Category Archives: arizona

Modified memories: David Jensen (Art for Starters)

modified

Modified Arts, an all-ages venue in downtown Phoenix that has been a staple of the local music scene and a vital venue for touring indie bands for nearly 11 years, will change direction and transform into a space focused mostly on art. (Read more here and here.)

As such, I am collecting thoughts and memories from the musicians who played there and the fans who attended its many shows. This is less an obituary and more a celebration of a less-than-perfect but charming venue that, as we know it now, will be missed.

First up is David Jensen, founder of local band Art for Starters (and late of Before Braille) who turned around an in-depth and genuine narration of his affection for Modified.

  • Art for Starters | Pinprick by Prick
  • Modified gave me my biggest motivation for being in a band or having a record label. The clubs and bars in most of my previous experiences were a turn off. Modified made my interests and ideologies tangible under one roof. In the beginning, that roof was not only shelter to local artists and musicians, but it was called home in a very real sense for the tenants who lived on the other side of the wall that used to separate the gallery in half. The air-conditioning was about as capable as the original PA. Hearing vocals, or feeling comfortable in Modified was nearly impossible, but it never deterred me or any of my fellow frequenters. Bands were always loud, and the PA could never keep up. If the band sounded good, it’s because they were good. It was impossible to fake anything at Modified. When I’d watch bands struggle to pull off a good set, it would feel so organic. When my band played there, it always made us focus on our playing and our sounds. Every night would be another episode of trouble-shooting, and it really made us a better band. I was constantly humbled after a night when I wasn’t prepared.

    I made at least weekly trips to see local great local bands like Half Visconte, Fightshy, Pinewood Derby, Sea of Cortez, Fivespeed, or Sound of Sirens, Reubens Accomplice … etc. Most of the “fans” watching were in bands. In the early days of Modified, it really meant a lot if you got a lot of people out to your show. And the number of local artists in the audience was a good barometer for how well your band was doing. I went to a ton of local shows, but my favorite bands in the country always made their first Arizona appearance at Modified. Conor Oberst was 19 the first time he came through. I’m pretty sure David Bazan and Damien Jurado were skinny the first time they came to Modified! Heh. Modified opened during a really exciting and early time for that genre. Bands like Death Cab For Cutie, Braid, Pinback, Bright Eyes, No Knife, Cursive couldn’t even come close to filling the place. (I don’t want to focus on bands of that type, but I do think Modified was particularly helpful for, and available to, those kinds of bands at a exciting time for that genre.)

    Of course Modified was never just bands. I also found my favorite local artist, Sergio Aguirre, at Modified and have five of his paintings in my possession now. (We used his work for two different album covers.) And let’s be honest, would First Friday even exist w/o Kimber and Modified?

    Continue reading Modified memories: David Jensen (Art for Starters)

Dfactor: Shake It

d-factor

Phoenix rocker Dfactor is one busy guy.  In addition to ceaselessly recording lo-fi power pop, he maintains a hyper-active blog, Waved Rumor, where he details everything pop-culture, occasionally detouring to deliver charming, curmudgeonly rants about kids at shows paying more attention to their cell phones than the gig.  Like his lyrics, everything he does is blindingly sincere. Buddy-boy even thanks his family for the “time and space to slash” in the liner notes of his new full-length, Slashing the Sunlight.

“Shake It,” the second track from the album is a favorite of mine: two and a half minutes of sloppy, Flamin’ Groovies-via-Guided By Voices pop rock, too brazenly earnest to ever get props from the “cool kids,” but guaranteed to get even the most cynical toe tapping.  You can listen to and download the entire album at his website.

New Miniature Tigers: Lolita (live, acoustic)

We’ll be seeing Phoenix’s own Miniature Tigers open for The Dodos on Wendesday night at Modified, a venue that’s stirred quite the buzz around town the past couple of days.

Anyway, the Mini T’s have been riding high and touring the country on the strength of the debut LP Tell it to the Volcano, an album I unbelievably found used on vinyl at Zia Records a couple weeks ago (along with the White Magic EP … white vinyl!). And it looks like the guys stopped by KWUR in St. Louis for a four-song acoustic session, including what appears to be a new track, Lolita.

Related:
Alvin Band: Temple Pressure (video, mp3)
Miniature Tigers on The Interface
Miniature Tigers on The Train Tracks
Miniature Tigers on Daytrotter

Sept. 17: Jim Adkins + Source Victoria for LLS

As I sit here and sip on a cocktail and think about ways I can change the world around me, some people are, well, actually doing it. Take our friend Karen, who a few months ago told me of her plan to train for an October marathon – that’s 26 miles, people – to raise money as part of the Leukemia and and Lymphoma Society’s Team in Training. She was fired up, inspired by those close to her who have been affected by these blood cancers, an unfortunate reality that’s touched my own family.

So in her fundraising efforts, Karen has put together what figures to be an incredible night of music and art in charitable environment that should move more of us to reach out. Jim Adkins (frontman for Jimmy Eat World) and Source Victoria are playing not one but two shows on Sept. 17 at Modified. A 5 p.m. show was added after tickets for the 8 p.m. show (obviously) sold out. (I’m pumped to have purchased tickets for both sets.) Remaining tickets ($10) for the early show can be had at TicketWeb or by heading over to Stinkweeds. In addtion, works by local artist Jeremy Yocum will be raffled off to aid the cause.

I can’t say for certain, but I’m willing to guess there will be some collaborating on stage between Adkins and Source Victoria. Just a hunch.

Birdmonster: Yuma

bloodmemory

If you’ve never been to Yuma, Ariz., let me offer a bit of advice: Don’t bother. Unless you have to stop to pee on your way to San Diego, there’s not much to see (though the Padres held spring training there and I once stared in amazement from about 30 feet away as Hall of Famer Tony Gwynn took batting practice).

So what would compel anyone to write a song about this scorching-hot southwestern pit stop? I can’t be certain, but Birdmonster’s ode likely has more to do with getting the hell out of Yuma than anything. (For a history of the band’s run-in with this city, see here. Only Lil Wayne has had it worse in Yuma.)

Whatever the case, Yuma is part of Blood Memory, a new eight-song “mini album” coming out on Sept. 22, so the band took to the social media world to spread an mp3 of the new song.

Wednesday night: Starlight Mints + Source Victoria

It figures that the night Source Victoria unveils a new lineup – well, drummer Scott Hessel (Let Go, Gloritone) and bassist Justin Entsminger (Limbeck) are new – I’m going to be out of town. But I have a good excuse: We’re going to Los Angeles to see Elbow at the Wiltern. My brother can’t be too mad at me.

In any event, Source Victoria is one of two openers for Starlight Mints at Rhythm Room on Wednesday night. (JP Inc. is the other.) Tickets are $12 day of show and can be purchased right here.

Our pals at the Phoenix New Times blog Up on the Sun had some words about Source Victoria, too.

If you haven’t already, you can still cop SV’s The Fast Escape at no charge at www.sourcevictoria.net in one handy zip file. Starlight Mints are touring in support of their new release, Change Remains (Barsuk).

Alvin Band: Temple Pressure (video, mp3)

Rick Shaier is the mustachioed, polyester shorts-wearing drummer of Phoenix band Miniature Tigers. He’s also the brains behind Alvin Band, a solo project he’s been working on for the past five years. On Sept. 22, his work will see a national release with the debut album Mantis Preying coming out on Intelligent Noise Records.

Part of the official press release reads thusly: “Rick holed up in a friend’s bathroom with a microphone and a Powerbook and went to town. The end result is the 9 song ‘vocal composition’ coined ‘Mantis Preying.’ … Bjork’s ‘Medulla’ served as the predominant inspiration behind Rick’s writing and layering vocals without the use of instruments.”

A more recent comparison for the work – at least from the small bits I’ve heard – would fall under the Animal Collective/Panda Bear school of vocal harmonizing. If you’ve seen Miniature Tigers in the past year or so, chances are you’ve heard an Alvin Band song. The last time I saw them they opened with Glowing Tree (stream it at MySpace).

The Mantis Preying release will include a six-song bonus EP called Lady Portrait, which Schaier had made available as a free download via MySpace a few months ago.

Miniature Tigers on The Interface

Phoenix’s own Miniature Tigers stopped by AOL’s The Interface for a session as they continue their seemingly non-stop tour in support of the debut LP Tell It to the Volcano.

I posted two of the four songs below (Cannibal Queen and The Wolf). Get the other two and an interview here. You can also get the audio if you subscribe to The Interface podcast.

Related:
Miniature Tigers on The Train Tracks
Miniature Tigers on Daytrotter
Guest list: Charlie Brand of Miniature Tigers

Miniature Tigers on The Train Tracks (photos)

With the unveiling of the Metro Light Rail in December 2008, the greater Phoenix area finally has a decent mass-transit system on which to host busker-esque performances by local musicians. (Sorry, buses just won’t do.)

Like the Black Cab Sessions, the folks behind the The Train Tracks capitalized on the novelty of public transportation in this city – The Arizona Republic has devoted an entire index to these futuristic people movers – by bringing you “raw and uncut performances from local artists.”

With 11 performances recorded, The Train Tracks is starting to (ahem) pick up some steam. (Aside: Would really love it if these videos were embeddable.) And on Friday, Miniature Tigers, one of Phoenix’s it bands (check the Daytrotter session), took their turn to play for the rush-hour crowd. I didn’t get to make it because of work, but my good friends Jay and Carrie were on hand to take some pictures of Charlie Brand and Co., the rest of which I’ve posted below the mp3.

FYI: The masked man is Rick Schaier, the band’s drummer and the brains behind Alvin Band, whose terrific song, Glowing Tree, was played by Miniature Tigers the last time I saw them.

Also, Miniature Tigers will be playing The Phix on May 15, part of a six-week tour with Kevin Devine.

Phoenix’s Miniature Tigers on Daytrotter

I had been checking Daytrotter religiously since I found out about a month ago that Miniature Tigers swung by the studio for a session.

Wouldn’t you know: The one day I don’t check, it’s posted. Thanks to Ashley for the heads up.

The Mini T’s played four songs, including two from the excellent Tell It to the Volcano (Dino Damage and the title track) and two unreleased tracks (Egyptian Robe and Dark Tower).

Go check it out.

Here’s their video for Cannibal Queen, which was not performed at Daytrotter:

RELATED:
Guest list: Charlie Brand of Miniature Tigers