:

“I always cry. Anyone that knows me knows that I cry. I mean anything from cotton commercials to watching ‘Intervention,’ I cry all the time lately. Maybe it’s stress, maybe it’s the diet, maybe it’s ‘that time of the month,’ but truly, I cry all the time. Tonight I think it was valid. I started the day like anyone else, excited to vote. I got up at 5:15 this morning so I could get to polls early and still make it to work on time. I got to the polls right around 6 am and waited, like all other good citizens, for about a little over an hour. It was well worth it.

“Being a female minority from Arizona, I’m used to being a little different. Not a huge difference exists, I admit. I’ve never had any problems where I grew up or how I grew up. But you can never forget where you’re from, but that’s another topic. My point is, I work and live around some outstanding people in Phoenix, AZ. Many of my best friends are conservative. But I have always felt differently. But never until tonight have I felt so strong and courageous about my future and the future of my family. So many conservatives are speaking negatively, and I feel like it’s all coming from a place of fear. They are so afraid of a new beginning, a possibility of a clean slate.

“The best part about tonight was looking at my 5-year-old niece and thinking, this is all for you, Quinn. You will remember all of this and it will be the one of the most memorable parts of the rest of your life. And then I thought about how my first presidential election that I was ready to vote in when I was 18; I voted for Bill Clinton. I was ecstatic. I think I even registered at an R.E.M. concert on their “Monster” tour. I wanted that experience for Quinn, to remember this moment in history when democracy was what it was meant to be, powered by people like us.

“So I cried. Not sobbed, mind you. But I shed a tear because I’m an adult now and I made a choice that is going to drive the future of my nieces and nephew and possibly my own future children. A tear fell because the speech that my future president made was full of modesty and humility, things that I try to model myself to. I shed a tear mostly because I am excited for what the future holds. I am not scared or hiding in a place of fear, but I am hopeful and ready for where the next day takes me.”

J. Period and Q-Tip: Q-Tip for President

I might have missed a Sundays with A Tribe Called Quest post this week, but I’ll make up for it here.

Producer/DJ/remixer J. Period is offering a free download of Q-Tip for President, a collaboration with Q-Tip, who spits freestyle over samples of Eric B. is President (natch) and Barack Obama.

That’s just the, ahem, tip of the iceberg for J. Period’s tribute to the Abstract Poetic. From his Web site:

To continue to help raise awareness for Q-Tip’s new album, J.Period has enlisted an all-star cast of Native Tongue contributors, including Questlove, Talib Kweli, Busta Rhymes, De La Soul, Consequence and Black Thought to record exclusive material for the forthcoming “Best Of” tribute mix. Encompassing nearly 20 years of catalog, J.Period’s “Best of Q-Tip” seeks to remind fans of the depth of Q-Tip’s influence and contributions to hip hop, as well as to introduce his music to a new generation of hip hop fans around the globe. The complete mix is scheduled for release in early December, and will also be available as a free download on www.jperiod.com.

And, I might have mentioned this once or twice, but Q-Tip’s new album, The Renaissance, is available Tuesday.

Stream Travis’ Ode to J. Smith

Travis’ new album, Ode to J. Smith, has been out since late September in the United Kingdom, but it gets a U.S. release on Tuesday – which will be a pretty big day, if you ask me.

As a little incentive, the band is offering a full stream of the album at its MySpace page. It’s possible you’ve heard a small chunk of the album, thanks to the three videos the band already has released for Song to Self, Something Anything and J. Smith. And let’s not forget singer Fran Healy’s coming to my aid in a spot of copyright entanglement.

Lastly, the band is playing one U.S. date for the rest of 2008 – Nov. 11 at the Troubadour in Los Angeles. Get tickets (really wish I could go).

Stream Ode to J. Smith here.

Stream The Renaissance by Q-Tip

I’d normally reserve this for a Sundays with A Tribe Called Quest post, but this really can’t wait. iMeem is offering up a preview of Q-Tip’s album, The Renaissance, which I’ve been enjoying quite a bit the past few days. It comes out Nov. 4 (coincidence?). So pick that up right after you vote (preferably for Barack Obama).

Favorites so far: Won’t Trade (produced by Mark Ronson), Life is Better (feat. Norah Jones … I know, I know), You and Move (produced by J Dilla).

The Renaissance

I Used to Love H.E.R.: Belief

The 38th installment of I Used to Love H.E.R., a series in which artists/bloggers/writers discuss their most essential or favorite hip-hop albums and songs, comes from Belief, who in 2006 dropped his great debut Dedication (featuring the likes of Murs and C-Rayz Walz and previously discussed here). Belief’s newest project is a 40-minute mixtape, Let It Breathe, available as a free download at his MySpace page.

In talking about his mix, Belief said he was “hoping to create a combination of the formats of Dilla’s Donuts and Girl Talk’s Night Ripper.”

“As an artist who had been limited by sample clearance issues, I needed to find an outlet for all this sampled music I’ve created that feels very meaningful but has been left to get dusty in my hard drive over the years due to not being able to find the right artist to write the right song, or labels not being willing to release sampled music.”

In his entry, Belief sheds some light on an overlooked Los Angeles gem by Freestyle Fellowship, a group that gave us, among others, Aceyalone.

innercity griotsFreestyle Fellowship
Innercity Griots (4th & B’Way/Island, 1993)

This album represents the L.A. underground renaissance that I am a product of. The album came out during a time when people in that scene only respected innovativeness. Fellowship were the clear leaders of that movement. The beats were not 100% incredible on every song, but the ones that were are still some of my favorite beats ever. It took me a year or so to totally get into it, but eventually I realized it was somewhat of a Bible for me and other L.A. kids that were into underground hip-hop at the time.

They had a combination of street consciousness, artistic relevance and really pushed the envelope. This is what hip-hop music is all about to me, and especially West Coast hip-hop. It was a four-man group but they all were great and important to the sound. The production on Six Tray is so hard. P.E.A.C.E’s verses are chilling. Shammy’s is the ultimate booty anthem of all time and still gets love by L.A. DJ’s in the know. Mary is the ultimate weed classic. Bullies of the Block was too hard. DJ Kiilu’s little sister gave me the cassette when we went to Palm’s Jr. High together but I didn’t really understand its relevance until I went to high school and joined a crew called Suns of Kneeshak with some Living Legends members and our homegirl Faith. They are the ones who really put me on to it. Eventually I started hitting up the Good Life Café with them and to this day I’ve never seen a hip-hop movement so alive and innovative. Its what got me inspired to start making music.

Eventually I moved to NY and pretty much 100% across the board that album got dissed for being too out there. People preferred their hip-hop to be more meat and potatoes, simpler and more grounded. I would come home on breaks from school and our older homies who only listened to East Coast shit or Dr. Dre were finally coming around, 4 or 5 years later. I still take a listen to this album every once in a while for inspiration.

Sundays with A Tribe Called Quest: Vol. 15

Thanks to Spine Magazine for the heads up on this: Q-Tip reveals information during a Hot 97 interview about Nas-produced documentary on A Tribe Called Quest.

Actor Michael Rappaport, who recently on the VH1 Hip-Hop Honors said he named his son Maceo after Maseo from De La Soul, also is involved on the production/directing end. (Thinking about naming my first son Q-Tip … Q-Tip Murphy. I like it.)

Jurassic 5: Deluxe reissue of debut EP

Pining for the old days of Jurassic 5? Before they broke up? Before they collaborated with Dave Matthews? You’re in luck.

The group is reissuing its seminal debut EP in deluxe version on Decon on Nov. 11.

From a Decon press release:

“Due to contractual disputes, this masterpiece has been out of print since 2004. Now on the heels of the 11th anniversary of its release, Jurassic 5 has decided to re-issue a limited edition of this album with a bonus CD that features 15 exclusive, rare songs and for the first time ever, a full length DVD that chronicles the moment Jurassic 5 broke through, as well as performance footage from their first world tour.”

One of my favorite music/concert-going memories was seeing Jurassic 5 at the old Nile Theater in Mesa and then the next night seeing Cut Chemist, Nu-Mark, Radar and Z-Trip – the vaunted 4-by-8! – perform together in Tempe in a laid-back, secret-ish gathering.

I also was fortunate enough to snag the EP on vinyl at Amoeba Records, one of my greater vinyl finds.

Here’s Unified Rebelution, a track that will be included on the second disc of the reissue and allegedly brought the group together after their two separate crews performed it live in 1993.