The Muslims: Extinction

muslims.jpg

Thanks to Music For Robots for introducing me to the Muslims and, specifically, to the song Extinction.

This is 2 minutes and 31 seconds of joyous piss and vinegar. More than a breakup song, Extinction extends the trusty middle finger to the singer’s ex. Or, as Robot Mark succinctly put it: “It’s just a good old fashioned fuck you to that bitch who wasted your time. He doesn’t owe anything to her. And that’s that.”

You can pick up a seven-song 12-inch at 1928 Recordings’ MySpace page. Or download more tracks by the Muslims at their MySpace.

The Muslims are playing Hollywood Alley in Mesa on April 25 with The Night Marchers (ex-Rocket from the Crypt).

  • The Muslims | Extinction

N.E.R.D.: Everyone Nose

nerd.jpg

I know I’ve been squeezing out a few posts on the news of this Kanye West show in June in Glendale, but I’m getting myself pretty geared up for it. I mean, I haven’t been to a big arena show in a really long time, and the money I spent Thursday on pre-sale tickets for the show is just … sigh … let’s just say I’m selling the naming rights to my first born to afford it. (Yes, Wells Fargo Murphy makes a great name, I think.)

Seeing N.E.R.D. is no doubt one of the highlights for the show. It’s odd, but I’ve been waking up recently singing the group’s Rock Star for some reason. (But then, I had a dream yesterday morning that the National were playing Phoenix and Lenny Kravitz opened … what … the … hell?)

Check out a new track, Everyone Nose, from the group’s forthcoming LP Seeing Sounds.

  • N.E.R.D. | Everyone Nose

The Nonce: Mix Tapes

After it was announced that Kanye West would be coming to Glendale, I spent some time on his blog, an odd blend of videos, fashion, furniture and shoes.

It warmed my mid-90s hip-hop heart to see him post the video for the Nonce jam Mix Tapes, which I posted about in December 2005.

This is, without question, one of the top 10 hip-hop joints of the ’90s.

“And those were the dues / without makin’ papes / damn I should go back / to sellin’ mix tapes.”

Incoming: Jay Reatard, March 28 (w/Black Keys)

reatard.jpg

I’m pretty new to the world of Jay Reatard, which appears to be a twisted and sometimes bloody mess. When I told a friend I was on the fence about going to see him open for the Black Keys this Friday at Marquee Theatre, his response/promise won me over: “It’s the best 18 minutes of your life.”

The only other time I’d really heard Jay Reatard’s name was from a friend who plays in the band Tokyo Electron, which toured with Reatard (or do I say “Jay”?) in 2007.

Pitchfork has the scoop on a series of 7-inches being released by Matador, Reatard’s new label. I can’t even keep track. Apparently, he’s prolific and stuff.

One of the tunes I’ve been enjoying in preparation for the Best 18 Minutes of My Life is Nightmares, from the 2006 record Blood Visions. Like most of his tracks, Nightmares starts and stops before you realize it (2 minutes, 15 seconds), but it pulls you in with a surprisingly catchy chorus/hook.

Also, Reatard is sharing a new song, Tiny Little Home, on his blog.

  • Jay Reatard | Nightmares

Nada Surf on MySpace Transmissions

MySpace, a social networking site you might have heard about, has started a studio-session feature called Transmissions. It looks fairly new as Nada Surf and (gulp) James Blunt appear to be the only artists in the archives thus far.

The Nada Surf session is, well, good … but also kind of awkward. A few strange camera angles seem to catch singer Matthew Caws staring off into the nether. I suppose that’s natural when you’re playing in front of an audience of cameramen. I’m just happy to see the band dig back a little bit for some older tunes.

Here’s a couple of the videos. Go here for more music and interviews. You can also buy the performance on iTunes (duh).

See These Bones:

Blizzard of ’77:

Bon Iver live at SXSW (via NPR)

No, I didn’t go to South by Southwest (again), and, I gotta say, the coverage of the festival this year seemed to increase tenfold. I’m not sure if that’s a good or bad thing. Just an observation. I did grow a little weary of it by, ooooh, the second day.

But something I haven’t grown tired of – what a segue! – is Bon Iver’s For Emma, Forever Ago. That’s why it was great to see NPR record one of Justin Vernon’s shows and make it available on its All Songs Considered podcast.

Hearing this set – albeit a short five songs – confirmed a couple things: a) I probably need to get this record on vinyl; b) I really should have gone to Tucson to see him last week at Plush (probably one of the finest venues in the state).

Anyway, be sure to subscribe to the NPR All Songs Considered podcast to get the full download, which includes an interview in which Vernon notes that the live setting gives the songs a chance to “crawl out of their shell,” a great way to describe it considering he wrote the album in an isolated cabin in the woods.

Also, from listening to the full set (I clipped out a bit of the banter in between songs) you get the sense that Vernon is truly appreciative and grateful for the fans and for being able to play for them.

Bon Iver, live at SXSW, 3/13/08, The Parish (via NPR):

  • Bon Iver | Flume
  • Bon Iver | Lump Sum
  • Bon Iver | Skinny Love
  • Bon Iver | The Wolves (Act I and II)
  • Bon Iver | Creature Fear

I Used to Love H.E.R.: RJD2

I’m really excited to say that the 24th installment of I Used to Love H.E.R., a series in which artists/bloggers/writers discuss their most essential or favorite hip-hop albums (read intro), comes from acclaimed DJ/producer RJD2, the man behind three solo records and one-half of Soul Position.

RJ, who returns to the Clubhouse in Tempe on April 7 (tickets), answered my questions via e-mail (note: I’ve left non-capitalization as-is). He is the third artist (The Weather Underground and Pigeon John are the others) to choose De La Soul Is Dead.

de la soul is deadDe La Soul
De La Soul Is Dead (Tommy Boy, 1991)

When did you first listen to it?
“maybe 1992 or 3?”

In what ways did it influence you?
“it was psychedelic, crammed with sounds, cool topics, it was slow, fast – just all over the place. it kind of was my conceptual template for a while, as far as what an album should traverse.”

Do you still listen to it?
“not really. once i’ve digested a record as much as something like that – 100’s of listens – i dont go back to em too often, unless for nostalgia’s sake. generally speaking, i just move on and let it be what it was to me at that time. records can sound very different at different times. there are a lot of movies i only watch once because they were so mindblowing the first time, and i dont want to soil the experience that it was.”

What about the record makes it stand up to other great hip-hop records?
“really what i said above, but i think most of all, there’s just a consistent level of passion on it, from the production to the writing to the execution. i guess the bottom line is that the execution of it is just so well done. the more i listen to music, and do it, the more i think that stylistic leanings aren’t what make a record interesting, it’s the ability of an artist to really tap in to their own personal voice, or way of doing things that no one else can imitate, or appropriate. in a word: execution.”

  • De La Soul | A Roller Skating Jam Named “Saturdays”
  • BONUS:

  • De La Soul | A Roller Skating Jam Named “Saturdays” (Ladies Nite Decision)

(From Roller Skating Jam CD single.)

Related:
10 questions (via e-mail) with RJD2.

New Death Cab: I Will Possess Your Heart (stream)

death_cab-i_will_possess-cover.jpgFirst impressions are a bitch, and there are a few things that bother me about the first single from Death Cab for Cutie’s forthcoming album Narrow Stairs (May 13).

For starters, releasing a lead single that is 8 minutes, 35 seconds is slightly off-putting, not to mention that the first four minutes consist of just an instrumental build-up (great bass line, though). Then after waiting through said four-minute build-up, Ben Gibbard’s too-pretty voice feels like a bit of a letdown. It’s far too dramatic of an introduction for Gibbard to sustain. I have to wonder if I’d ever sit through this song again if it were on my iPod.

Then there’s the matter of the actual title of the song: I Will Possess Your Heart. G-g-g-g-aaaaah. I wanted to argue with a friend who once said Gibbard’s word choices always seem just too perfect, everything is just so. But now I’m going to have to agree. I Will Possess Your Heart. What’s wrong with I Will Own Your Heart? Or even I’ll Own Your Heart? I Will Possess Your Heart. God damn it. That is just way too precious for its own good.

Again, I love the bass line, and the piano flourishes flesh out the sound. But can we have a radio edit version instead?

[STREAM]: Death Cab For Cutie | I Will Possess Your Heart (Real | Windows Media)

The Gray Kid: Willoughby album sampler

It looks like the Gray Kid, one of the artists who sees a lot of ink on this site, is nearing a release to follow up his excellent 2006 record … 5, 6, 7, 8.

He’s offering a free download of a 12-minute mix by DJ Benzi that features songs both old and new. According to a one-sheet that comes with the download, Willoughby will be mixed by Danny Kalb (Beck, They Might Be Giants, Rilo Kiley) and, I hope, features the Kid’s new band Spirit Animal.

And if you’re new to this site and/or the Gray Kid, this is must-see viewing. And this.

[ZIP]: The Gray Kid | Willoughby album sampler (mixed by DJ Benzi)