Category Archives: general

James Brown: Handful of Soul

As previously mentioned, James Brown made eight albums for Smash Records, five of which were instrumental. Handful of Soul, released in 1966, was the fourth (via). The album features covers and originals.One of the covers is a pretty interesting take on When a Man Loves a Woman.

Even if you’ve tired of the song (thanks, Michael Bolton), Brown puts a great twist on it. Female backing singers hold down the familiar chorus, but Brown’s organ takes the place of a lead singer, almost as if he’s doing a call and response between the backing vocals and the organ.

And if my elementary research is correct, Percy Sledge came out with the song in 1966, which means Brown’s cover likely was one of the first.

James Brown (at the organ) | When a Man Loves a Woman

Also, thanks to Covert Curiosity for pointing me in the direction of this Detroit News remembrance of James Brown, which includes this great tidbit:

“There was a reason Brown’s band was so tight: Brown was known as one of the strictest bandleaders ever. He didn’t wait until the end of a show to dock someone’s pay if their shoes weren’t shined or if they played something he didn’t like.

“[Allan] Slutsky, who worked on ‘Standing in the Shadows of Motown’ with Bootsy Collins, who was a bass player for Brown, says if a trumpet player hit a bad note, Brown would dance over to the musician and, with his back to the audience, flash the fingers of both hands at the player. ‘That meant he was fining the guy $10,’ he said.”

James Brown: The Payback

I can’t recall the year, but if memory serves, it was the third bout between Evander Holyfield and Riddick Bowe. Bowe won the first, Holyfield the second. I’m watching the introductions, filled with the usual pomp of the sport, when Bowe emerges from the curtains and walks out to James Brown’s The Payback. Whoa. I really didn’t have a rooting interest in either boxer, but I can remember thinking that had to be one of the coolest (and most appropriate) song selections for the situation.

The title says it all: a down and dirty vow of revenge and payback. Released on the LP by the same name in 1973, The Payback feels more like Brown is preaching than singing. He talk-sings in fragmented bits in between the rhythmic guitar strumming and funky bass. And he employs the call-and-response tactic, name-checking trombonist Fred Wesley for emphasis: “Hit ’em Fred, hit ’em!”

The lyrical freedom Brown gives himself in the song lends to its greatness: it’s not seven minutes of structured verse-chorus-verse boredom, but a tirade of one pissed-off dude. I’d hate to be the guy who inspired this anger.

The equally testy wah-wah guitar and daunting bassline make an obvious foundation for sampling, which EPMD did extensively, though the use of it by En Vogue and L.L. Cool J (mp3s below) probably gave it more commercial appeal.

James Brown | The Payback

As sampled by …

L.L. Cool J | The Boomin’ System
En Vogue | My Lovin’ (You’re Never Gonna Get It)

UPDATE: Oliver at Soul Sides has started to share his thoughts – and music – of James Brown.

Favorite song of 2006

By about August, I had begun formulating year-end lists in my head. I was mentally shuffling songs and albums up and down and back and forth when it finally hit me earlier this month: Who cares? The overwhelming volume of year-end lists (Largehearted Boy is keeping track: A-M and N-Z) has watered down the process, although I still kept tabs on lists from bloggers and writers I especially admire (Chromewaves, Gorilla vs. Bear, Marathonpacks, Bows + Arrows, for starters).

There is nothing wrong with lists (I made two last year). At best they are tangible reminders of a year that was; at worst they are masturbatory exercises of self-importance. They do open up the author to all sorts of criticism (“What? No, TV on the Radio?!?”), although that’s half the fun, I suppose.

For me, the difference between, say, my 13th and sixth favorite albums is probably negligible and hard to quantify. So instead, I’ve whittled it down to one song and one album that moved me or commanded a majority of my attention.

Favorite song of 2006:
Elvis Perkins, While You Were Sleeping
(From Ash Wednesday, self-released in 2006 and due out on XL in February 2007.)

In the newspaper business (of which I’m a part), you’re taught that the lead to a story is vital – it will determine if someone continues to read a story. It’s a good analogy for records, though, in the case of While You Were Sleeping, track No. 1 on Ash Wednesday, I kept doubling back to listen on repeat.

No doubt, the rest of the album is golden. But While You Were Sleeping is something else: insightful, pretty, sad, plaintive. From the first note, when an acoustic guitar gently dives into what NPR calls “midnight ruminations of an insomniac,” the song slowly builds layer upon layer of instrumentation – acoustic guitar gives way to bass gives way to drum beat gives way to horns.

But Perkins’ writing – the imagery – carries the song. He’s singing to someone long asleep, a winding narrative of what is passing this person by in the stillness of slumber: “While you were sleeping, the time changed / all of your things were rearranged.” It’s a simple yet sort of eerie idea: that the world, time, people don’t stop just because you do.

Favorite line:
“While you were sleeping the money died /
machines were harmless /
and the Earth sighed.”

Elvis Perkins | While You Were Sleeping

I also really liked these:
Band of Horses, The Great Salt Lake.
Josh Ritter, Girl in the War.
The Walkmen, All Hands and the Cook.
The Long Winters, Hindsight.
The Roots (feat. Peedi Peedi and Bunny Sigler), Long Time.

Related:
Favorite songs of 2005.
Favorite albums of 2005.

Youth Group: Sorry

In my many trips to record stores last year, my wife kept telling me to look for Youth Group for her. Youth Group this, Youth Group that. Skeleton Jar. Blah blah. Eventually we got our hands on a copy, and, as it turns out, I was pretty happy Annie kept after me about it.

It wasn’t so much that Skeleton Jar was all that awe-inspiring, but it seemed the promise for something better was looming. And the Aussies may have found it on Casino Twilight Dogs, due out Jan. 23 on Epitaph/Anti. The label is working extra hard on this one, too; I’ve gotten two promo copies. Their persistence is worth it. Casino Twilight Dogs is just really … pleasant. I’m not even sure I’ve ever used that word to describe a record. The melodies are sneaky – not so catchy right off the bat but they linger and reel you in until they’ve won you over.

On Sorry, like most of the group’s tunes, the guitars are big and sweeping and enhanced by an attractive string arrangement. We shan’t forget the cover of Alphaville’s Forever Young. And, oh, singer Toby Martin uses the word “infinitesimally” in the song Catching & Killing. That’s gotta count for something, right?

Youth Group | Sorry

Money Mark: Pick Up the Pieces

Money Mark is probably better known as the keyboardist for the Beastie Boys, though he does have an extensive discography, combining both solo and collaborative efforts. Pick Up the Pieces is the first single off his upcoming LP Brand New By Tomorrow, on Jack Johnson’s Brushfire Records (but don’t hold that against him … OK, that was a snobby thing to say). It’s touted as a break-up album, but if the rest of the songs carry the breezy, jazz-style instrumentation that’s on Pick Up the Pieces, then it may be hard to identify it as a somber affair. Let’s just say you won’t be moved to tears by any of the lyrics here: “You got me pickin’ up all my pieces / put ’em back in my pocket in case I need them.” Still, the interplay between the piano and bass carries the day. And that’s enough for me.

Money Mark | Pick Up the Pieces

ADMINISTRATIVE: Posting in the next couple of days likely will be coming from someone other than me (insert cheers here). We are headed for Chicago for the weekend, and for the first time I’m not looking forward to it. It’s for a funeral of a close family friend. Nevertheless, someone will prevent mold from building up around here while I am away.

Monsieur Leroc: I’m Not Young But I Need the Money

I blindly stumbled upon Monsieur Leroc because he’s part of the Cornerstone Recording Arts Society collective, also home to AWOL One, the Shape Shifters and $martyr (all of whom have been featured at some point here). I’m Not Young But I Need the Money (love the title) is the third release for Leroc, who’s from Germany. His funk-happy sound-collage style ensures that Beck, Cut Chemist and/or Jamie Lidell will be referenced as comparisons in practically every review and bio. Nevertheless, Leroc is the type of artist I feel I’ve gravitated toward more and more, especially this past year: a one-man show who finds comfort and something just right about being a little unorthodox (see also, the Gray Kid and Baby Dayliner). Some of the scattershot composition feels disjointed at first. Without the benefit of liner notes (got it at eMusic), I can’t be sure of what’s been sampled or what’s been played live. Still, the cut-and-paste arrangements are strangely compelling: part funk, part hip-hop, part lounge. Cooley McCoolsen, the lead track, is a perfect example of how Leroc somehow makes all these elements very agreeable.

Monsieur Leroc | Cooley McCoolsen

Help J. Robbins, Janet Morgan and their child

Idolator posted about this yesterday and it’s worth repeating anywhere someone may read it: The 2-year-old son of J. Robbins (Channels and ex-Jawbox and ex-Burning Airlines) and Janet Morgan (also in Channels) was born with a genetic motor neuron disease called Type 1 SMA, or Spinal Muscular Atrophy. According to the SMA Foundation Web site, SMA is the leading genetic killer of babies and toddlers. Their son, Callum, will never walk and will be bound to a wheelchair for life.

DeSoto Records details the disease and the uphill battle Robbins and Morgan face, especially in a family in which the sole income comes from Robbins’ job as a producer/engineer for indie bands.

DeSoto has set up a PayPal account to which you can donate at the same page detailing this ordeal.

I went on a bit about J. Robbins and Channels here and have been a fan his various projects (especially Burning Airlines) and always admired his production work on other bands, including DeSoto’s The Life and Times and Maritime.

I hope you’ll think about donating. The only J. Robbins-related material I have (other than CDs) worth auctioning off is a Jawbox 7″ with Jackpot Plus! and Motorist. If anyone has any other ideas, I’m all ears. I’d love to make a sizable donation on behalf of this blog and music fans.

Here’s a few mp3s to inspire some generosity.

Jawbox | Cooling Card
(From For Your Own Special Sweetheart.)

Burning Airlines | The Escape Engine
(From the freaking great Mission: Control!)

Channels | Chivaree
(From Open.)

The Coup/Mr. Lif bus crash

Thanks to Soul Sides for pointing this out. The Coup and Mr. Lif, on tour together, were involved in a near-fatal bus crash outside of San Diego. The bus flipped over and burst into flames.

Boots Riley of the Coup is asking fans for help in the form of donations on the group’s MySpace page. I’m trying to put together a possible auction of some goodies to help the effort. More on that soon.

Do yourself a favor and check out some tracks, purchase their albums and help them get back on their feet.

The Coup | My Favorite Mutiny
(From Pick a Bigger Weapon.)

Mr. Lif | Mo’ Mega mixtape (mixed by DJ Big Wiz, also in the crash)
(Buy Mo’ Mega.)

awesome guest blogger post

Hi, I’m Chris from gorilla vs. bear. So, Kevin is up in Flagstaff for some reason, probably becoming one with nature or whatever those hippies do up there. So I guess I can stop playing with my Wii (get it? ha.) long enough to take over So Much Silence and post some songs that hopefully you guys won’t hate too much.

Kevin asked that I post a photo of men in a bathtub, so here’s Menomena

2007 is almost here, and here are a couple tracks from ’07 releases that, based on these first singles, might be worth seeking out. The Menomena record, out on Barsuk on January 23, 2007, is one of my most anticipated releases of next year, and this single reinforces that. It’ll be the band’s first release on Barsuk.

Menomena Wet and Rusting mp3

**************************

This band the Ponys, however, I knew nothing about. They are Matador Records‘ newest signees, and will release Turn the Lights Out on March 20, 2007. Here’s the infectious first single: The Ponys Double Vision mp3 Edit: Matador doesn’t allow deep-linking. Go here to get the mp3 from their site.