New Viva Voce: Devotion

The days before and after SXSW are pretty busy for Phoenix. Bands from California and the Northwest headed to and leaving Austin typically stop in town for a show since it’s on the way to where they’re going. That’s the case Viva Voce, which is taking part in SxStateside on Monday at the Rhythm Room.

Call it perfect timing then for Viva Voce and Barsuk to release the first single off the band’s forthcoming album, Rose City (due out May 26). Anita and Kevin Robinson, whom we saw kill it in the round at Celebrity Theatre in an opening slot for the Shins (in 2007, I think?), have added two permanent members but haven’t strayed far from the psych-rock vibes of 2006’s Get Yr Blood Sucked Out.

Kevin Robinson has been blogging about the making of the album, which was recorded in three weeks in a studio they built in their backyard. As for the title: “Obviously tried to make a conscious effort to keep all elements of the record based out of Portland. It’s not really a concept record, but it’ll make sense when you hear it.” I’ve never been to Portland, but I’m sure I’ll enjoy it all the same.

Related:
Silversun Pickups/Viva Voce, Modified, 10/1/06

The National: So Far Around the Bend

If you haven’t picked up the Dark Was the Night compilation, you’re sleeping on potential album of the year material.

I hit you with a few of my favorite songs from the compilation last month via a streaming widget. But to further convince you of this album’s greatness, Beggars/4AD is offering the National track, So Far Around the Bend, as a free download, which makes sense seeing as brothers Bryce and Aaron Dessner curated it.

Also, Pitchfork, which gave Dark Was the Night an 8.6 (but not without a frivolous argument, of course, about there not being enough “rhythm and electronics” and/or Animal Collective) has an interview with the Dessner brothers and a performance of the song. Embedded below:

Related:
Dark Was the Night compilation
Yeasayer: Tightrope (live on the Current)

Incoming: Del, April 11 + free album

In support of FunkMan, a free album he’s releasing on April 7, Del the Funky Homosapien is headlining the FunkMan tour, which stops at Marquee Theatre in Tempe on April 11. (I have yet to see any info on ticket prices.)

The bill includes Mike Relm, Bukue One and Serendipity Project. The tour also is stopping at Club Congress in Tucson on April 12 and the Green Room in Flagstaff on April 13.

While we wait for FunkMan’s free release, you can download two of Del’s Leak Packs here or listen to a track from FunkMan, Get it Right Now, at his MySpace.

[STREAM]: Del the Funky Homosapien | Get it Right Now

Q&A with Ryan Ferguson (No Knife)

As previously mentioned, I was able to chat with singer/guitarist Ryan Ferguson of No Knife, which is supporting three dates (Los Angeles, San Diego and Tempe) on Jimmy Eat World’s Clarity x 10 tour.

A story I wrote on No Knife advancing Saturday’s show can be found here. But there was plenty from my interview with Ferguson that was left out. So I figured I’d present it here, save for our geek talk about spring training and fantasy baseball. (Ferguson plays in an adult baseball league with former Rocket from the Crypt bassist Pete Reichert.)

(Both of 1999’s Fire in the City of Automatons.)

Did you guys envision doing anything beyond this?
“I guess it’s still too early to say either way. But we were gonna do one secret show here in San Diego in April for all the people that were unable to get tickets to any of these Jimmy shows or the Casbah anniversary show last month. Tickets for these (Jimmy Eat World) shows went so fast, there were so many people that unfortunately weren’t able to snake a ticket. … I can’t say for sure, but we are, as of now, technically scheduled to do one more show.”

How often have you been practicing?
“We started back in July or maybe August for that Casbah show. But it’s not consistent, not every week since July. It’s just kind of whenever people’s schedules allowed. We rehearsed maybe seven or eight times before that first show to make sure we were solid and felt comfortable playing those parts again. Of course, (singer/guitarist) Mitch (Wilson) and I, specifically guitar-wise, had completely forgotten everything.”

Had you messed with any No Knife songs since you guys took hiatus?
“No, although in my little pop-song records, I’m still the same songwriter, so I’ll still use some of the same chords and same chord progressions. Although, No Knife tunes higher than any other band I’ve played in. We all tune up to F. So it sounds a little sharper. Some people have described it as ‘candy coated’ sometimes or whatever they wanna say because there’s a weird little unique sharpness to the songs. I sometimes play the same chords and it’ll remind me of the songs … but, no, I haven’t messed with any of that stuff.”

You guys toured with Jimmy Eat World when Clarity came out. What do you remember from that tour? Was it a long tour?
“I don’t remember … we did so many little tours together and they all kind of rolled into each other. I don’t think it was some three-month-long tour. I think we did maybe six weeks with them and took a break then maybe three or four more weeks. I don’t really remember. I just remember there was a solid and automatic chemistry with all those guys immediately. When Static Prevails had come out, I was into the band because they recorded out here in San Diego with Mark (Trombino). I swear to God, and I told all my friends this … even playing together in these little tiny basement shows … we would play shows in people’s garages before or after the actual club show and even just playing these tiny shows in front of 25 people, there was something about Jimmy Eat World that I just knew. They had it. There was something about these guys … I just knew they were gonna go places. Therefore, I was just so stoked to be a part of it from the early days. Those guys have not changed one bit.

“We had so much fun. In the Clarity year, I brought my friend Eric out with us. At the time, he got this brand-new digital video camera. We documented about … I think we have 32 hours worth of tape. I don’t have a mini DV recorder or playback machine and he took his camera with him and he’s living in Argentina. I know he has half the tapes in storage and I was able to snake like 15 or 20 of them. None of it has ever been edited, none of it has ever been seen by the Jimmy guys. I’m sure they’ve totally forgotten about everything. We had so much fun on those tours. … They haven’t changed at all and their audience has only grown and grown and grown. It’s cool to see bands finally get the success they deserve, like true success.”

Continue reading Q&A with Ryan Ferguson (No Knife)

The Soft Pack: The Muslims EP (March 10)

OK, lemme see if I got this right: The Soft Pack, which changed its name from The Muslims because it “started to seem like a burden,” will release an EP called The Muslims on Tuesday. Makes sense. Or not.

Anyway, if you’re an eMusic subscriber, you can already pick up the 10-song EP (there’s an oxymoron), which includes the kiss-off anthem Extinction.

Though I’ve missed two chances to see the Soft Pack live – once at San Diego Street Scene and once opening for Bloc Party in Tempe – I have great affection for the group’s three-chord, three-minute no-frills rock.

To hype the EP release, a couple of acoustic tracks were sent around, including Red Headed Girl, which is not on The Muslims.

Jimmy Eat World: Clarity Live due out April 7

Thanks to Jimmy Eat World posting Ashley’s review of the NYC Clarity show on Twitter, we got some fresh eyes on the site.

So it seems appropriate to follow that up with news that on April 7 the band will release Clarity Live, a digital-only release through jimmyeatworld.com that will feature DRM-free mp3 and lossless format options and a digital booklet containing pictures of the Clarity x 10 tour.

The press release did not contain a track listing (though that seems pretty obvious) or information about which show(s) on the tour the songs would come from. They gotta include some stuff from Saturday’s Arizona show, right?

To tide you over, here’s a live version of Lucky Denver Mint from the Sweetness CD single (2002), which also includes a live version of If You Don’t, Don’t; the video for sweetness; and live video of Goodbye Sky Harbor (probably my favorite song off Clarity, all 16:11 of it). Per the liner notes, this track was recorded live at La Scala, Nov. 10, 2001.

In more Clarity news, Phoenix New Times’ Up on the Sun blog is posting a recurring feature leading up to Saturday’s homecoming, Reflections on Clarity, in which they ask musicians/fans/etc. for their thoughts on the album.

Lastly, here is the story I wrote on No Knife that I mentioned on Monday.

No Knife: The Red Bedroom (on Fox Rox)

Once again, I’ve got No Knife on the brain after I interviewed singer/guitarist Ryan Ferguson on Friday for a story I wrote previewing the band’s quasi reunion for its opening slot on Jimmy Eat World’s “Clarity x 10” tour this Saturday in Tempe.

I’ll post the interview once the story is published and after I transcribe everything – we talked for about 40 minutes on music, baseball (poor guy, Ferguson’s a big Padres fan), fantasy sports and more, so obviously not everything made the cut for the story. Needless to say, it was one of the more engaging conversations I’ve had with a musician. Super nice guy.

If you’re headed to the show, Ferguson said the band likely will play nine or 10 songs, but the guys have 12 ready to go just in case. Don’t be surprised if JEW frontman Jim Adkins joins the band for his customary guest spot on Charming from 1999’s Fire in the City of Automatons.

In the meantime, below is a video of No Knife performing The Red Bedroom on Fox Rox, which I believe was a televised music show based out of San Diego.

And be sure to get some No Knife mp3s at the group’s site.

New K-OS: 4 3 2 1 (video)

I had a lot of love for K-OS’ 2006 release Atlantis: Hymns for Disco, specifically for the catchy-as-hell single Sunday Morning. That was so long ago, he was spelling his name k-os … or maybe it was K-os. Hell, I can’t keep up.

The Canadian-based musician is returning with the full-length Yes!, due out March 31. The album’s first single is 4 3 2 1, a response of sorts to his friend Feist’s hit 1, 2, 3, 4. K-OS explains in the obligatory bio material: “I thought how interesting would it be to do a hip hop version of this song? It’s about the battle of the sexes, where I’m rapping ‘what are we fighting for?’ Is this gender war going to happen forever? It’s me saying I hope not.”

The video is below (and you may recognize the loop as the same one from the Pharcyde’s Soul Flower.)

Review: Jimmy Eat World at Terminal 5 (NYC)

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Our friend Ashley Harris, who was the local music director at Arizona State’s The Blaze 1260 AM and now lives in the Big Apple working in the music industry, was in attendance at Terminal 5 in New York for the first date of Jimmy Eat World’s Clarity x 10 tour, which winds down with a homecoming at Marquee Theatre in Tempe on March 7. Read Ashley’s review of the show after the jump and see more of her pictures here.

Continue reading Review: Jimmy Eat World at Terminal 5 (NYC)