Blackalicious: Toy Jackpot

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I don’t get terribly excited about Christmas/holiday tunes, but when it’s the first bit of new music from Blackalicious in five years, I’ll take what I can get.

Toy Jackpot comes from The Christmas Gig, a holiday soundtrack released by Target (no commissions here) that features Crystal Antlers, Bishop Allen, Coconut Records and more.

The best part about Toy Jackpot is that it doesn’t really sound like a Christmas song. Gift of Gab (and a guest MC?) rap from the perspective of an eager child ready to rip into some gifts on Christmas morning.

I can live without the encouragement of Christmas consumerism, but it is great to hear Gift of Gab and Chief Xcel making music together again.

Cadence Weapon presents Tron Legacy mixtape

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A proper full-length follow-up to 2008’s Afterparty Babies is apparently in the works, but until then, Edmonton rapper/poet laureate Cadence Weapon is tiding us over with a new mixtape he dropped on Tuesday, Tron Legacy.

Like his Separation Anxiety mixtape from early 2009, Tron Legacy is available at Cadence’s website on a pay-what-you-want scale for high-quality 320 kbps MP3s.

His cultural references and wit sharp as ever, Cadence Weapon tears through an eclectic collection of beats, from Oh No’s Heavy to The Arcade Fire’s The Suburbs. Or maybe you prefer E-40. Or Sleigh Bells. They get the Cadence Weapon treatment, too.

Exclaim has more on Tron Legacy, which Cadence Weapon says was intended as a “parody of your typical rap mixtape.” It’s certainly worth however much you want to pay – and then some.

The National: Wake Up Your Saints

Because it’s not enough to buy an album once these days, an expanded version of The National’s High Violet is coming out this week. As explained in the promotional video above, it contains new songs, B-sides, live tracks and that alternate version of Terrible Love.

In a strategic marketing move just in time for the holidays, Black Friday has been dubbed “Violet Friday” by the band, which will make High Violet 2.0 available for just $7.99 at participating stores for one day only.

Check out one of the new songs, Wake Up Your Saints (via Prefix), a rather upbeat (by The National’s standards) track that was left on the cutting-room floor.

DJ Z-Trip on Last Call with Carson Daly

It was strangely coincidental that just a few days before Girl Talk made the Internet wet its collective pants by releasing his new album, All Day, DJ Z-Trip was interviewed on Last Call with Carson Daly, politely scoffing at the notion – again – that a “mashup” is anything more than a cute label.

“It’s really something that’s a bit redundant because it’s just mixing,” Z-Trip says in the interview. “It’s what DJs do. … But the thing is, DJs have been doing that forever.”

I’m not about to launch into a software-vs.-vinyl debate – there’s no doubt technology changed the DJ game. But I’d hope that anyone who fawns over Girl Talk would take the time to research his predecessors. No better place to start than Uneasy Listening, Vol. 1, the oft-imitated 1999 classic from DJ Z-Trip and DJ P that was mixed from vinyl (let that sink in while you listen to it). Even better: It’s available as a free download at Z-Trip’s site.

As for the rest of the interview with Carson Daly, Z-Trip talks about producing new Public Enemy material and his role in the DJ Hero games. What you won’t see here is a list that was shown after the interview heading into the commercial break of the five albums that changed Z-Trip’s life:

1. Pink Floyd, The Wall
2. Prince, Purple Rain
3. Public Enemy, It Takes a Nation of Millions to Hold Us Back
4. Clash, Combat Rock
5. Frank Zappa, Freak Out!

RELATED:
Chic: Le Freak (Z-Trip Golden Remix)
Z-Trip Remixes The Dead Weather: Treat Me Like Your Mother
Z-Trip on KCRW’s Morning Becomes Eclectic
Z-Trip and Aceyalone: Automatic At It (video)

The Soft Province: I See Two Eyes single available

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When the Besnard Lakes side project the Soft Province was announced earlier this year, I quickly fell for the track I See Two Eyes, with Jace Lasek’s falsetto sprawling over the dreamy guitar tones of longtime friend (and former Besnard bandmate) Michael Gardiner.

Nine months later, Three Ring Records has released the song as a digital single in advance of the duo’s self-titled full-length, due for release on Feb. 22. The single features two non-album tracks: Bring Your Honour for Arabia and a remix of In a Some See No One Club by The New Slave.

The single for I See Two Eyes is available at iTunes, and the title track somehow manages to sound exactly how the cover art looks – shimmery, mysterious, perfect.

Former operator of Modified writes 33 1/3 book on Slint’s Spiderland

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Last year, I posted thoughts from a few locals about Modified as the downtown Phoenix space shifted its focus from music to a mostly arts venue. The first post, from David Jensen, drew a comment from a Scott T., who said the words were “dredging up a lot of memories for me.” Little did I know at the time that was Scott Tennent, a former Stinkweeds employee who also ran Modified for about two years, starting in early 2000 (he saw My Morning Jacket there!).

Scott, who also used to play in Phoenix band Half Visconte, keeps a fine blog – Pretty Goes with Pretty – and he’s now forever minted in music nerdom as the author of a new book in the highly regarded 33 1/3 series. His 160-page narrative on Slint’s Spiderland is hitting shelves this week and available at Amazon.

The book was nearly two years in the making, and it’s quite a distinction. Consider: Nearly 600 proposals were whittled down to 170 (the “shortlist“) and then to 27 before 33 1/3 decided on the “The Chosen Eleven,” including Scott.

I’m planning on a Q&A with Scott in the near future, but we did exchange a few e-mails this week, and his research sounded exhaustive: “For an album I thought I already knew inside and out, I learned a hell of a lot,” he said.

When his proposal was accepted in May 2009, Scott offered a few thoughts on Spiderland at his blog: “This is the album that, fifteen or sixteen years ago, completely impacted the way I listen to music. I’ve gone through my share of musical phases in my life, but Spiderland is one that has remained with me throughout.”

Very cool. I’m excited to talk to him about the process, from submitting the proposal to the research and interviews to the writing and re-writing. In the meantime, 33 1/3 posted an excerpt from the book last month and The Decibel Tolls has an interview with Scott.

New Telekinesis song: Car Crash

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I haven’t quite wrapped my head around all the releases from 2010 and already there are albums lined up for 2011 that I can’t wait to hear, like ones from Apex Manor, Aqueduct and now Michael Benjamin Lerner’s Telekinesis.

On Feb. 15, Merge Records will release 12 Desperate Straight Lines, the follow-up to the debut Telekinesis!, a 2009 favorite.

The album was produced by Death Cab for Cutie guitarist Chris Walla, and Spin has the premiere of Car Crash, a charming blast of pop whose chant-driven chorus is quickly nestling into my subconscious. I don’t doubt I’ll be singing this when I wake up in the morning.

In addition to the song, a batch of Telekinesis tour dates also has been released, and they include a Feb. 26 stop at the Sail Inn in Tempe.

Aqueduct flips Jay-Z sample, posts two new songs

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It’s been almost four years since we’ve last heard from David Terry’s solo project, known formally as Aqueduct. But Terry is out on the road for the next month with the Posies and Brendan Benson and getting ready to release a new album – the follow-up to 2007’s Or Give Me Death – so the wheels of publicity are turning.

To work his way back into the indie-rock conscience, Terry has posted two new tracks as free downloads on his website. And both songs work as a primer for the Aqueduct beginner or as a nice reintroduction for longtime fans.

The first track is a cover of Bob Wills’ Take Me Back to Tulsa, a 1940s Western swing tune about Terry’s hometown. Only Terry takes the liberty of framing his version of the song around a slowed-down sample of Jay-Z’s Big Pimpin’, a fun marriage that shows Terry’s irreverent side.

Then there’s Past the Point, a track that keeps up the bittersweet breakup theme from Or Give Me Death. Here, Terry anguishes over whether he should burn a photo of he and his ex: “We were together, but now forever the remains of us stay in this picture frame. I couldn’t burn my most precious memories.” Set against Terry’s buoyant, synth-tinged pop, heartbreak never sounds all that depressing in his hands.

Incoming: Open Mike Eagle, Nov. 11 and 12

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Los Angeles art-rap purveyor Open Mike Eagle has been through Phoenix at least twice (that I know of) in 2010, and it looks like he’s gonna be here two more times before the year is up.

I was already aware of the Nov. 12 show at the Hidden House in Phoenix – brought to you by Universatile Music – with a couple of the guys from his Swim Team fam, VerBS and Sahtyre. But according to Mike Eagle’s own site, he’s also playing the Sole & the Skyrider Band show on Nov. 11 at Chasers in Scottsdale (a UM and Psyko Steve production).

Mike Eagle was previously discussed a few months back after his excellent debut, Unapologetic Art Rap, came out. But if you want a feel for the raw talent, you gotta check this freestyle video with members of Swim Team (including Eagle rockin’ the captain’s hat). Dumbfounded just slams the friggin’ door at the end: “We do this on the daily, you just do this at award shows.”

Mike Eagle is also posting remixes of tracks from his album over at his site. Unapologetic, which features Nocando, is one of my favorites, and here it gets remixed by Awkward, also the producer of the original.

Apex Manor: Under the Gun (ex-Broken West)

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There’s a cool story behind Apex Manor, even if it starts with the unfortunate dissolution of the Broken West, one of the great bands that existed in this blog’s five-plus-year tenure.

Stuck in a rut after the demise of the band, guitarist/singer Ross Flournoy came across an open invitation by NPR Monitor Mix blogger Carrie Brownstein (ex-Sleater-Kinney) to write and record a song in a weekend. As NPR wrote recently, “Carrie’s challenge turned out to be just the excuse he needed to get busy.”

Flournoy turned out Under the Gun, a clever piece of writing that flips Brownstein’s challenge into a metaphor for the struggles he was facing at the time: “I apologize / my life’s become an island / and now I’m feeling under the gun.”

And so Apex Manor was born. Joined by friend Adam Vine, Flournoy conquered his writer’s block and cranked out more than 25 songs, a creative outpouring that will result in the full-length album, The Year of Magical Drinking, due out Jan. 25 on Merge.

The Broken West will undoubtedly be missed, but Under the Gun shows the promise of a worthy successor.