Following their first video for Gun Fight, the Mighty Underdogs now hit us with some visuals for another track – Want You Back – off the great Droppin’ Science Fiction.
Of all the combinations the Quannum collective could produce, Lateef and Gift of Gab are starting to feel like the perfect match.
I’ve been pondering my favorite albums of the year, jotting notes and scrambling a bit to see what I’ve overlooked, as I’ll be presenting my list here (presumably before the end of the year) and for Stinkweeds (as I did for their year-end booklet last year).
The Dodos’Visiter is making a late charge. I admit: It was recommended to me by a friend at least three months ago (it came out in March, for crying out loud) and I’ve only recently cozied up to it. But, seriously, I think it has a real good chance at overtaking Chinese Democracy for my No. 10 spot (*RIMSHOT*).
I know for a fact that Fools (and maybe even Jodi) will be on a year-end mix I make for friends who come over to our New Year’s Eve bash. I’d say you’d be a fool to not like this one, but that’s just too easy.
Troll the Stones Throw site and you’re bound to find a gem, usually sooner than later. That’s how I found out about Mayer Hawthorne, a Michigan-bred soul singer who inexplicably channels the Motown era to which he surely grew up listening.
Why inexplicably? Well, for starters, he’s white. Give Just Ain’t Gonna Work Out a listen and you’ll understand. Mark Ronson played it on his radio show and commented: “I have no idea what it is … old, new. It’s fucking good.” (You can hear the clip at Hawthorne’s MySpace page.) If I didn’t know better, I swear it’s a track I could have pulled from the collection of 45s and Wurlitzer jukebox my dad handed down to me.
What’s more, Hawthorne played all the instruments. Check his bio at Stones Throw.
You can order this amazing-looking heart-shaped 45 for the Just Ain’t Gonna Work Out, which spins in the video below.
Plain and simple: Digable Planets can still bring it. A small part of me feared I’d let nostalgia get the best of me. I think that’s natural, especially when you hear those opening bars on a song like 9th Wonder (which I woke up with in my head). But the DPs, who played almost two hours, were clearly geared up, not resting on the credit they’ve built from their good name over the years. It didn’t hurt that a spirited crowd of about 300 packed into Club Red. (Kudos to the Blunt Club guys for such a great night.)
If you’re lookin’ for a pick-me-up, this might not be the video for you. But then, it’s Damien Jurado. What do you expect?
Directed by Thinklab, this video for Caskets (via Subterranean), off the overlooked album Caught in the Trees, is grim but beautiful, in the way that only primitive, prairie-land surgery can be. That would be Jurado’s brother, Drake, under the knife, by the way.
Phoenix’s Miniature Tigers, who played our Oct. 13 show with Birdmonster, are streaming a new demo on MySpace called Japanese Woman Living in My Closet.
The song, even in its infant stages, sounds like a logical extension of the group’s catchy-as-hell 2008 album Tell it to the Volcano. Highly recommended.
As you might imagine, the advertising/promotion at Monday’s 2K Sports Bounce Tour with Q-Tip, the Cool Kids and the Knux at Marquee Theatre had all the subtlety of a jackhammer on concrete. Game kiosks in the lobby/bar area were trumped only by two screens on the stage showing highlights of the NBA 2K9 game.
Who has money to buy a video game after paying $33 for a concert ticket anyway? At least the folks at 2K Sports were kind/smart enough to dole out some freebies, including a sampler CD featuring artists who appear on the soundtracks to their games.
That includes the Cool Kids, who put on an impressive set with their decidedly minimalist style (love the dip-and-duck dance with Pac Div during Black Mags).
Naturally, 2K Pennies (on the NBA 2K9 game) finds the duo coolly tossing out basketball references. I’ll even forgive Chuck Inglish (originally from Michigan) for name-checking famous Bulls nemesis Rick Mahorn. Hey, if it’s good enough for Kevin Garnett, it’s good enough for me.
Grounds for Divorce, off Elbow’s great 2008 album The Seldom Seen Kid, is paired — however strangely — with a new zombie-riddled video game, Left 4 Dead.
Here’s an extended trailer for the game with the song as its soundtrack:
Weiss, who saw the show in Los Angeles, was kind enough to give me a heads up to get to the show early to catch the Knux. Also, of Q-Tip, he said, “He tore it down last night.” No surprise there. Can’t wait. (Keep checking back with Passion of the Weiss, as I’m sure Jeff will have a detailed/in-depth review.)
As a teaser for the openers, check out the Leaders of the New Cool mixtape, presented by Mick Boogie and DJ Treats, a celebration of the youthful hip-hop talent rising to the surface. The Knux, the Cool Kids, 88-Keys and Charles Hamilton are among those featured on the mix.
According to Tip’s site, he’ll be performing with a live band. In light of that news, Q-Tip shared a mobile video of a rehearsal. The sound is for shit, but you can hear right off the bat the band practicing Tribe’s God Lives Through (!). (You have to click the “shows” tab and click the far left thumbnail.)
In other Tribe-related news, an artist signed to Phife’s independent label, Smokin’ Needles Records, passed away.