If you got to the end of the previous post (thank you), you read that I had a personal investment in the local music scene. Alas, I begin features on Arizona bands with a logical (if not nepotistic) choice: sourceVictoria, also known as my brother’s band.

Obviously, it’s hard to stay objective on this one. The truth is, though, my big bro, Brendan, was the inspiration for starting this blog. I sent MP3s to a few other blogs, and Dodge at My Old Kentucky Blog posted — twice! (Thanks, Dodge.) But I decided I could help out in my own right because a) Brendan is my brother and b) if he wasn’t my brother I’d still think sourceVictoria is more than worth it. Honest.

That said, I’m stuck somewhere in the middle here. It’s probably unfair of me to compare them to some national act — I’d rather let unbiased ears do that. But here’s the set-up: Brendan (vocals/guitar), Darren Henley (drums), Jeff Livingston (piano/synth), Mike Risch (bass).

What I will say is that I don’t think I’ve seen my brother so driven by any other musical endeavor. Both the songwriting and music are honest; nothing feels contrived. I recently spent some time snapping photos in the studio while they recorded. The guys take painstaking attention: Every note and every beat feels thoroughly thought out. And I do believe that comes through in the music.

I could go on, but I’d rather let the music do the talking, as the cliche goes. These songs can be found on the band’s self-titled EP, available at the Web site. One note: The first track, Opportunistic, was remixed with a new guitar part by Jim Adkins of Jimmy Eat World.

Tell us what ya think.

sourceVictoria | Opportunistic
sourceVictoria | No Safety in Numbers

The primary focus of this blog is to highlight some of the talented musicians and bands from Arizona, a state that, at times, lags in its suppport of local music. To that end, I’ll regularly post about bands/musicians/DJs (with music) from the state, past and present. From Flagstaff to Phoenix to Tucson and points in between.

But, first, a little background (which in no way is meant to be an all-encompassing history): The scene in Phoenix/Tempe — and the rest of the state for that matter — probably isn’t unlike most cities. There are bands that have “made it” commerically (Jimmy Eat World, DJ Z-Trip and, going back a few years, the Gin Blossoms and the Refreshments), bands that have been on the brink (Gloritone, Dead Hot Workshop) and others that have had success to the chagrin of the majority (we apologize for Trik Turner).

The talent is diverse, but the support is typically slow to follow. It’s hard to pinpoint the exact reasons. Apathy is as good as any. Of course, we all know the influence of radio and MTV, so familiarity — or lack thereof — enters the equation.

Tempe, home of Arizona State and a lot of the Valley’s music activity, always seemed on the verge of national recognition but never quite got over the hump. The cause has been handicapped by the commercialization and big-box takeover of the city. Two of the cities best local-music venues, Nita’s Hideaway and Long Wong’s, a divey spot that gave rise to plenty of bands, were forced to fold.

The momentum, hopefully, is on the upswing. Jimmy Eat World’s success has brought mention of Arizona (Mesa, to be exact) to the masses. Calexico (Tucson) has built quite a following, as well. Two local stalwarts — Kimber Lanning (owner of Stinkweeds Records and Modified Arts and promoter Charlie Levy of Stateside Presents — are helping the Valley’s hip factor, by drawing indie acts like the Mountain Goats, Sufjan Stevens, the Decemberists, to name a few.

I have a personal investment in the scene (which I’ll get to in the next post), but most of all I simply think there are quality bands that deserve a forum. Hope you take the time to give ’em a listen — and I promise: no Trik Turner.