Category Archives: general

Q&A with Scott Hutchison of Frightened Rabbit

(Note: When an opportunity to interview Frightened Rabbit singer Scott Hutchison arose in advance of the band’s April 19 show in Tempe, I knew my friend Casey, the man behind the great blog Crumbler, was the man for the job. His impassioned response to Pitchfork’s review of the band’s new album is worth your time, as is his outstanding interview here.)

Scott Hutchison answers the phone in Amsterdam, which he is visiting on this day for the first time. He has come to play a show with Frightened Rabbit, the band he started as a solo act in 2003 and has since developed into one of the most compelling acts in indie rock. Amsterdam has lived up to his expectations: “Booze is a cunt,” he tweets a few minutes before I call him. “Brain no worky.” But by the time he picks up the phone he seems to have shaken the cobwebs: He is cheery and thoughtful, gamely answering questions about his band’s excellent new record, The Winter of Mixed Drinks, and the somewhat bizarre critical response it has drawn. Frightened Rabbit comes to the Clubhouse on Monday, and it’s a show well worth seeking out. Arizona was an early adopter of Frightened Rabbit; according to Hutchinson, it’s the first place that ever requested an encore.

Below Hutchinson talks about moving beyond break-up songs, creating his rap persona and being misunderstood by Pitchfork.

Crumbler: So you guys are heading to Coachella next week. Do you like playing festival shows, or do you prefer the clubs?
Scott Hutchison: Well, each presents itself with a different kind of challenge and atmosphere. The big shows that you play in the afternoon, a lot of the audience might not have heard your music before. That in a way is a bit more fun. When you play in the clubs, you have an audience from the start. But when you play at an afternoon festival, that feels like more of an achievement — to win a crowd over in the space of 40 minutes. I love them both, though. They have their pros and cons.

I saw you in a particularly sweaty club in Arizona a couple years called the Rhythm Room. Midnight Organ Fight had just come out, but everyone in the pit knew all the words (see video at left), and you guys came out to play an encore. I remember you saying that you don’t usually play encores — is that still the case? 
The reason back then was that no one had ever called us back before.  Now we do plan for it. I do remember that show — it was a surprise that people wanted to hear more.

Continue reading Q&A with Scott Hutchison of Frightened Rabbit

New Band of Horses: Laredo

After sharing a video for the new song Compliments, Band of Horses are giving us a listen at another track off their forthcoming third album Infinite Arms (due out May 18).

Check out Laredo, a song I’m warming to a little quicker than Compliments, even if singer Ben Bridwell seems hesitant here to let his voice really fly the way we know it can.

New Megafaun: Volunteers

Last week I spoke to Megafaun drummer Joe Westerlund for a story I’m writing in advance of the band’s show on April 23 at Sail Inn in Tempe, part of their first headlining tour of the United States.

Naturally, he talked about the band’s upcoming release, Heretofore, a sort of stopgap recording between last year’s Gather, Form & Fly and a new album the band will begin recording in the fall. Due this summer, Heretofore is a six-song, 36-minute “mini-album,” with one song alone clocking in at 12 minutes. Westerlund said that song, an improvisation called Connor Pass, has become a favorite talking point for the band and emblematic of Megafaun’s off-the-cuff nature.

Alas, the new song Pitchfork premiered last week is not Connor Pass. It’s called Volunteers, twangy in nature and only a fourth of the length of Connor Pass.

Record Store Day at Stinkweeds (April 17)

Record Store Day logo

April 17 will be a joyous day. My wife’s birthday just happens to fall on Record Store Day this year, so I’m sure she’ll love the Wilco Kicking Television vinyl box set I’ll be getting her. Just what she always wanted!

Well, that’s one of the many Record Store Day exclusives I have my eyes on. I went to Stinkweeds on Wednesday and got the full menu of what will be available when the store opens at 9:30 a.m.

By the end of the day, I hope to also own these: Built to Spill 7-inch (love the artwork); Telekinesis 7-inch, featuring three new songs; vinyl copy of the new Hold Steady album with screen-printed artwork; Modest Mouse’s The Moon and Antarctica 10th anniversary vinyl reissue … and the list goes on.

I’m not sure yet what’s going on at other record stores in the Valley, but I know Stinkweeds will also have live music and food. Could my wife ask for a better birthday??

If you need convincing to check out the Record Store Day fun, then Queens of the Stone Age frontman Josh Homme is here to help:

New Band of Horses: Compliments (video)

Lost in my excitement about new material from The National is the first preview of the forthcoming album from Band of Horses, Infinite Arms (out May 18 on Brown/Fat Possum/Columbia).

The band released this video for Compliments last week, and my guess is the kaleidoscope-like visuals seemed way cooler after the first few hits, duuuudes. You can download the video (but not an mp3 … weird) at the Band of Horses site and pre-order the album at Fat Possum.

The Baseball Project: All Future and No Past

the baseball project

Is there a better band to feature on Opening Day than one that calls itself The Baseball Project?

Just in time for the new season, the side group that features Steve Wynn (Dream Syndicate, Steve Wynn and the Miracle 3) and Scott McCaughey (The Minus 5, Young Fresh Fellows, R.E.M.) has teamed up with ESPN’s The Life to chronicle the 2010 season by writing/recording a song each month until November, making them available as part of a package called Broadside Ballads – songs about specific events that happen during the season.

I loved The Baseball Project’s 2008 debut, Volume 1: Frozen Ropes and Dying Quails, an album steeped in baseball’s rich history and quirky characters. And this new idea of a rolling soundtrack for the season has amazing potential.

The first track, released in March, is called All Future and No Past, a song that captures the misguided hope and delusions of grandeur that spring can bring. (As a Cubs fan, I know a little something about this.) “At this point, everybody has a chance,” sings McCaughey, inspired by a quote from Indians Hall of Famer Lou Boudreau, who once said, “On Opening Day, the world is all future and no past.”

ESPN says a new song will be ready for release around Opening Day, so we can expect the second installment very soon. Until then, I’m renewing my dreams of a Cubs victory in the World Series.

New Born Ruffians: What to Say (stream)

Prepping for the June 1 release of Say It, the follow-up to 2008’s Red, Yellow & Blue, Born Ruffians will put out a 7-inch/digital single on May 4 for the track called What to Say, which you can stream in that embedded widget thingy above (via Warp). The single’s b-side will feature the previously unreleased Plinky Plonky.

What to Say is musically restrained – at least by Born Ruffians’ time signature-twisting standards – and instead highlights singer Luke LaLonde’s struggle to translate his thoughts into words, presumably to a love interest: “When I wake up I’m speaking slow / When I get drunk I’m speaking more / Get too drunk and I don’t speak at all / Get too close to you and I don’t know / What to say .”

As he tells spin.com: “‘What to Say’ is about how much and how little sense we make when we speak. It’s about the multitude of wrong words and the never-ending search for the right ones. May you choose wisely.”

Well said.

RELATED:
New Born Ruffians: Sole Brother
Novels, feat. members of Born Ruffians, Tokyo Police Club and more

The National: Bloodbuzz Ohio

the national

I have a friend who somehow has mustered the discipline to intentionally not listen to Bloodbuzz Ohio, the newly released song by The National from the band’s highly anticipated album High Violet (is it May 11 yet?). Something about preserving the moment to absorb the album in its entirety.

Forget that.

I’ve had the song on repeat since its release, only validating my assumptions it will be my favorite album of the year – after all, the band has a streak to uphold following 2005 and 2007.

The song structure of Bloodbuzz Ohio reminds me a lot of Boxer favorite Apartment Story – drummer Bryan Devendorf setting a workmanlike tempo with Matt Berninger singing ever-so-slightly behind the beat, an odd contrast that somehow always pulls together perfectly.

Far: At Night We live (album art)

far_atnight

There were hints of a Far reunion last year, and now — at long last — we have tangible evidence in the form of cover art for the forthcoming album, At Night We Live.

According to the band’s site, the album is due out May 25 (on Vagrant) and it would serve as the never-thought-this-was-coming-out follow-up to 1998’s amazing Water & Solutions.

A cover of Ginuwine’s Pony notwithstanding, I’m eagerly awaiting new material. The closest we’ve got is an acoustic/live version of a track below (along with the Pony cover).

UPDATE: If you sign up for the band’s mailing list at its Web site, you’ll be directed to a page to stream the new single, Deafening.

The Besnard Lakes on Jimmy Fallon

The Besnard Lakes made their television debut Tuesday night on Late Night with Jimmy Fallon, performing And This is What We Call Progress, one of the more rocking tracks on the new album, The Besnard Lakes Are The Roaring Night.

Fear not: They brought the fog machine. This has me pumped for the band’s May 14 show at Sail Inn in Tempe. Just don’t expect me to be flailing my arms and pumping my fists like the doofus behind drummer Kevin Laing’s right shoulder. Trust me, you can’t miss him.