Panther: How Well Can You Swim? video

Panther (aka Charlie Salas-Humara) has put out a video for a remix of his single How Well Can You Swim?. The video is part of a DVD that comes with the album Secret Lawns (out March 6) when you pre-order from Fryk Beat.

The choreography – though no treadmills are involved – is fairly impressive, if not a touch hokey. But I’m just glad to finally discover that it’s a bottle he’s beating to make that funky background beat.

Don’t forget: Panther is at the Paper Heart in Phoenix on March 12.

Related:
Panther 7-inch and tour dates.

Gray Kid premiere: PaxilBack (Worryin’ Weity Mix)

A remix of a spoof? Yeah, leave it to the Gray Kid and his homies in People Food, a collective of LA-based artists, musicians, writers and directors.

Weity, one of the two designers in People Food, flipped Gray Kid’s spoof of SexyBack over a club-ready Phones track.

What’s the occasion, you ask? Well, the Kid is throwin’ down at Spaceland tonight in LA for a party called More Lonely Than Loved. I’d post the flyer, but it’s not all that work safe. Click. You’ll laugh.

    The Gray Kid | PaxilBack (Worryin’ Weity Mix)

In case you missed the original:

Scrubbles.net says: The Autumn Defense

Note: This is the first of hopefully many quickie album reviews from Matt Hinrichs, a former co-worker of mine at The Arizona Republic and the proprietor of the great scrubbles.net. Matt is the man responsible for designing the excellent banner at Circa 45, and he’s got distinguished taste in music/arts, so I’m happy to have him add his editorial voice to the site.

The Autumn Defense
self-titled (Broadmoor Records)

The Autumn Defense serves as a mellow side project for multi-instrumentalists and Wilco members John Stirratt and Pat Sansone. Though both hail from the Midwest, from a few listens to their self-titled third album I would gather that their hearts are forever in Laurel Canyon, circa 1971. Their sound is vaguely reminiscent of Joni Mitchell, Neil Young, or even Bread — but this is no goofy pastiche. If fact, wide-eyed earnestness might as well be the album’s overwhelming theme. Such a project would be impossible to do without succumbing to every kind of “sensitive man” cliché, but strangely enough they pull it off beautifully. The entire album is surprisingly, consistently good — but if I could recommend a single track for download, it would be the gorgeously soulful Feel You Now. The duo aim for a classic Al Green-ish feel here, but like the rest of the album it has a timelessness which gets richer with every listen.

  • The Autumn Defense | Feel You Now

Buy the self-titled album at Broadmoor Records.

The Autumn Defense plays Modified in Phoenix on Thursday with the Broken West. Buy tickets.

Extra Bloc Party track at eMusic

Because we’re in LA (well, OK, Buena Park) for a visit with my in-laws (fun!), I have little to offer right now. I can tell you, however, that eMusic is offering an extra track, Rhododendron, on Bloc Party’s new release A Weekend in the City.

I’ve yet to download it but plan to do it when we get back to Arizona. Probably a good enough reason to check out eMusic’s free 25-song trial. (In the interest of full disclosure, yes, I get a whole $6 kickback for anyone who clicks through and starts a trial.) Here’s a direct link to the album, sans commissioned ID number.

Also, I forgot to do this last week, but ye old Aquarium Drunkard is all redesigned and spiffy with a new .com: www.aquariumdrunkard.com.

And a Doves B-side is available at my newly launched Circa 45.

Introducing: Circa 45

“People are now thinking that little bit of plastic with a hole in the middle is actually a pretty cool thing to own.”

As my wife or any of my friends can attest, I’ve been talking about doing a blog dedicated solely to 45s for at least the past year now. Well, finally, I’ve created the beast, and it’s alive. Say hello to Circa 45.

The idea never would have come about if not for some hardwood flooring. Let me explain: My dad was replacing carpet with Pergo at my parents’ house. That meant moving a heavy Wurlitzer Americana 3100 jukebox (picture) he bought from a friend in Chicago and brought to Arizona when we moved here 20-some years ago. Sadly, the jukebox got little use other than serving as a decoration/conversation piece. He was prepared to sell it or give it away when I told him I’d gladly take it off his hands, along with about 250-plus 45s in dire need of some attention. (The poor things, they were out of dust sleeves and – gasp! – stacked on top of each other.)

So I spent a good couple months sorting, alphabetizing, cleaning and (still) cataloging. It’s an extensive collection, with mostly pop/rock from the 1950s-70s. Of course, I’ve supplemented the collection with my own records.

If anything, I realized I’m sitting on boxfuls of music history, if not possibly a small eBay windfall. So instead of letting them sit idly in a box, I decided I’d start a blog to digitize them and do some research and reading along the way about what I’ve inherited. I suppose I could have made it a regular feature on this site, but I don’t think I would have the same diligence in my research. Besides, I’ve been really fascinated/inspired of late by blogs with very tightly focused subject matter (History of the Button and Tape Findings, for example).

Also, I don’t expect to post every day on Circa 45 like I practically do here. In fact, I’d be surprised if I posted more than once or twice a week. As for the music, I will post songs old and modern, A-sides and B-sides; some days I may clean up the pops and crackles, other days I’ll revel in the scratchy warmth. Maybe (hopefully) I’ll even have some guest contributers.

One last anecdote: My reasons for doing Circa 45 became all the more clear on Saturday, when I browsed a used record/book store. A girl, who probably was about 7 years old, was looking at records and just had to ask her dad: “Daddy, what are these?” Her dad responded that they are records; they play as they spin on a record player. The girl: “Do we have any of these?” Dad: “Yeah, a bunch.” The girl: “Do we have the record machine?” It was very cute and very innocent and a welcome reminder that we should be passing on music in all its various – and sometimes alien – forms.

And that’s my big, dramatic opener.

But before I conclude a major thank you goes to Matt at the great Scrubbles.net for designing the excellent Circa 45 banner/graphic. You probably will be seeing Matt regularly write some record reviews for So Much Silence, a feature I’m eagerly anticipating.

The Walkmen: I Lost You (new song)

Kudos to Pitchfork’s Forkcast (whose links, by the way, absolutely do not click through in my RSS reader) for posting today about the Walkmen’s appearance on WNYC’s Soundcheck, where Hamilton and Co. previewed two new songs.

I’m guessing the distant, cave-like sound effect is not intended but merely a part of the mix. Nevertheless, I did my best to capture the stream and boost the sound a bit. If indeed the Walkmen get a new album out this year, I’d be one happy camper. Not that I’ve tired of A Hundred Miles Off, which I was just listening to the other day; I’m telling you, All Hands and the Cook is one of the group’s best.

This new one carries on the best parts of the Walkmen: fuzzy nostalgia in the writing, boozy vocals and the almost-eerie Dylan-like inflections in Hamilton Leithauser’s voice.

  • The Walkmen | I Lost You

UTFO: Hanging Out

While I’m on the subject of RJD2, I forgot to mention his appearance in the “getting to know” section of the latest issue of Filter magazine (Winter ’07).

This section typically includes a neat feature: “3 albums that inspired (artist) to make music.” Well, RJ’s selections stood out: Pharcyde’s Bizarre Ride II the Pharcyde; D’Angelo’s Voodoo and UTFO’s self-titled debut. Pharcyde seems like maybe a no-brainer – that album is unreal. His choice of UTFO made me perk up, especially because I found that album on vinyl for $2 at Bookmans, a local used book/record store; definitely one of my better finds.

That said, I had to go dust it off and give it a whirl. It was released in 1985 on Select Records. That debut is best known now for the single Roxanne, Roxanne, a dis track about a (presumably) fictional girl who tells them, basically, to talk to the hand. That one song spawned answer records, including Roxanne Shante’s Roxanne’s Revenge.

That whole phenomenon deserves a week’s worth of posts. In listening to the record, though, the track I love is Hanging Out, a song about, yep, hanging out. And that simplicity – in the lyrics, the beats, in the cheesy synth lines – sums up what’s so great about rap of that era. What else would you expect from guys named the Kangol Kid, Doctor Ice, the Educated Rapper and Mix Master Ice?

As for RJD2, he tells Filter that album “started my fascination with rap.”

Ripped from vinyl, a great track to start your weekend.

    UTFO | Hanging Out

New tunes at Gray Kid’s MySpace

The prolific Gray Kid has posted a couple new jams on his MySpace page (streams). I’m already particularly fond of Soothsayer — check the funky, 80s-esque synth line. Oooooh!

The man who signs his checks as Steve Cooper also is playing a slew of dates at SxSW, which I will not be attending. Boo.

Onward to Gray Kid’s MySpace. Be on the lookout next week for possibly a new mp3 from Coop. I’d call it “exclusive,” but some people get a little uptight about that.

Upcoming Phoenix shows

The concert calendar is starting to pick up in a major way around here. Just thought I’d run down some of the more appealing options coming up in the Valley:

Feb. 15: The Autumn Defense (w/John Stirratt and Pat Sansone of Wilco) with the Broken West, Modified.
Feb. 20: Pete Yorn with Aqualung, Marquee Theatre.
Feb. 20: Oh No! Oh My!, Modified.
Feb. 28: Midlake with Tacks, the Boy Disaster, Rhythm Room.
March 4: Deerhoof (if you’re into that sorta thing), Macromantics, Rhythm Room.
March 6: Aqueduct with Annuals, Rhythm Room.
March 8: Birdmonster, Modified.
March 9: Saturday Looks Good to Me with Ladyhawk, Modified.
March 12: Viva Voce with the Cassettes and Village Green, Modified.
March 12: Panther, the Paper Heart.
March 15: Sebadoh, Clubhouse.
March 18: Jonah Matranga with Joshua English and Frank Turner, Modified.
March 19: Page France with Headlights, Modified.
April 3: Richard Buckner with Six Parts Seven, Rhythm Room.
April 9: Ted Leo and the Pharmacists, Clubhouse.
April 18: Lymbyc Systym with Back Ted N-Ted, Modified.
April 25: Sunset Rubdown, Modified.
May 8: John Vanderslice with St. Vincent, Modified (and/or Stinkweeds).

Venues:
Marquee Theatre.
Modified.
Rhythm Room.
Clubhouse.
The Paper Heart.

Also see Stateside Presents.

Panther 7-inch and tour dates

Panther

Like RJD2’s The Third Hand, another album to look out for on March 6 is Panther’s Secret Lawns (Fryk Beat). I haven’t heard the album in its entirety, but the single How Well Can You Swim, with its danceable beat and trippy falsetto vocals, is getting major airtime around here.

A 7-inch of the single is available for pre-order on Gold Robot Records. It contains the single, an alternate take on it and two unreleased tracks, including Tennis Lesson (seriously, he’s really into these recreational activities). Gold Robot says the release date is Feb. 30, though I’m guessing that’s supposed to be Feb. 28. It’s only $5. Get it.

Meanwhile, Panther is hitting the road in March and will be stopping at the Paper Heart in Phoenix on March 12. Check out more dates here.

  • Panther | How Well Can You Swim