Category Archives: general

110 Percent: Matty McLoughlin of the Soft Pack reflects on life as a college relief pitcher

matty mcloughlin

The seventh installment of 110 Percent, a series in which I talk to musicians about sports, features Matty McLoughlin (photo credit), guitarist for the Soft Pack who was a reliever in college for the University of Richmond baseball team.

While on the road last week in support of the Soft Pack’s great new album, Strapped, McLoughlin looked back at his college career – which included a no-hitter, a regional victory, playing with/against future big leaguers and a bum arm by the end of it all – and his eventual transition from pitcher to musician.

I know you played at University of Richmond. Did you play all four years there?
No, my freshman year I went to Saddleback Junior College in Orange County and then I went to Oregon State, but I didn’t end up pitching there. I got in trouble … I don’t really wanna get into it (laughs). I didn’t end up pitching there and I transferred to the University of Richmond. So basically my sophomore, junior and senior years.

Are you from the West coast?
Yeah, I went to high school in San Diego at Torrey Pines.

So that was a big move for you then.
Yeah, but I kinda lived all over the country. I moved to San Diego when I was 15. … But Richmond was good. I didn’t expect them to be as good as they were. We had Tim Stauffer, who was the No. 4 overall pick, and we had like five other guys drafted. The highest we were ranked, like in 2004, I think Baseball America ranked us No. 9 for about a week. We were good for a couple years. It was fun. It was a good school to go to.

I was just doing a little bit of reading, and you pitched part of a no-hitter?
Yeah, I threw the back three innings, the seventh, eighth and ninth, against Coastal Carolina, which is actually a pretty good school. They always make the tournament.

That’s kind of a big deal.
Yeah, but the biggest thing I did was I beat Wake Forest in the regional in 2002. That was kind of the biggest deal. The Coastal game was just some tournament – I mean, It was nice. But I didn’t even start the game. You know, the last three innings are hard, but it was kind of a weird thing. But the Wake thing was definitely my shining moment.

Did you start that game or come in relief?
I came in relief. I pitched, like, the last 4 2/3 or something. They were really stacked that year. So we made it to the super regional and we were playing Nebraska. We lost the first game, won the second one and it was tied in the ninth on Sunday and our closer gave up a bomb. I pitched the seventh and eighth and got taken out. I never played in front of that many people.

So you were a home run away from going to Omaha.
Yeah, we were so close, which is fucked up because from like sixth grade on I went to the College World Series every year.

Also, I saw you’re 10th all-time at Richmond in saves with six.
Oh, wow, really? I didn’t know that. That’s not a lot of saves, but I’ll take that. Nice, in the record books (PDF link).

So what was in your repertoire?
My changeup was my best pitch. I was kind of like the classic crafty college right-hander. I threw like 86 mph to 88 – 88 on a good day. But my fastball sunk a little bit, I hit my spots and would throw everything in any count. I was good for college, but I wasn’t gonna pitch in the big leagues or anything.

Was there interest?
I filled out a couple draft cards my senior year, but that’s as far as it got. I kind of knew that wasn’t happening. And then I got an internship at a record label and moved to New York and didn’t pick up a baseball. My arm was a mess at the end.

Were you juggling music while playing in college?
Not really. I would play alone in my room and stuff. But in high school and college, I was playing baseball all year round, so I couldn’t really get in a band. But I’ve been playing guitar since I’ve been in the seventh grade.

By the end of your college career, did you feel like you were burned out on baseball or would you have taken the chance to play in the minors somewhere?
I wish I had signed a free-agent contract just to play for two weeks and then quit. But I was totally burned out on baseball. At that time, my senior year, I would just go see bands and get wasted all the time. I knew I wasn’t gonna go any further. That was when I’d say, “Oh, I can go out before a game.” I kind of knew … when you realize you’re not going play any further, you just want to do something else.

So you played with Tim Stauffer … people who know baseball think of him, like, “Oh, he’s good … a No. 2 or 3 guy.” But when you saw him in college he was probably amazing, right?
There was a lot of pitching in Virginia at the time. He didn’t throw as hard as Justin Verlander (at Old Dominion), but he had that 12 to 6 with 94 mph. If you’re throwing that hard and you’re 12 to 6, you’re nasty. … So he had all the out pitches and a changeup, but then your arm gets hurt and you’re throwing 89 and just nibbling and falling behind and you have to throw something that they’re gonna hit. But in college, yeah, he was dirty.

So you saw Verlander up close. He’s obviously amazing now. When you saw him back in the day, did you have any idea he’d be as great as he is now?
I remember shagging balls at Old Dominion, and he was, I think, a freshman. He’s throwing a bullpen and you can just hear it. He threw a ton of innings in college. It’s the same thing as now. …

I moved to Southern California from Texas and I played against all the guys, and rarely do you see a pitcher who can hold up. He’s been like that – just that Nolan Ryan thing.

I know you’re on the road, but do you keep up with MLB games?
That’s the hardest thing. I catch highlights. We’re at bars every night, and I try to make them put on a game. But by the time we go on, it’s like the seventh, eighth, ninth inning. But at home I watch the MLB Network all day long. My writing process is just have that on, smoke a joint and play guitar. But yeah. MLB Network – all day long.

Are you loyal to a specific team?
Yeah, I grew up a Red Sox fan. My parents got engaged at Fenway, so I grew up a huge fan. And I’m still a huge fan. But Valentine, I can’t even look at his face. … But some teams are just fun to watch. Like the A’s. This year the Dodgers were really exciting and young and fun. … I kind of adopted the Dodgers as my NL team. And I go to a lot of games because I live right by Dodger Stadium.

Wait, I wanna go back: You said your parents got engaged at Fenway?
They didn’t do a JumboTron thing. But it was at a game. And our first cat was named Yaz. My dad didn’t want to get a cat, but the only way we could get the cat is if we named it Yaz.

Were you a baseball card collector?
Yeah … I’d go to card shows every Sunday up until probably seventh, eighth grade. … But we moved around all the time, and they’re not around. So I don’t have any cards. I don’t know how it happened to me, but my baseball cards got thrown out.

So have you thrown or played baseball since college?
Toward the end of my career, I was getting cortisone shots. I didn’t really care if I ever threw again. I just wanted to finish the year, so I was getting cortisone shots. My rotator cuff was kind of a mess. The last time I played catch was probably about a year ago. I was like, “OK, I wanna start throwing and build it up and maybe my arm won’t hurt.” But it just started throbbing again. So I started playing pickup basketball (laughs). When you’re hurting and you’re old, it just sucks.

When you look back, do you have any regrets?
No, I don’t have any regrets. I got as far as I could with it. I didn’t have the ability to go any further. But I had a lot of fun. And it’s cool to watch TV and be like, “That guy hit a home run off me.”

Cloud Nothings: Fall In (video)

cloudnothings

It’s mid-October, which means a couple of things: 1.) I haven’t posted in almost a month (crap). 2.) Music bloggers/nerds are already freaking out about year-end lists. I haven’t really done one in about two years, but if, say, I were to create one this year, it would be difficult to envision a list that didn’t include Cloud Nothings’ Attack On Memory.

I’ve said it before, but I’ll say it again: I can’t shake this feeling that I’ve heard Attack on Memory before – in a previous life, sometime in college, so many years ago. I know I’m starting to sound like a nostalgic asshole, but I mean it more as a great compliment. The instant comparison for me is Pinehurst Kids, but Cloud Nothings frontman Dylan Baldi, 20, was probably about 4 years old when Pinehurst Kids formed, so who knows if he’s ever heard of them.

Regardless, I’d encourage fans of Cloud Nothings to check out Viewmaster, the 2000 release by Pinehurst Kids. The similarities are eerie, if not pretty comforting – Cloud Nothings are more punishing musically in spots but no less melodic.

“Fall In,” for which they have a new video, is a great example. John Ryan Manning, who also directed the awesome “No Future/No Past” video, is responsible for this one as well:

Mental explorations and the beautiful man-voice of Father John Misty

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Eric is back – see a few recent posts of his – and this time he’s talking Father John Misty, whose excellent album Fear Fun you can stream below while reading.

It was admittedly only a couple weeks ago when Father John Misty was in the, “Ummm, I’ve heard of him, but I can’t remember in what context” category. Now, it’s hard to imagine a time when we weren’t inseparable, in a very one-sided sort of way. He’s playing in Phoenix on Oct. 10, at Rhythm Room, no less, which is always a plus for me. I learned the other day that I would most likely be attending a rehearsal dinner instead, with only an outside shot at catching his set afterward. Double frowny-face. Don’t get me wrong – I’m gonna fulfill my obligation like a big boy and not pitch a fit, since these are good friends of my girlfriend and people I like, but I juuuust got to the point where I’m like “I haaaave to go see this guy!” Harumph.

I’ll back up. Recently, I was catching up with my brother, who asked me if I had heard of him. I knew I had, but like I alluded to, I was kind of “meh” about it. He brought up the fact that his most recent video featured Parks and Rec show-stealer and personal fave Aubrey Plaza in a flower-eating, makeup- and blood-smearing, tour-de-force music video (apparently those still exist). I’m listening. We watched it, and in addition to enjoying her go legit cray-cray, I realized I had heard the song on KEXP before, had written it down for later listening and never followed up on it.

My brother then brings up the fact that he used to be the drummer for Fleet Foxes, one of our favorite bands. Ahh. Although I had done some serious Fleet Foxes YouTubing like this and this and thisPitchfork, Lollapalooza, in Tucson and in an unforgettable Phoenix-only collabo with Bon Iver. It’s an easy road-trip soundtrack choice, mix CD staple and around-the-house-chillax-mode favorite.

Once I learned about his Fleet Foxes background, I started to try to connect the dots. Wait – I remembered the Fleet Foxes drummer doing some solo albums, but his name was J. Tillman. Standard huge beard, long hair, etc. Hadn’t listened to his stuff, so no opinion one way or the other. My friend had gone to his show at Modified Arts – one of the last indie shows at that venue before it turned back into a full-time art gallery. I can’t even remember if I asked her about it later.

So is this a different dude? Apparently not. He just cut his hair off (as captured in this awesome and very NSFW video with his ladyfriend), did some, ahem, “mental exploration” of sorts, shall we say, to find his narrative voice, quit Fleet Foxes and decided his name was a pretty arbitrary thing anyway.

Anywho, since my brother told me about the esteemed Mr. Father, I’ve been pretty well obsessed. And apparently I’m not the only one: Comedian Duncan Trussell has brought a lot of people his way on the interwebs. Sirius XMU, a friend informed me, “wants to marry him.” Although Pitchfork gave his newest album Fear Fun a good-but-not-great 7.3, his awesomely sarcastic Twitter rampage may have gotten him even more love and attention than a more-glowing review might have in the first place.

It’s always a plus when you get the added dimension of actually liking the musicians you listen to. Suffice it to say this guy is an interesting study. Watch this one about his songwriting process – bonus: a bug happens to fall out of his hair. Kinda gross, but I like that Watch the ease with which he makes friends with strangers(http://www.youtube.com/watch?v=-H-AYTghBYw). And oh yeah, his new album Fear Fun happens to be pretty dang awesome.

Whether he chooses to evoke the signature Fleet Foxes pastoral folk sound on certain songs or switch it up with more straightforward jangly rock on the album, I’m not gonna front, you guys. Father John Misty has a seriously beautiful man-voice. That haunting, ethereal quality that you couldn’t fake in a studio if you tried. Listening to Fleet Foxes songs now, I can place his specific voice in the middle of all those gorgeous harmonies, and it gives me new respect for his contributions to the band.

Although he’s put out several albums as J. Tillman, having only spent significant time with this Father John Misty, his level of musicianship was impressive to me pretty immediately. Have you ever noticed that ex-drummers seem to make, when attempted, pretty dang good frontmen/solo artists? Forgive me if I’m taking too many liberties with the sort of sports/music crossover sometimes found on this blog by using this analogy, but in the same way that former Major League catchers like Joe Girardi and Mike Scioscia make great baseball managers because they relate well to players, they’ve been there and done that, and have a sense of what works and what doesn’t in terms of the inner workings of the game? To me, drummers-turned-frontmen like Josh Tillman or Dave Grohl seem to do well in their second musical lives in much the same way. They’re musician’s musicians, likable dudes, and they understand the subleties of rhythm and song structure.

Fear Fun is certainly a crazy ride and wonderfully diverse in content and style. Like a Fleet Foxes album that Devendra Banhart would have made, it’s kinda all over the place, and I’m still really new to it. Total cop-out alert – according to him, the album functions as a sort of novel within a novel (I’m told there is also a novel within the actual liner notes), but I haven’t spent quite enough time with it to begin to decode that or all of its crazy lyrical imagery, so I’m not even going to try right this second. Maybe in like a year. I can tell you I’m hooked, though, so stay tuned on that. Since my job and lifestyle don’t include regular spirit journeys, I’ll probably never get it the way some people might. I have, however, found myself a new favorite thing/person/album/YouTube search for a while, which is still quite good.

One last thing – if you can make it to the show, please go. For me. If you get to talk to him after the show, please do it. For you. Here are some possible conversation topics if you’re at a loss:

What kind of shorts you should buy for your trip to Australia?
Who’s playing at Tillmania this year?
Lucid dreams – I assume he has them and am super curious.

Incoming: Japandroids, Nov. 7, and new video for The House That Heaven Built

japandroids

Sweaty shows. Thrashing fans. Grilling meats whilst shirtless. Drinking Jameson from the bottle. Yes, life for Japandroids is pretty much as I expected.

The new video for “The House That Heaven Built” will do nothing to dissuade our youth from chasing rock glory. Japandroids’ music is all about capturing the moment – remember saying things like we’ll sleep when we’re dead? – and this clip (directed by Jim Larson) does just that, following Brian King and Dave Prowse on the road. It’s all a blur, one big fucking party.

For a band that seems to be riding a Hold Steady-like ascent, this is the video that one of the year’s best deserves – all epic and slow motion (everything is better in slow motion). But as the Vancouver duo embarks on four straight months of touring – FOUR MONTHS! – you have to wonder if the party will ever end.

Here’s hoping they’re still bringing it on Nov. 7, when they stop at Martini Ranch because nothing says punk quite like a show in Scottsdale, Ariz. Stateside Presents has all the info you need.

RELATED:
Japandroids, the Casbah (San Diego), 6/16/12
Japandroids: Heavenward Grand Prix
Japandroids: Younger Us
Japandroids on KCRW’s Morning Becomes Eclectic

New Sea Wolf: Old Friend

seawolf

In September 2008 – about a year before the release of his second album under the Sea Wolf name – Alex Brown Church sounded like a man in need of a change. I got to interview him during his opening run for Okkervil River at the time, when the Los Angeles-based Church was spending half the year in Montreal with his girlfriend. Said Church: “Being here is a really interesting experience because it’s bilingual and different culturally from Los Angeles. I’ve been longing to not be in L.A. for a while but not really knowing where else to go. It’s been a nice break.”

Fast-forward almost four years, and Church has returned to familiar surroundings. Church and his girlfriend moved back to L.A., where he wrote his third album, Old World Romance, due out Sept. 11 on Dangerbird Records.

“Old Friend,” the first single from the new album, is the makeup to the breakup – a sort of apology for leaving but a celebration of returning home: “Old friend come to me / everything I was, I used to be / I went north and I went east / following in the footsteps of some beautiful beast.”

Church obviously had a good reason to go – we all have to go at some point. But you can go home again.

Church told the Los Angeles Times: “It was inspiring to be in another city, but it also felt very alone, other than being with her and her friends. She’s a French Canadian, and all of her friends are French Canadian, so I didn’t have any English friends there. There’s a cultural barrier that goes along with that. Coming home to California was really inspiring. I just felt comfortable.”

Old World Romance track list:
1. Old Friend
2. In Nothing
3. Priscilla
4. Kasper
5. Blue Stockings
6. Saint Catherine St.
7. Changing Seasons
8. Dear Fellow Traveler
9. Miracle Cure
10. Whirlpool

Ben Gibbard: Ichiro’s Theme

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If it wasn’t totally obvious already, I love when music and sports collide. These are subjects that consume me, personally and professionally. What could be better than a marriage of the two?

So even though I have no loyalties to the Mariners or Ichiro Suzuki (I’m just another miserable Cubs fan), I found it rather endearing that Death Cab for Cutie frontman and devoted Mariners follower Ben Gibbard unveiled an homage to Ichiro via Twitter after the star outfielder was traded to the Yankees on Monday.

Says Gibbard: “I wrote this song a few years ago. Today seems like the best day to share it with you. Thank you so much, Ichiro.”

“Ichiro’s Theme” is undeniably catchy – “Go, go, go, go, Ichiro” – if not a little schmaltzy, but the sentimental power of baseball can inspire grown men in unique ways. Thousands of words were spilled Monday about a 10-time All-Star’s legacy, and thousands more will follow, but a three-minute song seems just as fitting as any tribute.

Ichiro’s Theme by Ben Gibbard:

New Reubens Accomplice (!): Field Science, plus track listing for the album Sons of Men

Reubens Accomplice

I think I speak for Reubens Accomplice fans everywhere when I say this: Finally.

A new album by the beloved Phoenix band, which would be its first since 2004’s The Bull, the Balloon, and the Family, has become a bit like our very own sasquatch – often discussed but never seen. We’ve been teased, agonizingly so at times. I had my own sighting (false, as it turns out), in 2006, of a possible album that even had a title, Mammal Music. Let me put 2006 in perspective for you: I gleaned this information from the band’s Live Journal, which is just a rung below MySpace in the social media wasteland.

Reubens AccompliceSpeaking of MySpace, that might be where I first saw news, in 2009, that the band had released an EP and was taking pre-orders for the new album, titled Sons of Men. Three years later, there was something to it: Sons of Men actually is the name of the album, and it will be available this August. No, really. A mural was painted in downtown Phoenix to promote the album with the words: “Available August 2012.” I saw it with my own two eyes. That’s about as close to etched in stone as there is. No turning back now, dudes.

But seriously: I tease because I love. Life tends to get in the way of these things. I don’t have the faintest idea of what Chris Corak and Jeff Bufano – the band’s two principal members – had to go through to get to this point. But I hope to find out more in the coming weeks. I can tell you that Grammy-winning producer/engineer/mixer Chris Testa, who has worked with several locals in the past (Jimmy Eat World, Source Victoria, Kinch, Courtney Marie Andrews), is adding this one to his extensive credits.

Corak also kindly (and quickly) responded to an email to give me some other tidbits, including the track listing (below) and that guest musicians on the record include pedal-steel king Jon Rauhouse (a member of Neko Case’s band), Matt Maher and Promise Ring/Maritime singer Davey von Bohlen, who sings the choruses on “I Love You, But I’m Tired.”

What we also know is this: Sons of Men (that’s the cover art above; click to expand) will be available in August, with a show at Crescent Ballroom on Aug. 10 serving as the album release party. (They are playing shows on Aug. 11 and 12 in California with the Promise Ring.) “Field Science” is the leadoff track on the album, and it’s featured here in the time-lapse video that shows the creation of the aforementioned mural.

Getting the feeling this is going to be worth the wait.

Sons of Men track listing:
1. Field Science
2. This Desert
3. I Love You, but I’m Tired
4. I’m Leaving
5. The Losing Curse
6. Sons of Men
7. Memory Works
8. No Motion
9. Women
10. Less Pain Forever

Fang Island: Major

fangisland

Eric here again (previous posts here and here). I feel like more of my favorite bands have released, or are about to release, potentially awesome albums in the last few months than I have time for these days. I’m firmly entrenched in JapandroidsCelebration Rock, knee-deep in Beach House’s Bloom, starting to put in some solid QT with El-P’s Cancer for Cure and Killer Mike’s R.A.P. Music, and licking my lips just thinking about diving into Dirty Projectors’ Swing Lo Magellan and Twin Shadow’s Confess. On top of that, as Kevin mentioned in his last few posts, brand new stuff from the Soft Pack and Band of Horses. I do declay-uh, I think I’m catchin’ tha vapuhs, y’all. *woosily faints in style of 1860’s southern belle*

I think I’m about to have to throw another one on the pile. On July 24, Brooklyn via Providence, R.I., rockers Fang Island are set to release Major, the follow-up to their stellar 2010 self-titled debut. After a first listen, what we seem to have is a more fully realized version of their self-described “everyone high-fiving everyone” vibe on display. Intensely catchy, dense with hooks, intricate guitar work and squibbily-dibbily-doo solos, Major is relentlessly upbeat, consistently air-drum-inducing and unabashedly loud. Tracks like “Asunder,” “Seek it Out” and “Sisterly” ratchet up the jamzzz several notches from Fang Island’s already established ball-to-the-wall-edness.

Not only is there an album to look forward to in the near future, but they’ll also be playing a show at my beloved Rhythm Room on Aug. 12, via Stateside Presents. For 12 buckaroonies, no less. Can’t beat that. (Side note: I really do miss me some Rhythm Room. I moved to Phoenix from Scottsdale in August 2011, planning to more or less live at Rhythm Room, and sadly, I think I’ve been to like two shows since. As it turned out, my move-in date was a little over 2 months before a certain little spot opened up, stealing away many of its indie shows, and in turn, this guy. Not that I’m complaining about suddenly having what’s becoming one of the top venues in the western United States almost equally close. When I think about good ol’ RR, though, I definitely get a wee bit nostalgic about seeing some of my favorite bands, most or all of whom have now outgrown the place, play in a space roughly the size of a wealthier buddy’s living room. Just sayin’.)

I had become (slightly) familiar with Fang Island soon before I saw them open up for Matt and Kim at the Clubhouse (barf) in October 2010, and after seeing them perform, I was hooked. Their live show is not to be missed, especially if you have a thang for dudes that dress like hipster-y wizards or just feel like working out some energy by jumping around and smiling like an idiot for an hour or two.

Wilco streams California Stars (feat. Andrew Bird)

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On July 8, Wilco played a sold-out show at Fifth Third Bank Ballpark in Geneva, Ill., home of the Kane County Cougars, a Class A affiliate of the Kansas City Royals. If performing at a minor league baseball stadium wasn’t cool enough, fellow Chicagoan Andrew Bird served as the opener.

As part of Wilco’s second encore, Bird joined the band for a version of “California Stars,” a live staple and a beautiful standout from the Mermaid Avenue albums. Frontman Jeff Tweedy dedicated the performance in honor of Woody Guthrie’s 100th birthday, which is today. To celebrate, the band is streaming the performance on its website.

This song never, ever gets old.

[STREAM]: Wilco (feat. Andrew Bird) | California Stars (live at Fifth Third Bank Ballpark)

PAPA: Ain’t It So (video)

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“And like a song, she’s here and gone.”

That’s one of my favorite lines from “Ain’t It So,” the leadoff track from A Good Woman is Hard to Find, the debut EP by PAPA (previously raved about here). But breaking down Darren Weiss’ lyrics is a tough chore – you have to get past the insanely catchy hooks first to even want to do that.

Weiss told Nylon magazine of “Ain’t It So”: “Well, it’s a song about letting go of someone I feel like I probably should’ve married instead. It’s a real honest song about that feeling.”

Seems straightforward enough, though I’m not sure I have the interpretive intuition to make sense of the song’s new video, in which Weiss, clad in a pink suit, is driven around (along with an oversized teddy bear) by PAPA bassist/cabbie Daniel Presant. Along the circuitous route, Weiss stops to pick up a dog and tries to play catch with some Little Leaguers, but nobody seems to be paying attention to him. Maybe we’re riding shotgun, looking at a man taking inventory on his life. Or maybe not …

PAPA was scheduled to record new material last month, so there could be a release by the end of the year. In the meantime, you should really pick up that EP.