Category Archives: general

Japandroids: Younger Us

younger us

In Noah Baumbach’s 1995 directorial debut, Kicking and Screaming – a brilliant account of four friends unable to cope with the realities of post-college life – one of the characters, Max, makes a simple but somewhat profound statement about the sudden anxiety of moving on and letting go:

Max: I’m too nostalgic. I’ll admit it.
Skippy: We graduated four months ago. What can you possibly be nostalgic for?
Max: I’m nostalgic for conversations I had yesterday. I’ve begun reminiscing events before they even occur. I’m reminiscing this right now. I can’t go to the bar because I’ve already looked back on it in my memory … and I didn’t have a good time.

That dialogue amused me when I saw the movie – my favorite – the first few times. And then I graduated college, watched the film another 15 times and it wasn’t so funny anymore. Nostalgia can really fuck with you, and now all I can think of is Max when I listen to the new 7-inch single, Younger Us, by Vancouver garage-rock duo Japandroids.

Like they did on their full-length debut Post-Nothing (especially the song Young Hearts Spark Fire), Brian King and David Prowse truly capture the essence of fleeting youth, before said youth is even over. As Pitchfork smartly put it: “There’s a particular kind of nostalgia that hits you when you know you’re too young to feel nostalgic about anything.” And so King, in my brain, has become the musical equivalent of Max – letting the indiscretions of youth, even if they only recently happened, already become wistful memories: “Remember saying things like we’ll sleep when we’re dead / And thinking this feeling was never gonna end.”

The Younger Us 7-inch is the second in a series that features unreleased material as the A-side and a cover for the B-side. This release, out July 20 on Polyvinyl, features Younger Us and a cover of X’s Sex And Dying In High Society. Art Czars was the first pieces in the series.

Meanwhile, a video clip of Japandroids playing at Rhythm Room in April finally surfaces. Here they are playing Heart Sweats.

RELATED:
Japandroids on KCRW’s Morning Becomes Eclectic
Japandroids: Art Czars (new 7-inch)

Bandstand Busking: The Twilight Sad

After I was blown away – mostly my eardrums – by The Twilight Sad in Tucson last September, I was excited at the chance to see them again in Tempe in May. Sadly, the band canceled because it picked up support dates for Biffy Clyro in the UK. I mean, if it’s not one thing keeping Scottish bands from the Valley, like, say, volcanic ash, it’s another.

But when you put out my favorite album of 2009, I’m more inclined to forgive, for which I’m sure The Twilight Sad will be quite grateful. Anyway, the band is “happy as Larry” to be releasing The Wrong Car EP on July 26 (Surfing on Steam has the four-song tracklist).

In the meantime, the folks at Bandstand Busking posted four videos from the band’s session in November, a less deafening – but no less powerful – acoustic performance. James Graham’s voice is splendid.

Five-year blog anniversary show! Radar Brothers with Letdownright and Soft Drink on July 7

radar_bros

On July 12, 2005, I started this blog, an event so historic that I can’t even go back and read that first post without cringing.

To celebrate the landmark occasion of this blog’s fifth birthday, I’m teaming up with Charlie at Stateside Presents in putting on the Radar Brothers show at Yucca Tap Room on July 7, which is fitting considering the Jim Putnam-led band has been one of my favorites over the years of maintaining this site. The show is a nice warmup for the band before it embarks on a brief stretch opening for Modest Mouse. What’s more, I’ve never had the opportunity to see the Radar Brothers, whose live lineup includes guitarist Dan Iead from The Broken West.

Also on board for the birthday show are Letdownright (featuring Jim Andreas and Chris Kennedy, formerly of the great Trunk Federation, and Kimber Lanning) and Soft Drink (featuring frequent blog contributor Jason Woodbury, who will also DJ the evening).

The best part – other than the awesome bands, of course – is the cost: FREE. As always, there is no cover at Yucca.

I’ll have all sorts of posts on the bands and some undoubtedly teary-eyed words about these five years as I send my little blog off to kindergarten. I’ll also likely have a CD giveaway for the Radar Brothers’ newest album, The Illustrated Garden. In the meantime, mark your calendars and come help celebrate.

And, whether you’re new to the site or have been around since its birth, thanks for reading.

Incoming: The National (!), Oct. 14

As I mentioned just recently, we’ve been waiting since October 2005 for The National to return to Arizona. But our long, agonizing wait is nearly over.

Almost exactly five years after the band played the humble Modified as a relative unknown, The National will play Marquee Theatre in Tempe on Oct. 14, riding the rush of popularity and press that has come with the new excellent album, High Violet, which opened at No. 3 on the Billboard 200 after selling 51,000 copies in its first week.

Tickets are $30, and Owen Pallett is opening. The tour also stops in Tucson at Rialto Theatre on Oct. 13. Tickets for the Tucson show go on sale this Friday (June 4), so I assume the same holds true for the Tempe concert.

Having seen The National three times in two cities – March ’06 in Los Angeles, July ’06 at Pitchfork Festival in Chicago and September ’07 in L.A. – I’m obviously thrilled that I can see my favorite band without crossing state lines. We’ve waited five years in Arizona … what’s another four months?

RELATED:
The National: England (live at BAM)
The National: Bloodbuzz Ohio

Frightened Rabbit on Morning Becomes Eclectic

Frightened Rabbit made its national TV debut on Tuesday on Late Night with Jimmy Fallon (making a believer out of ?uestlove), and just a few days before that the band stopped by KCRW’s Morning Becomes Eclectic for an in-studio session.

We’re treated to eight songs in a somewhat restrained full-band performance and a fun interview in which singer Scott Hutchison talks about his hometown of Selkirk, Scotland (“It’s a wonderful place to grow up and it’s a wonderful place to leave”) and reveals the inspiration behind the song Swim Until You Can’t See Land (the 2008 film The Wackness).

Check out the entire performance above or a stand-alone clip for Swim Until You Can’t See Land below.

1. Swim Until You Can’t See Land
2. Living in Colour
3. The Wrestle
4. Old Old Fashioned
5. Good Arms vs. Bad Arms
6. Foot Shooter
7. The Twist
8. Nothing Like You

RELATED:
Frightened Rabbit: Stream Living in Colour alt. version/remix
Q&A with Scott Hutchison of Frightened Rabbit
Frightened Rabbit: Swim Until You Can’t See Land (acoustic video)
Frightened Rabbit: Nothing Like You (video)
Frightened Rabbit on Daytrotter
Frightened Rabbit: Swim Until You Can’t See Land (video)

Far: Man Overboard (live at the Troubadour)

A reunited Far is at Rhythm Room on Monday night, so I spent some quality time on YouTube tracking down video from this tour and streaming the new album, At Night We Live (out on Tuesday), on MySpace.

I found one user that had just about the entire May 21 show from the Troubadour in West Hollywood, Calif. It was enough to convince me that my first Far show will be worth the wait after all these years.

I’m also excited to see Man Overboard – my favorite Far song that I unabashedly requested Jonah Matranga play during an acoustic set three years ago – has made the set list. Well, it did at least on this night. Check it out below, with pretty great audience participation.

Pearl Jam and Ben Bridwell: Hunger Strike

I’ve been transported to freshman year of high school. Honestly, that might be the last time I’ve listened to the self-titled Temple of the Dog album – but I listened to it a lot. In fact, I continually pushed it on this one girl, who 13 years later would become my wife. Crazy how that works.

So Friday night at Madison Square Garden in New York, Pearl Jam invites Ben Bridwell, whose Band of Horses opened the show, to play the part of (a less shrilly) Chris Cornell in a live revival of Hunger Strike.

What a great moment – sincere and free of pretension. Bridwell continues to be one of just the seemingly coolest and most endearing dudes in rock. Witness his parting line to the crowd after an “adorable” (my wife’s word) hug with Eddie Vedder: “Pearl Jam’s the best band!”

Royal Rhino Flying compilation: The Queen’s Jew

the-queens-jew-400x400

I’ve been a fan of electronic/hip-hop duo Meanest Man Contest since our friend Hunter at Gold Robot Records introduced me to them way back when with the Throwing Away Broken Electronics 7-inch. You’ve probably come across a post or two on them at some point on this site.

Well, I’m adding one to the collection thanks to a new MMC song on this free Royal Rhino Flying compilation, The Queen’s Jew. I’ll fess up and admit I’ve not heard much by any of the other groups on the 23-track comp – though GOBBLE GOBBLE’s contribution recently got some love from Stereogum. But what better way to explore new music than with the cost of free?

On You Need to Grow Up, MMC’s Eriksolo trades verses with guest Mad Squirrel (best emcee name ever?) over a buttery piano loop about the joys of being a grown-ass man in the game: “They call me silver fox / I’m the rap George Clooney.” It’s a playful dis track that all those “whipper-snapper rappers” should pay heed to.

The National: England (live at BAM)

Did you watch the webcast of The National show from the Brooklyn Academy of Music on Saturday night? It was, predictably, amazing and made me long for an Arizona tour stop. The band hasn’t been to Arizona since October 2005, when it came to Modified on a co-headlining tour with Clap Your Hands Say Yeah in support of Alligator (a show I regrettably missed because of work). And to think: People were apparently leaving after CYHSY on nights The National played last – the same band that’s now selling out shows in mere minutes.

Hopefully, I’ll get the chance to see The National on a High Violet tour – either in this state or elsewhere – if only so I can see beauty of England in person. I hardly hesitate to say this is my favorite song of the year, a track that immediately grabbed me after the first few listens of the new album.

Like most great National songs, England swells slowly into a triumphant climax. Even then, it shows some wonderful restraint – never quite coming unhinged the way singer Matt Berninger now famously does during Mr. November. England takes you to the edge, but never jumps, and just the suggestion of a frenetic culmination is sometimes sexier than actually realizing it.

I’m not even sure what to make of the lyrics – someone please explain them to me – but for the time being they seem secondary to the glory of the music, aided here by strings, horns and Doveman on the piano.

The Besnard Lakes: Albatross (video)

I’m not even going to attempt to decipher this new video for the song Albatross by The Besnard Lakes, who are coming to Sail Inn on Friday night for a show I’ve long been anticipating.

There are spies and secret code, the sort of noir-like visual mystery you’d expect from this band. The video was directed by Kara Blake, who also gave us the Devastation video.

RELATED:
The Besnard Lakes on Jimmy Fallon
The Soft Province: One Was a Lie (Besnard Lakes side project)
The Besnard Lakes: Albatross