Nick Andre + E Da Boss: Demonstration mixtape

demonstration

Nick Andre has spent the past couple years working on the indie-electro duo City Light and touring with Her Space Holiday, but his background remains true to hip-hop. He’s a DJ/producer and co-founder of Slept On Records, having working closely with biggies from the Quannum and Living Legends crews.

After writing a post on the Pharcyde for my I Used to Love H.E.R. series, Andre kept in touch, asking if I wanted to premiere a mix he and his partner E Da Boss (Gift of Gab’s DJ) were cooking up. Naturally, I said yes.

And here we have the finished product: A fresh, 18-minute mix of soul, funk and hip-hop vibes that includes a snippet from the great O.C. song Time’s Up: “I’d rather be broke and have a whole lot of respect.”

The mix is called Demonstration and Andre says it will be followed by a series of singles in the spring featuring Gift Of Gab, Z-Man, Jern Eye and more.

Kidz in the Hall: The Grizzly Man
(Two Weeks sample)

grizzlyman

It seemed like just a matter of time before Grizzly Bear’s precious Veckatimest was mined for sampling purposes. Unless I missed something, looks like Kidz in the Hall won the race to be first.

As part of a free EP coming out on Dec. 8 — Professional Leisure Tour — Naledge and Double-O tap the fairly obvious choice, Two Weeks, for a track called The Grizzly Man.

Piggybacking on Grizzly Bear’s wave of popularity is a smart idea, if not a little forced. Naledge’s rhymes sound a little clunky over the sped-up tones of the familiar piano loop. But Double-O makes great use of the vocal hooks an an intro and bridge between verses.

(via OnSmash)

Related:
New Kidz in the Hall: Flickin’
Video: Kidz in the Hall fight in Tempe

Blakroc (feat. Mos Def): On the Vista

blakroc

From the previously discussed Blakroc project, which pairs the Black Keys with assorted hip-hop artists, the first leaked track has made its way around the Internets.

On the Vista features Mos Def rhyming over an intermittent wailing guitar line before he closes the track on some poetry-style talk-singing. The album is due out on Nov. 27 – “Black Friday.”

(via Spine Magazine)

Meanwhile, check the latest Webisode of the album’s recording, featuring the inimitable Pharoahe Monch pushing his creative juices along with the help of some fine spirits.

Quarterbar: Sweet Burger Sandwich

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Quarterbar, one-half of the excellent electronic/hip-hop duo Meanest Man Contest, has put together a new EP of beats culled from 2003-05. Straight vintage, I tell you.

The eight-track collection is called Sweet Burger Sandwich, and Sneakmove is hosting the whole damn thing – individual mp3s and a zip file of the EP.

ZIP: Quarterbar | Sweet Burger Sandwich

And if you want more Quarterbar beats, you can check out his secret stash of remixes.

k-os: I Wish I Knew Natalie Portman (video)

In February, I posted a k-os video for the song 4 3 2 1 — a response to his friend Feist’s 1, 2, 3, 4 — and mentioned the album it comes from, Yes!, would be released in March. But no, Yes! didn’t come out in March.

Instead, it’ll be released on Tuesday in the U.S. after getting an April unveiling in his home country of Canada.

Prefix has some praise for the record — ” … an album full of single-worthy cuts” — and the video for the third single, I Wish I Knew Natalie Portman, featuring fellow Canadians Saukrates and Nelly Furtado.

If you haven’t already been hooked by k-os’ Sunday Morning from 2006’s Atlantis: Hymns for Disco, then Natalie Portman might do the trick, another track showcasing his ability to effortlessly meld pop and hip-hop vibes.

The Twilight Sad on Laundromatinee

Between losing our iMac for a day (hard drive kicked the bucket) and Dreamhost acting wonky (again), everyone got a break from the blog today. Fear not: I’m back.

I’m catching up on this one, too: The Twilight Sad recorded a couple songs for a Laundromatinee – the sister session site of My Old Kentucky Blog – at Monolith Festival.

As it stands, with list season fast approaching, The Twilight Sad’s Forget the Night Ahead likely will land in my top 5 of the year, if not crown the list altogether. I’ll have more thoughts on that when I actually put together said list. Until then, enjoy a couple stripped-down tracks by the group.

Incoming: St. Vincent, Feb. 11 (Rhythm Room)

Not that Modified will be hosting touring acts beyond December – we’ve been discussing that a little – but St. Vincent had outgrown the venue anyway. Her past two shows there, including a stop in May, were packed – shoulder-to-shoulder with mostly sweaty/excitable young males, all of them surely professing their love for Annie Clark. (Hey, don’t look at me like that.)

For her Feb. 11 show in Phoenix, this time Clark will play in the slightly more spacious confines of the Rhythm Room. It’s a Stateside Presents show and tickets are $15. According to Pitchfork, the opener will be Wildbirds & Peacedrums.

I’m sure my wife will love this early Valentine’s Day gift.

Modified memories: Stephen Chilton (Psyko Steve)

modified

Modified Arts, an all-ages venue in downtown Phoenix that has been a staple of the local music scene and a vital venue for touring indie bands for nearly 11 years, will change direction and transform into a space focused mostly on art. (Read more here and here.)

As such, I am collecting thoughts and memories from the musicians who played there and the fans who attended its many shows. This is less an obituary and more a celebration of a less-than-perfect but charming venue that, as we know it now, will be missed.

This entry comes from longtime Valley promoter Stephen Chilton (aka Psyko Steve), who also wrote some thoughts on the changes at Modified here.

I have written a lot about Modified lately and so for this post I thought it would be fun to make it more personal. The first show I ever set up as a promoter was in the fall of 2000 when I was still a senior in high school. Modified was the kind of place that would let anyone set up something if it sounded neat. The first several shows I set up were all for local acts that were my friends. Back then my shows always worked out because it was just good friends playing for other good friends.

Not long after I started doing shows I had a show on a Friday night and a month or so before the show a promoter down in Tucson named Nick Celi hit me up about getting two California bands on the show. The crazy part was I knew who the bands were! Not in a sense I knew them personally, I just knew who they were! I was a fan of the one of the bands. At the time it seemed crazy to me that two legit bands wanted me to book them a show, I was kind of green to how hard this business could be. Remember this was before most bands had Web sites or even MySpace pages. I don’t know if I was even using email at the time and the band mailed me a cassette tape so I could hear their new songs. I just recently found that tape again and don’t think I could even play it now.

Day of the show a van pulls up and Limbeck roll out wearing OP Short Shorts, tank tops and big sunglasses. They looked like they were going to the beach not a rock show in Phoenix. The show was a huge success, at least the way I remember it. That was the first time I had ever booked a show for a national act.

Since then I have done more shows for Limbeck than I can count, I have done shows that sold out, done shows that were far from it, done shows for them in a living room in Tucson, and watched them play in four or five states, and last year I did two crazy packed nights in a row at Modified for them. They have become some of my most cherished friends. For Patrick’s bachelor party we all went camping in Joshua Tree National Forest (not the most orthodox bachelor party but a whole other story nonetheless). Next year one of them will even use Modified Arts as the site for his wedding reception.

One of the things I love about what I do for a living is not the great bands I have worked with over the years but the great people I have become friends with. So many of the relationships I value most and have had the longest either started at Modified or have revolved around it. I am looking forward to watching the new owners make Modified into something new again.

PREVIOUSLY:
David Jensen (Art for Starters)

I Used to Love H.E.R.: Van Pierszalowski
(Port O’Brien)

The 44th installment of I Used to Love H.E.R., a series in which artists/bloggers/writers discuss their most essential or favorite hip-hop albums and songs, comes from singer Van Pierszalowski of Oakland-based indie-folk band Port O’Brien, which just wrapped up a seven-week tour in support of its excellent 2009 album Threadbare. Having talked to Pierszalowski at the band’s recent Phoenix show, I can tell you his enthusiasm for Lil Wayne is absolutely sincere.

tha carter IIILil Wayne, Tha Carter III
(Cash Money, 2008)

In my view, this is quite obviously one of the finest records of any genre of the decade. I’ve listened to it non-stop since it came out, and I’m still discovering things. It’s so dense, in a good way. I first heard “A Milli” on the radio before the album came out, and I hated it. I just thought it was annoying and lacked any sort of hook. After I fell in love with the more easily accessible singles and bought the album, that song all of a sudden made sense, which is the sign of a good record. The record is just littered with amazing lyrical moments. The part that hit me first might have been “I got Summer hatin’ on me cause I’m hotter than the Sun. Got Spring hatin’ on me ’cause I ain’t never sprung. Winter hatin’ on me ’cause I’m colder than y’all. And I would never, I would never, I would never fall.” Another thing I love about this record is how Weezy can also just be hilarious as fuck.

Mayer Hawthorne on NPR’s World Cafe

mayer

Just a guess, but I’ve probably spilled more ink on Mayer Hawthorne than any other artist this year. I can’t help it – the modern Motown-style soul on his debut A Strange Arrangement is a refreshing change of pace, an album sure to elbow its way into my year-end favorites list.

Hawthorne and his band, the County, stopped by WXPN’s World Cafe for an interview and four-song session that included The Ills, now available on 7-inch.

Stones Throw made an mp3 available of the song from the performance.