The 26th installment of I Used to Love H.E.R., a series in which artists/bloggers/writers discuss their most essential or favorite hip-hop albums (read intro), comes from Dave Einmo, the man behind Head Like a Kite. On June 17, Head Like a Kite will release There is Loud Laughter Everywhere (Mush Records). Given Einmo’s talent for morphing samples into pop melodies – he sampled sounds from Super 8 movies his parents shot in the late ’70s for his first album – his choice to discuss an instrumental classic seems natural.

• Head Like a Kite | No Ordinary Caveman (from There is Loud Laughter Everywhere)

DJ Shadow
Endtroducing … (Mo’ Wax, 1996)
When asked what hip hop record has had the biggest influence on me, it’s tempting to dig deep and pick something less obvious. But my mom taught me to be honest. DJ Shadow’s Entroducing really changed the way I thought about beats and loops and production. He seamlessly threaded gargantuan Bonham-esque drums with moody, down tempo grooves and found sounds that oozed nostalgia while at the same time fast forwarded to the future. That album created a whole new genre of hip hop that still gets mimicked today. It’s cinematic and demands your attention. I love records like that. There are lots of albums by guys like Prefuse 73, Four Tet, Madlib, Dabrye, DJ Krush, Madvillian, and The Roots that have had lasting impressions on how I listen to music. But “Entroducing” was the album that really opened up my eyes in 1996. It’s hard to believe that it came out 12 years ago. That’s the true test. A timeless record that will still sound fresh a decade from now.

• DJ Shadow | Midnight in a Perfect World

The 25th installment of I Used to Love H.E.R., a series in which artists/bloggers/writers discuss their most essential or favorite hip-hop albums (read intro), comes from Man Man drummer Pow Pow, who was cool enough to put this together before the band headed out on an extensive tour in support of its new album Rabbit Habits.

Man Man plays the Brickhouse in Phoenix on Sunday with Yeasayer. (Buy tickets.)

De La Soul
3 Feet High and Rising (Tommy Boy, 1989)
It’d be best to start with this record. 3 Feet High and Rising was the first record that made me want to be in a “band” and make a record. The record was way ahead of its time. It has a constant fun & positive vibe to the entire record. There’s interludes and funny skits. There’s AMAZING beats and rhymes. It wasn’t just one MC. It was a group. It has a free “do whatever you want” kinda attitude about it without coming off as too too artsy or too abstract. It made me understand the importance of putting together a cohesive record that jumps around in styles and direction and NEVER once takes itself too seriously. It’s well thought out. It sounds like a collaboration. AND…..

Then there’s the cherry on top….. The album cover.

This record cover was the start of my obsession with fluorescent colors. I started wearing these types of colors when this record came out. Fluorescent yellow. Fluorescent pink. Fluorescent orange. I remember drawing them raw looking hippie flowers all over my schoolbooks.

[VIDEO]: 3 Feet High and Rising press kit.

Salt-n-Pepa
Push It (single, 1986)

This single was probably the 1st song that made me start playing music. The keyboard/synth lines in this song are so unbelievably catchy !!!!

Hearing it over and over again on the radio made me want to play an instrument. Period. It got me hooked on beats and melodies.

I bought a Casio SK-1 so I could learn how to play this on a keyboard. I would play back the song over and over and over and over again until I learned the melodies front to back. This was most likely when I realized I could easily teach myself how to play an instrument.

The lyrics are great, straightforward party lyrics !! I was really young when i first heard this, so it made me feel cool listening to it cause they were talking about SEXXX !!!

Salt-N-Pepa. YESSSSSS !!!!

Antipop Consortium
Arrhythmia (Warp Records, 2002)
This record is oozing creativity everywhere.

The beats on this ???!? The beats sound like nothing before it. A pleasant awkwardness. Brilliant, fun, colorful verses. A fresh new take on hip hop.

Another record that doesn’t take itself too seriously, yet is totally successful in seeking and destroying. This record has the perfect mix of glitched out beats, creative verses, catchy keyboard lines & tough ass bubbling bass.

It’s too bad they split up because this is by far one of my most listened to records and they were one of my favorite bands at the time. AMAZINGLY huge influence !!!!!

• Antipop Consortium | Ping Pong