Jonah Matranga, Joshua English, Frank Turner tour

Consider this your friendly reminder to come down to Modified in Phoenix tonight to check out Jonah Matranga, Joshua English and Frank Turner (though I’m not sure in what order they’ll appear). Also on the bill is Western States Motel from Los Angeles.

You’re already aware of how I feel about Jonah’s music (link, link, link) and he dropped by to tell us his thoughts on Boogie Down Productions and Public Enemy.

Joshua English, formerly of Six Going on Seven, is new to me, though our friends at Welcome Home Records have remedied that by sending me his upcoming LP, Trouble None (due out April 17).

It’s such a refreshing listen, 13 songs in 31 minutes. No track is longer than three-and-a-half minutes; most hover in the two-and-a-half range. That leaves little room for error and even less of a chance to leave a lasting mark, but English’s lively and distinctive voice packs plenty of emotion in such a short space. He’s proof that writers mustn’t need to endlessly drone on to reach a point.

Doors at 7 tonight. $7. Go.

  • Joshua English | Go ‘head Heal Your Heart

Phoenix show update: El-P!

In conjunction with Universatile Music, the esteemed Stateside Presents is bringing El-P to the Clubhouse in Tempe on May 23.

That reminds me: El-Producto’s new album, I’ll Sleep When You’re Dead (probably up for best album title of the year), comes out on Tuesday.

Check out World’s Fair for all the latest El-P news.

UPDATE: Check out the premiere of the Smithereens video at NY Times.

Rob Dickinson: Oceans video

Digging around on Rob Dickinson’s MySpace page, I came across his video for Oceans, the second single off the former Catherine Wheel singer’s solo debut Fresh Wine for the Horses.

It’s like any other video, except, well, that it’s supposedly the first one ever shot using a cell phone. VIdeo director Mike Hodgkinson used a Nokia N93 (3.2 megapixel), a phone Nokia claims is capable of “DVD-link quality video.”

In a making-of video about the video (confused?), you can see the “guerilla” tactics Hodgkinson used, including attaching the phone to helium balloons to get aerial shots and creating a makeshift tripod for it.

The major benefit? He tells Tux:Tops they funded the project themselves, “only a couple of hundred bucks all in.”

Queens of the Stone Age news

Billboard got a listen to the upcoming Queens of the Stone Age album, Era Vulgaris, in Austin this week.

After hearing nine tracks, Billboard says Josh Homme and Co. are “peddling fast, powerful riffs (Sick, Sick, Sick, Battery Acid, 3’s + 7’s) as well as more psychedelic, boogie-ish rhythms (Suture Up Your Future, I’m Designer).” Guests on the album, due in June on Interscope, are rumored to include Trent Reznor, Julian Casablancas and Billy Gibbons of ZZ Top.

Here’s a YouTube clip of a making of Era Vulgaris; I’m not sure if it’s officially sanctioned by QOTSA, but it is on the group’s MySpace page.

Scrubbles.net says: Dean & Britta

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Dean & Britta
Back Numbers (Zöe Records)

Dean and BrittaTell me something, are Dean Wareham and Britta Phillips the Nick and Nora Charles of alt-rock? Listening to their second duet album, Back Numbers, the duo exude an offbeat “sexy married couple” feel seldom seen since the Thin Man sleuthing couple’s heyday. It’s the kind thing you’d expect from people whose lineage includes both Galaxie 500 and cartoondom’s Jem. The album is a relaxed affair with a smart mixture of originals and odd covers (two Troggs tunes, a Donovan b-side, a Lee Hazlewood composition, and the theme song from an old British kiddie show) which give off the perfect “aging hipster” vibe. Vocally, both have never sounded better — the sparkling cushion of sound supplied by legendary producer Tony Visconti adds immensely to their performances. Although the album is short on true duets, the couple groove beautifully like a contemporary Nancy & Lee on “Words You Used To Say”. Elsewhere, Britta excels on the spacey C&W-style ballad “Wait for Me” and Dean channels a classic Luna sound on “Crystal Blue” (an ode to a dead pet rabbit). Dem’s the highlights, but overall it’s a smoothly satisfying effort.

Buy the album at Amazon.com.

  • Dean & Britta | Wait for Me

The Besnard Lakes: Devastation

jag106.jpgI have been waiting for a song of the year candidate to rear its head, fall in my lap, reach from my speakers and shake me. It’s March, I know. I hate premature song/album of the year blather as much as you do. But perhaps you haven’t heard Devastation by the Besnard Lakes.

Quite simply, it kills. Everything in its path. It appears on the group’s LP, The Besnard Lakes Are the Dark Horse, which NPR says “demonstrates a remarkable flair for dramatic shifts between initial fragility and walloping dynamics.” NPR forgot to mention the album cover art: a black stallion engulfed in flames! I think if I spent a lot of time at coffeehouses reading philosophy books I could attach a metaphorical meaning to this imagery. But I don’t, so I can’t. However, I will say this: It’s a black stallion engulfed in flames! And I sort of want a poster of it, but it has to be made of that fuzzy, velvet-y fabric.

But back to Devastation. This is nearly six minutes of major ambition, a juxtaposition in sound of thick classic-rock riffs and modern, swirling synths. The group’s Montreal home means obligatory comparisons to the Arcade Fire and the like. But I take more of a Low-ish vibe from the album – spacious sounds and distant vocals; maybe something closer to Pink Floyd (though I claim to be no expert on Floyd).

Judge for yourself: You can stream Are the Dark Horse at Jagjaguwar. Also, the Besnard Lakes are at the Paper Heart in Phoenix on March 19 with Dirty on Purpose.

If somehow they could incorporate a real, live stallion galloping through flames at the venue, I might just follow them around the country.

  • The Besnard Lakes | Devastation

The Besnard Lakes Are the Dark Horse is available at eMusic.

A-Plus: Patna Please

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It’s hard to ignore the independent and resourceful nature of the Hieroglyphics crew – Del, Souls of Mischief, Casual, Pep Love, Domino. This was a group whose members were jilted by a semi-major (Jive), so they simply struck out on their own to form their own label (Hiero Imperium) and pretty much became the prime example of a business model that could succeed sans label support.

On top of all that, they continually put out quality records, even if it’s sometimes difficult to keep track of because of how much they pump out. A couple projects are in the works, including a solo album from Souls of Mischief member A-Plus (that’s A-Plee, if you’re down).

The first single is Patna Please, a low-end gem with a menacing keyboard loop and bouncing bassline that screams Bay Area.

As is the case with most Hiero-affiliated albums, My Last Good Deed has guest spots from the crew, including Casual and Del. It drops May 1.

  • A-Plus | Patna Please

New Brendan Benson?: Feel Like Taking You Home

If you stalk check up on Brendan Benson’s MySpace page every now and again, you’ll see he’s pretty active in posting demos and such for your streaming pleasure.

Well, with the Raconteurs noise dying down now, we can probably expect a new album from Benson very soon. And he’s planting the seed by dropping in a new tune on his MySpace called Feel Like Taking You Home.

It’s darker – in both sound and lyrical content – than what we’re used to hearing from Benson, and the driving beat steadily reaches a crescendo as guitars layer and crash over it.

  • Brendan Benson | Feel Like Taking You Home

(Via)

AT CIRCA 45: A rip of Zager & Evans’ apocalyptic In the Year 2525.

Menomena in Phoenix on Sunday

menomena.jpgLately, there seems to be no shortage of excellent shows running through the Valley, and the trend is continuing in the next few weeks. Unfortunately, one band seems cursed by its travels through our state. We’re sorry, Birdmonster. Come back, won’t you?

Sunday is particularly exciting, for Menomena comes through to play Rhythm Room, a show I am eagerly anticipating. I wanted to resist Friend and Foe originally, as I tend to flinch at what the masses are feeding me. And, yet, it now seems all very justifiable because these are songs heavy in texture (the horns are so wonderful) and catchy, to boot.

I tortured my wife over and over with the album opener Muscle’n Flo (which I couldn’t figure for the life of me why that wasn’t the first single) until she was waking up with it in her head. And now I’ve come to terms with Wet and Rusting as the single, though you could certainly make a case for Boyscout’n.

Also, the word “Menomena” is hard to type.

Local bands the Threads and the Morning Kennedy Was Shot open the all-ages show on Sunday.

  • Menomena | Wet and Rusting

Visit MTV’s Subterranean Blog for the very cool video for Wet and Rusting.

Stream Friend and Foe via Barsuk.