The National: About Today

the national

We trekked to Los Angeles this past weekend to see the National at Hollywood Bowl, and it was easy to get the sense we witnessed a True Moment – a stunning realization of a band’s ascent. Is it possible the group that was playing the smallish Modified Arts in Phoenix six years ago was now nearly filling an 18,000-capacity amphitheater? That’s basically the size of a basketball arena, and when I think of it like that I still can’t wrap my head around it. (I caught myself several times turning around to try to grasp just how many people were there.)

Surely in the seven or so times I’ve seen the National I’ve had more intimate experiences, like, say, last fall at Marquee Theatre in Tempe when singer Matt Berninger’s mic cord nearly clotheslined me as he took “Terrible Love” through the audience. At Hollywood Bowl, we sat somewhere in the middle (section K), and while the band felt far away (I spent a lot of time watching the video screen) the show was still riveting.

Berninger appears more comfortable on stage – he sort of has to be at this point – but there’s still a bit of an anxious edge to him. And the Bowl setlist, about 80 minutes long, played into his hands. While it drew heavy from High Violet (with guest help from Annie Clark, aka St. Vincent), they snuck in older tracks, including “Available” and “Cardinal Song” (I can’t recall ever seeing them play anything off 2003’s Sad Songs For Dirty Lovers).

The show ended with “About Today,” a song off the 2004 Cherry Tree EP that has been revived as a featured song in the movie Warrior. It was a beautiful (if somber) ending to a perfect night, and thanks to the National’s old label, Brassland, you can download the track for free at Bandcamp.

Here is one of the trailers for Warrior, featuring “About Today”:

Not the 1s (feat. Isaiah Toothtaker): Fly As Fuck

flyasfuck

If we have learned anything in this age of Odd Future think pieces, it’s that rap takes itself too damn seriously. No, seriously. Lighten up.

Everyone could learn a lesson from Not the 1s’ Why You Cryin?, an eight-track offering of party-rap swagger (out digitally now on Gold Robot Records).

I mean, what is there to question or decipher when, on a track like Fly As Fuck (which we’re premiering here), you hear a line like this: “Rolling down the street / bumping Humpty Hump / out the fucking trunk / and it fucking thumps.” Coupled with bass-rattling production from Young L of the Pack and a guest verse from Tucson’s own Isaiah Toothtaker, Fly as Fuck flaunts a back-to-basics style that Not the 1s embrace throughout the album.

Check out a few more tracks, and download Fly As Fuck below.

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I Used to Love H.E.R.: Mawnstr (Not the 1s)
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New Miniature Tigers: Boomerang

Miniature Tigers - Boomerang

In July, Miniature Tigers celebrated the one-year anniversary of the release of their second full-length, Fortress, by releasing free demo versions of all the songs from the album.

Now we’re already getting a taste of a new album. On Monday, the New York-by-way-of-Phoenix band released a song, “Boomerang,” that it actually previewed in a turntable.fm session in late June. (Turntable.fm was so two months ago.)

There’s no release date for the album, Mia Pharaoh, but “Boomerang” – another catchy Mini T’s creation full of synthy flourishes – is a freebie that you can get at the group’s website (or below) for coughing up an email address. The site also has dates for a September tour.

I Used to Love H.E.R.: Mawnstr (Not the 1s)

The 54th installment of I Used to Love H.E.R., a series in which artists/bloggers/writers discuss their most essential or favorite hip-hop albums and songs, comes from Mawnstr (born Alex Christidis), one-half of the party-rap rascals Not the 1s, whose eight-track debut on Gold Robot, Why You Cryin?, features production from the likes of Daedelus, Mexicans With Guns, Monster Rally, Young L and more. Shit is as fresh as it is funny. Highly recommended (and be on the lookout for a track premiere here very shortly).

Until then, peep the first single, with production by Lunice:

original gangsterIce-T, O.G. (Original Gangster)
(Sire, 1991)

Any time one of those “best emcees of all time” conversations jump off, one dude I never hear get mentioned is Ice-T. I always think that maybe it’s cuz he’s had so much success onscreen that people forget how raw he was. I musta been in third grade when Rhyme Pays came out, so all I remember was seeing the cover at the record store and recognizing him from Colors cuz that shit was huge at the time.

When I finally heard “6 ‘N the Mornin'” years later, I didn’t even know
who Schoolly D was yet. Aside from hearing some songs here and there, I really never copped an Ice-T record until O.G. came out. When I saw New Jack City, I was so juiced off “New Jack Hustler,” I couldn’t WAIT
for his album to drop. When it did, I instantly fell in love with that shit. O.G. was smart, hard, smooth and funny, all at the same time. This was a time where there was so much good stuff coming out, you’d have to make some tough decisions at the record store, too.

This tape had 24 tracks on it and was well over an hour, with no filler. It’s hard to go wrong with a James Brown sample and there’s plenty on there. There’s too many dope cuts to name, but some that stood out to me were “Bitches 2”, which is a hilarious story-telling rap about how dudes can be the BIGGEST bitches sometimes and “Lifestyles of the Rich and Infamous,” which gives you sight into his life as a rap star. (DJ Premier did a dope remix on the 12-inch.) “Body Count” introduces his
metal band of the same name, and although I wasn’t really into it, it was only one song and it seemed like every rap album had a token rock track at the time. On “M.V.P.s” he shouts out all the other rappers he’s down with, and instead of dissing Hammer like everyone else at the time was, he gives him his props and disses those that dissed him.

Finally, he closes it out with “Ya Shoulda Killed Me Last Year,” which is a speech against the war and the prison system. He also disses the Police, FBI, the DEA, Tipper Gore, “Bush and his cripple bitch!” Damn, I love this album! I actually grew up in the LA area so I’d see Ice at Venice Beach and I even saw him at Macy’s in the mall
once and he ALWAYS had at least one hot girl with him and always showed love to his fans. I eventually caught up with all his older material and didn’t feel like such a “new jack” anymore. I used to HATE LL so when I heard Ice takin shots at him on Power, I liked him even more.

Low: Especially Me (video)

Few voices are as moving and beautiful to me as Mimi Parker’s. So, naturally, I’m a sucker for any Low song that showcases her front and center.

On this new video for Especially Me, off the great new album C’Mon, Parker takes a dizzying ride on the New York City subway, her voice floating perfectly above the fray.

The band will be touring the West Coast in September but unfortunately skipping Arizona on this pass.

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Low: Try to Sleep (video, feat. John Stamos)

DJ Z-Trip: Bring the Noise (two remixes)

ztrip_noise

Christopher Weingarten’s 33 1/3 book on Public Enemy’s 1988 classic It Takes a Nation of Millions to Hold Us Back came out in April, but, for whatever reason, I didn’t finally pick it up until this past Saturday (the series could use more hip-hop titles, by the way).

Five days later, and DJ Z-Trip has released two remixes of Bring the Noise, a song from Nation of Millions that technically saw its first remix back in 1991 with the PE/Anthrax collaboration.

Z-Trip’s versions blend the original with Led Zeppelin’s Immigrant Song and Justice’s Genesis. Both are available for free download for the next 72 hours. Get ’em.

Aloe Blacc: Green Lights (video)

aloeblacc

When I grow up, I wanna be just like Aloe Blacc. Seriously, I’m pretty sure there’s not a cooler cat in music right now. The guy can sing, dance and dress – pretty much the opposite of me.

Not to mention, he writes ridiculously uplifting tunes. Go ahead and try to be in a bad mood after watching this new video for the song Green Lights, which comes off his excellent 2010 sophomore album Good Things.

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Incoming: Phantogram, Nov. 5 at Crescent Ballroom

The first show for Crescent Ballroom isn’t until Oct. 3, but the new downtown Phoenix concert venue from Stateside Presents promoter Charlie Levy has inspired plenty of excitement and prose – not to mention a concert calendar that’s starting to look mighty impressive.

Newest on the list is a Nov. 5 date for electronic-pop duo Phantogram, whom we saw last October in what turned out to be a packed and sweaty fun time. I’m assuming some new music is in the works after the early 2010 release of Eyelid Movies.

Reptar opens the 18-and-over show and tickets ($14-$15) go on sale this Thursday.

Nocando and Busdriver are Flash Bang Grenada: In a Perfect World (feat. Open Mike Eagle)

flashbang

Busdriver, the resident braniac of experimental rap, wrote a tweet the other day that gave me pause: “It’s boggling how much effort goes into any given song that ultimately gets converted into a violently disposable MP3.” It’s a pretty straightforward sentiment that speaks to our habits as digital consumers and asks the non-musicians among us to be more respectful of the artist at work.

It’s a point worth remembering, especially as I present to you an MP3 from Flash Bang Grenada – Busdriver’s new project with Nocando. But this track, featuring their fellow Project Blowedian Open Mike Eagle, is hardly a throwaway.

When three of rap’s most progressive and self-aware MCs come together – over a spellbinding beat from Mono/poly – it’s going to take more than one listen (or five or 10 or more) to appreciate what’s happening here.

Flash Bang Grenada’s full-length 10 Haters comes out on Aug. 23.

The National: Exile Vilify (video)

I’m not really sure what the Portal video-game series is about – when does the new Madden come out anyway? – but a new song by the National, Exile Vilify, was included on the Portal 2 soundtrack earlier this year.

A couple months ago, Valve Software and the band launched a video contest, and, as reported at Pitchfork, there is a winner, whittled down from 320 entries. Director C.F. Meister created a somber visual that follows around a really sad sock puppet. I’ve seen some sad socks in my day – many of which reside in my top drawer – but this one takes the cake.

You can watch that video above and watch the runner-up – or what the folks at Portal 2 are calling 1.00000000001th Place – below: