Podcasting diatribe

Allow me, if you will, to rant about the latest developments in podcasting. It seems major media types are jumping into the fray since Apple introduced podcasting into its latest version of iTunes a couple of weeks ago. Yes, I was one of the million or so people who started subscribing to what iTunes had to offer. It was free (good) and gave a forum to the everyman (even better).

But we all knew this was going to happen, didn’t we? “This” is advertising. Now, my daily ESPN radio podcast is sponsored by (Tough Actin’) Tinactin. And the very first episode of the new podcast by Slate, an online magazine I read regularly, was brought to me by Chrysler. I stopped listening immediately. Unsubscribing is my next step.

Between listening to my iPod, reading some fabulous MP3 blogs (look over to the right) and downloading podcasts — oh, and work and stuff — I’ve discovered time is a finite resource. It’s bad enough ESPN’s SportsCenter hammers me over the head with the “Budweiser Hot Seat” and my precious Cubs games include the Pepsi defensive lineups and the Aflac trivia questions. Now, not even my iPod is safe. Worse, my favorite podcasts, from NPR affiliate KCRW in Santa Monica, Calif., are going to be underwritten by Toyota for six months in exchange for 10-second spots on each episode.

(On a side note, there now will be ads in the ads I’m trying to fast-forward through on my TiVo. From AP story: “TiVo has announced plans to insert symbols that identify advertisers during commercial breaks, making them more visible even when a customer is fast forwarding through them.” TiVo is desperate for money — it hasn’t turned a profit since ’97 — so it must be OK to sell out the idea of commercial skipping, which made the device so ingenious to begin with.)

I’m not naive. I work for a major newspaper. Advertising dollars probably pay a bulk of my salary (thank you, Christie’s Cabaret and Hi-Liter Gentlemen’s Clubs). I get that. But as the aforementioned story hints, these major media companies are squashing the true spirit of podcasting: the democratization of information. People will subscribe to podcasts by companies they know: ABC, ESPN, Disney (gee, all owned by the same folks). Thus advertisers will flock to said companies and it’ll end up just like commercial radio — exactly what podcasting wasn’t supposed to be.

I suppose Apple’s involvement brought podcasting to the mainstream. But where does that leave the grass-roots programs? How long before they start charging?

Ah, just had to vent. Here’s some music (free of charge, but go buy it if you like it!)

Public Enemy — How to Kill a Radio Consultant
Jets to Brazil — Resistance is Futile

Mike Doughty EP on iTunes

Mike Doughty, former frontman of Soul Coughing, released The Gambler EP on iTunes. For less than $6, you get this:

1. The Gambler (studio version of Kenny Rogers classic)
2. Strange Powers (live on XM Radio’s “The Loft”)
3. St. Louise Is Listening (live on KCRW)
4. Busting Up A Starbucks (live on KEXP)
5. The King Of Carrot Flowers (live on KEXP)
6. Janine (live from the street in Seattle)
VIDEO: “Looking at the World from the Bottom of a Well”

Go to Doughty’s Web site here and you can print out cover art. The guy also has a fantastic blog. And if you don’t have his new album, Haughty Melodic (an anagram for Michael Doughty), I highly recommend it. Buy it here. I miss Soul Coughing, but I’m digging Doughty’s solo resurgence and his so-called “small rock.”

In honor, here’s a couple of tracks from his solo projects Rockity Roll and Skittish and a live track from his new album played live for NPR.

Mike Doughty — 27 Jennifers
Mike Doughty — The Only Answer
Mike Doughty — Looking at the World from the Bottom of a Well (on NPR)
Mike Doughty — Busting Up a Starbucks (remix) by fan sent to Doughty; posted on Doughty’s blog.

45 RPM


I’ve got no central theme tying my selections together on this post, other than that they all were converted from vinyl 45s, a process at which I’m slowly getting better. I basically cobbled together any and all information I could on the Internet about it.

Briefly, this is how it works: I have a Technics 1200 turntable (yea, I had designs on wanting to be a DJ years ago) hooked to a preamp mixer. The mixer is connected to an analog-to-digital converter (I use Griffin’s iMic), which is then hooked up to the computer via USB. Then you’ll need some sort of sound-editing program: I use — and highly recommend — Rogue Amoeba’s Audio Hijack Pro, which also works to strip audio from applications like Real Player, Quick Time, DVDs, etc. Audio Hijack has a ton of filters to enhance the sound. There’s also Sound Studio, Amadeus and Audacity, to name a few. (If you have any other questions, e-mail me and I’ll be glad to help as much as I can.)

It’s really a trial-and-error process, but the best part about it is shopping for records. My dad passed along an original Wurlitzer jukebox to me we’ve had since I was about 8. With it, I took on roughly 250 45s — mostly ’50s, ’60s and ’70s pop and rock. I’ve gone a bit nuts shopping for records, especially 45s. You can find some serious gems, especially those with the picture covers (just look at that Jermaine Stewart!) The jukebox also is the inspiration for the jukebox tag links.

Image hosted by Photobucket.com So, enjoy the selections. I apologize for any static; again, I’m still working out the kinks (any feedback about how the audio is sounding on your end is greatly appreciated). Anyway, a little crackle and pop adds some warmth to the sound. I think you can clean the sound up too much to the point of diminishing returns.

(That little John Cougar Mellencamp acoustic ditty is for Dodge, who went all Authority Song on us a coupla weeks ago.)

Jermaine Stewart — We Don’t Have to Take Our Clothes Off
The Fixx — One Thing Leads to Another
John Mellencamp — Small Town (acoustic)
Pet Shop Boys — West End Girls

Never enough Derrek Lee

No music (for now), but I gotta update Cubs news. Derrek Lee goes yard twice (they were chanting “MVP, MVP” … IN CINCINNATI). He’s the first in majors to reach 30 home runs. Seriously, Triple Crown … I’m getting pumped (see the Triple Crown tracker on your right).

Then, shortly after the 9-4 win, Cubs deal Jason Dubois (in Triple-A Iowa) to Indians for Jody Gerut. Not sure how I feel about this one. Cubs need left-handed power, but I’m thinking they gave up on Dubois too soon. But they are only 4 1/2 games out of the wild-card chase. I’m just not sure Jody Gerut is the guy to push them over the top. (Peter, thoughts?) Meanwhile, Todd Walker is at .309 thanks to an 11-game hitting streak.

It should be noted that since I took off my Cubs “Believe” bracelet out of frustration, Cubs have won seven of past eight. Oh, I believe.

sourceVictoria


If you got to the end of the previous post (thank you), you read that I had a personal investment in the local music scene. Alas, I begin features on Arizona bands with a logical (if not nepotistic) choice: sourceVictoria, also known as my brother’s band.

Obviously, it’s hard to stay objective on this one. The truth is, though, my big bro, Brendan, was the inspiration for starting this blog. I sent MP3s to a few other blogs, and Dodge at My Old Kentucky Blog posted — twice! (Thanks, Dodge.) But I decided I could help out in my own right because a) Brendan is my brother and b) if he wasn’t my brother I’d still think sourceVictoria is more than worth it. Honest.

That said, I’m stuck somewhere in the middle here. It’s probably unfair of me to compare them to some national act — I’d rather let unbiased ears do that. But here’s the set-up: Brendan (vocals/guitar), Darren Henley (drums), Jeff Livingston (piano/synth), Mike Risch (bass).

What I will say is that I don’t think I’ve seen my brother so driven by any other musical endeavor. Both the songwriting and music are honest; nothing feels contrived. I recently spent some time snapping photos in the studio while they recorded. The guys take painstaking attention: Every note and every beat feels thoroughly thought out. And I do believe that comes through in the music.

I could go on, but I’d rather let the music do the talking, as the cliche goes. These songs can be found on the band’s self-titled EP, available at the Web site. One note: The first track, Opportunistic, was remixed with a new guitar part by Jim Adkins of Jimmy Eat World.

Tell us what ya think.

sourceVictoria | Opportunistic
sourceVictoria | No Safety in Numbers

Arizona: A Primer


The primary focus of this blog is to highlight some of the talented musicians and bands from Arizona, a state that, at times, lags in its suppport of local music. To that end, I’ll regularly post about bands/musicians/DJs (with music) from the state, past and present. From Flagstaff to Phoenix to Tucson and points in between.

But, first, a little background (which in no way is meant to be an all-encompassing history): The scene in Phoenix/Tempe — and the rest of the state for that matter — probably isn’t unlike most cities. There are bands that have “made it” commerically (Jimmy Eat World, DJ Z-Trip and, going back a few years, the Gin Blossoms and the Refreshments), bands that have been on the brink (Gloritone, Dead Hot Workshop) and others that have had success to the chagrin of the majority (we apologize for Trik Turner).

The talent is diverse, but the support is typically slow to follow. It’s hard to pinpoint the exact reasons. Apathy is as good as any. Of course, we all know the influence of radio and MTV, so familiarity — or lack thereof — enters the equation.

Tempe, home of Arizona State and a lot of the Valley’s music activity, always seemed on the verge of national recognition but never quite got over the hump. The cause has been handicapped by the commercialization and big-box takeover of the city. Two of the cities best local-music venues, Nita’s Hideaway and Long Wong’s, a divey spot that gave rise to plenty of bands, were forced to fold.

The momentum, hopefully, is on the upswing. Jimmy Eat World’s success has brought mention of Arizona (Mesa, to be exact) to the masses. Calexico (Tucson) has built quite a following, as well. Two local stalwarts — Kimber Lanning (owner of Stinkweeds Records and Modified Arts and promoter Charlie Levy of Stateside Presents — are helping the Valley’s hip factor, by drawing indie acts like the Mountain Goats, Sufjan Stevens, the Decemberists, to name a few.

I have a personal investment in the scene (which I’ll get to in the next post), but most of all I simply think there are quality bands that deserve a forum. Hope you take the time to give ’em a listen — and I promise: no Trik Turner.

“God damn that DJ made my day”

In trying to keep up with Chris at Gorilla vs. Bear, I’m not taking Sunday off (and for the record, a gorilla would win in a landslide).

I’m going to keep the hip-hop rolling here. Last night, we went out with our good friend Jay to a hip-hop night called The Shop. It had been awhile (too long) since we’d done the drinking/DJ thing. The deejays dropped some serious good-time tunes, including some Tribe, 3rd Bass and Black Moon. And so it’s my duty to pass along the old-school vibes.

Enjoy. (On a side note, I’m getting a root canal — ugh — this Thursday. The endodontist told me I could bring my iPod. Any soothing suggestions for a Root Canal Playlist?)

3rd Bass — Wordz of Wisdom
Black Moon — Who Got the Props?
The Bizzie Boyz — Droppin’ It

Random goodies

First off, much thanks go out to Chris at Gorilla vs. Bear and Dodge at My Old Kentucky Blog for lookin’ out for this rookie. I promise Chris — and anyone else interested — an NFL post with my vinyl-to-digital MP3 of the Super Bowl Shuffle when training camps open at the end of July. Be on the lookout, for it also includes the “Extended Vocal Mix.” For the DJs, there’s an instrumental cut, too. If that doesn’t keep you coming back, I don’t know what will. My new circle of cyberpals includes Peter at tmwsiy*, another suffering Cubs fan.

For your weekend shopping:

What I’m reading:
Freakonomics — by Steven D. Levitt and Stephen J. Dubner.

What I’ve recently finished reading:

Fahrenheit 451 — again. By Ray Bradbury. The best, and the inspiration for the name of this site.
Learning How to Die — by Greg Kot. All about Wilco.
Killing Bono — by Neil McCormick. Bono’s former schoolmate retells living in Bono’s considerable shadow.
Bringin’ Down the House — by Ben Mezrich. Card counters take Vegas for a ride.

What I’m TiVoing:
Twilight Zone — Rod Serling is the man.
King of the Hill — “That boy ain’t right.”
This Old Cub — TV premiere Saturday on WGN about ex-Cubs third baseman Ron Santo.

Random gems:

Catherine Wheel — Satellite
Black Sheep — The Choice is Yours (Revisited)
Low — California (on KEXP)

“Cuz I had a tight, very bright yellow Acura”


This one is for my boy John, who recently hailed a taxi in Mazatlan. His driver was Carlos Lopez, shown on the attached rookie card. I’d never heard of the guy, but baseball-reference.com says the dude played nearly three seasons (with three teams; not a good sign) and hit .260 in 500 career at-bats. Career transactions include his being drafted by the Mariners in the 1976 expansion draft. Birthplace listed as Mazatlan, which makes sense.

So this one is for John — and Carlos:

Souls of Mischief — Cabfare (one of the greatest samples never to clear)

More than meets the eye

Best news of the day: A Transformers live-action movie will be released in 2007, according to this story. The movie will be directed by Michael Bay (The Rock, Pearl Harbor, Armageddon) and Steven Spielberg will executive produce. Go here for the Transformers Web site.

There’s only one problem with this: It’s preying on my nostalgic tendencies, which is exactly the reason I broke down and bought one of the Transformers seasons on DVD. In reality, I think I’ve watched about two episodes. The cartoon is never as good as it was when you were a kid. Yet it never fails when I browse DVDs: I see the Transformers series or G.I. Joe (“And knowing is half the battle”) and I just have to have them, although I flinch at the cost. We pay the price for nostalgia, I suppose.

On that note, anybody remember the wannabe Gobots? Weak.

Check out Del (feat. Unicron, named after a Transformers character, which is actually just Del with his voice sped up) on Worldwide. I thought I had a Souls of Mischief freestyle with an Optimus Prime reference. You’ll have to settle for probably one of the best hip-hop B-sides, Undisputed Champs (feat. Q-Tip and Pep Love).

Del — Worldwide
Del — The Undisputed Champs