Category Archives: general

Famous L. Renfroe: Children

renfroe

Can’t tell you much about Famous L. Renfroe, other than a few basic facts: He recorded this record in 1968, providing pretty much every sound save the drums and excellent back-up vocals, and released a limited run of records on his own private press. Beyond that, not much is certain, other than obvious:  This record rules hard.  Renfroe was a pretty eclectic fellow; the songs augment the standard blues form with heavy doses of soul and gospel sounds.

Big Legal Mess, in conjunction with Fat Possum Records, issued the obscure album last year on CD, pressing it this year on vinyl.  I was seized with the desire to hear it after a couple of reliable sources praised it, and ordered it on wax at Zia Record Exchange.  Listen to the MP3 below for some reference, but trust me when I say this gem is best enjoyed spinning on the turntable, sitting in the back yard with a beer, enjoying the beautiful autumn weather.

Incoming: Rob Dickinson, Dec. 18

dickinson

It’s been a little more than four years since former Catherine Wheel frontman Rob Dickinson released his solo debut, Fresh Wine for the Horses, but he’s starting to stir – perhaps a sign that some new material could be on the way.

This year, he released a cover of the Smiths’ Please, Please, Please Let Me Get What I Want on his own Carrera Records label. And now he’s booked for a return visit to the Valley on Dec. 18 at the Rogue after he played here in January 2006 and 2007 (both at the former Anderson’s 5th Estate in Scottsdale). Tickets ($12) for the 21-and-over show at the Rogue can be purchased by e-mailing roguebartix@gmail.com.

I captured a recording of the 2006 show that was purely amateur, but I love revisiting it all the same. The 12-song concert – included as a zip file below – was, naturally, heavy on Catherine Wheel material. He can probably never escape that shadow, but I wonder if, four years later, he’ll start to distance himself more from his old band’s catalog.

ZIP: Rob Dickinson, live at Anderson’s 5th Estate (Scottsdale, AZ), 1/26/06 (84.7 MB)

TRACKLISTING:
1. Heal*
2. The Storm
3. Oceans
4. My Name is Love
5. Ma Solituda*
6. Handsome
7. Eat My Dust You Insensitive Fuck*
8. Intelligent People
9. Crank*
10. Towering and Flowering
11. Black Metallic*
12. Future Boy*

* – Catherine Wheel songs.

[Photo credit: www.jenniferbroussardphotographs.com]

Dfactor: Shake It

d-factor

Phoenix rocker Dfactor is one busy guy.  In addition to ceaselessly recording lo-fi power pop, he maintains a hyper-active blog, Waved Rumor, where he details everything pop-culture, occasionally detouring to deliver charming, curmudgeonly rants about kids at shows paying more attention to their cell phones than the gig.  Like his lyrics, everything he does is blindingly sincere. Buddy-boy even thanks his family for the “time and space to slash” in the liner notes of his new full-length, Slashing the Sunlight.

“Shake It,” the second track from the album is a favorite of mine: two and a half minutes of sloppy, Flamin’ Groovies-via-Guided By Voices pop rock, too brazenly earnest to ever get props from the “cool kids,” but guaranteed to get even the most cynical toe tapping.  You can listen to and download the entire album at his website.

Sea Wolf: Wicked Blood (video)

Alex Brown Church brings Sea Wolf to Modified on Friday, a day before Halloween, which makes this new video for Wicked Blood – the leadoff track on the album White Water, White Bloom – all the more timely.

Delivered in black-and-white, the visuals play out like some beauty and the beast tale, set against the backdrop of a haunted cemetery. We can only hope ABC’s band plays Friday in those skeleton suits.

Reminder: Port O’Brien is one of the openers (Sara Lov is the other), and I fully endorse the band’s new album Threadbare.

Kurt Vile: Freak Train (video)

Though I spent the better part of Tuesday’s Kurt Vile show at Modified lamenting my habitual inability to remember earplugs, I couldn’t help but be pulled in by the lo-fi psych-rock of Vile & the Violators.

The songs, mostly from his 2009 LP Childish Prodigy, went from loud to louder – riding a crescendo of feedback and distortion. I’m not sure I buy the comparisons to Tom Petty and Neil Young. A more apt (and modern) peer might be something along the lines of The Black Angels – mop-haired stoner jams for a new generation.

Even better, Vile takes a tune like Freak Train – “this one’s a big hit for us on the charts,” he says, jokingly, through his curtain of hair – and anchors it to a pulsating 808 beat, adding a saxophone flourish for good measure.

Weezer: Live in San Diego, 2001

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I came across this excellent bootleg last week, which finds power-poppers Weezer at a pivotal time in their musical evolution: Following the extended hiatus that befell the band after the commercial failure of Pinkerton, this show features the band blasting out old favorites and debuting songs from the soon-to-be-released Green Album, live in 2001 to a ravenous San Diego audience.

At this stage, it was hard to say exactly where Weezer were headed artistically, but I remember friends ditching school the Tuesday Green came out to run to our town’s lowly record store to pick it up.  I waited till after class, but it was one of the first times I felt important buying a record. I was a member of the cult that had sprung up following the Pinkerton fiasco – one of the nerdy rock kids who took all my cues from that tortured art-pop masterpiece and its predecessor.

This set finds them rocking the Green tunes a lot harder than they ended up on the record, and the songs from Blue and Pinkerton sound energetic, as do a couple of pretty fantastic non-album tracks like “You Gave Your Love to Me Softly” and “The Christmas Song.”

We know now that following Green‘s detached nonchalance, the band tried on cheeky pop-metal with the disjointed Maladroit before sailing into Top 40 waters with the subsequently terrible Make Believe and Red Album Their new record, Raditude, out Nov. 3, features the band at their absolute worst (despite that it’s sleeved in my favorite album cover of the year).  Even “Can’t Stop Partying,” featuring Lil’ Wayne, isn’t interesting in the batshit-crazy way most things involving Weezy are. Instead, it feels lazy, and even insulting as Rivers Cuomo deeply mocks the genre he’s trying his hand at.

But let’s forget that for a moment, and take a listen to a time when it felt like Weezer were about to return home and take their rightful crowns as kings of dork-rock.  The fact that they didn’t is inconsequential – listening to these tunes it’s easy to imagine a parallel universe where Weezer still cared about their sweater clad, horn-rimmed followers, blessing them with hair metal guitar solos and earnest melodies, bestowing on their listeners a sincerity they’ve abandoned in reality.

[ZIP]: Weezer | Live in San Diego, 2001 (17 tracks, 65.1 MB)

TRACKLIST:
1. I Do
2. My Name is Jonas
3. El Scorcho
4. You Gave Your Love to Me Softly
5. The Good Life
6. The Christmas Song
7. Island in the Sun
8. Don’t Let Go
9. Hash Pipe
10. In the Garage
11. Tired of Sex
12. Say it Ain’t So
13. Buddy Holly
14. Undone (The Sweater Song)
15. Why Bother
16. Only in Dreams
17. Surf Wax America

DJ Shadow: Artifact (w/Zack de la Rocha vocals)

The fine folks at Solesides.com never let me down. This time – via Twitter – they introduce us to a vocal/rough version of Artifact, a track off DJ Shadow’s 2006 LP The Outsider, an album that was unfortunately met lukewarm praise at best.

Zack de la Rocha’s highly charged political screeds were meant for this punk-rock-sounding instrumental, which makes you think Shadow concocted the tune in the first place with the former Rage Against the Machine singer’s vocals in mind. Not sure why it didn’t make the album, but glad this version found the light of day.

Editors: Papillon (video)

When nobody was looking, Editors went ahead and released a new album. In This Light and On This Evening is available digitally with a physical U.S. release due out on Jan. 19.

After a few spins, I’m not sure what to make of this new, synth-heavy direction the band has taken. The dark/industrial undertones are ripe for remixes and singer Tom Smith’s voice sounds even more affected and theatrical than normal.

Check the video below for the first single, Papillon, featuring a bunch of dudes running … and running some more. Lots of running.

The Whigs: In the Dark

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When we went to San Diego Street Scene last year, The Whigs were stuck in one of those somewhat sweaty/sparsely attended afternoon time slots, when festivalgoers are still shaking off the exhaustion from the previous day. But we made a point to catch the Athens, Ga., trio and it was just the jolt I needed to start the day.

With an opening stint on tour with Kings of Leon last year and the scheduled release of a new album, In the Dark (ATO), due in early 2010, my guess is that more well-earned publicity is headed The Whigs’ way.

To get a jump-start, the band is offering up the title track from the forthcoming release as a free download – another perfectly blended three minutes of energetic power and melody.

Related:
The Whigs on Jimmy Kimmel
The Whigs: Like a Vibration (video)

Frightened Rabbit: Swim Until You Can’t See Land (video)

Thanks to Casey for calling attention to the new video for Frightened Rabbit’s single, Swim Until You Can’t See Land, which you can also stream (along with the B-side) at Fat Cat Records.

Frontman Scott Hutchison’s lyrics continue to touch an emotional nerve, perhaps showing signs of a recovery from the gut-wrenching breakup anthems from The Midnight Organ Fight. On Swim, he seems to have resolved to move on:

“Let’s call me a baptist, call this the drowning of the past.
She’s there on the shoreline
Throwing stones at my back
So swim until you can’t see land.”