Category Archives: hip-hop

Not the 1s (feat. Isaiah Toothtaker): Fly As Fuck

flyasfuck

If we have learned anything in this age of Odd Future think pieces, it’s that rap takes itself too damn seriously. No, seriously. Lighten up.

Everyone could learn a lesson from Not the 1s’ Why You Cryin?, an eight-track offering of party-rap swagger (out digitally now on Gold Robot Records).

I mean, what is there to question or decipher when, on a track like Fly As Fuck (which we’re premiering here), you hear a line like this: “Rolling down the street / bumping Humpty Hump / out the fucking trunk / and it fucking thumps.” Coupled with bass-rattling production from Young L of the Pack and a guest verse from Tucson’s own Isaiah Toothtaker, Fly as Fuck flaunts a back-to-basics style that Not the 1s embrace throughout the album.

Check out a few more tracks, and download Fly As Fuck below.

RELATED:
I Used to Love H.E.R.: Mawnstr (Not the 1s)
Not the 1s: You Dress Like an Asshole

I Used to Love H.E.R.: Mawnstr (Not the 1s)

The 54th installment of I Used to Love H.E.R., a series in which artists/bloggers/writers discuss their most essential or favorite hip-hop albums and songs, comes from Mawnstr (born Alex Christidis), one-half of the party-rap rascals Not the 1s, whose eight-track debut on Gold Robot, Why You Cryin?, features production from the likes of Daedelus, Mexicans With Guns, Monster Rally, Young L and more. Shit is as fresh as it is funny. Highly recommended (and be on the lookout for a track premiere here very shortly).

Until then, peep the first single, with production by Lunice:

original gangsterIce-T, O.G. (Original Gangster)
(Sire, 1991)

Any time one of those “best emcees of all time” conversations jump off, one dude I never hear get mentioned is Ice-T. I always think that maybe it’s cuz he’s had so much success onscreen that people forget how raw he was. I musta been in third grade when Rhyme Pays came out, so all I remember was seeing the cover at the record store and recognizing him from Colors cuz that shit was huge at the time.

When I finally heard “6 ‘N the Mornin'” years later, I didn’t even know
who Schoolly D was yet. Aside from hearing some songs here and there, I really never copped an Ice-T record until O.G. came out. When I saw New Jack City, I was so juiced off “New Jack Hustler,” I couldn’t WAIT
for his album to drop. When it did, I instantly fell in love with that shit. O.G. was smart, hard, smooth and funny, all at the same time. This was a time where there was so much good stuff coming out, you’d have to make some tough decisions at the record store, too.

This tape had 24 tracks on it and was well over an hour, with no filler. It’s hard to go wrong with a James Brown sample and there’s plenty on there. There’s too many dope cuts to name, but some that stood out to me were “Bitches 2”, which is a hilarious story-telling rap about how dudes can be the BIGGEST bitches sometimes and “Lifestyles of the Rich and Infamous,” which gives you sight into his life as a rap star. (DJ Premier did a dope remix on the 12-inch.) “Body Count” introduces his
metal band of the same name, and although I wasn’t really into it, it was only one song and it seemed like every rap album had a token rock track at the time. On “M.V.P.s” he shouts out all the other rappers he’s down with, and instead of dissing Hammer like everyone else at the time was, he gives him his props and disses those that dissed him.

Finally, he closes it out with “Ya Shoulda Killed Me Last Year,” which is a speech against the war and the prison system. He also disses the Police, FBI, the DEA, Tipper Gore, “Bush and his cripple bitch!” Damn, I love this album! I actually grew up in the LA area so I’d see Ice at Venice Beach and I even saw him at Macy’s in the mall
once and he ALWAYS had at least one hot girl with him and always showed love to his fans. I eventually caught up with all his older material and didn’t feel like such a “new jack” anymore. I used to HATE LL so when I heard Ice takin shots at him on Power, I liked him even more.

DJ Z-Trip: Bring the Noise (two remixes)

ztrip_noise

Christopher Weingarten’s 33 1/3 book on Public Enemy’s 1988 classic It Takes a Nation of Millions to Hold Us Back came out in April, but, for whatever reason, I didn’t finally pick it up until this past Saturday (the series could use more hip-hop titles, by the way).

Five days later, and DJ Z-Trip has released two remixes of Bring the Noise, a song from Nation of Millions that technically saw its first remix back in 1991 with the PE/Anthrax collaboration.

Z-Trip’s versions blend the original with Led Zeppelin’s Immigrant Song and Justice’s Genesis. Both are available for free download for the next 72 hours. Get ’em.

Nocando and Busdriver are Flash Bang Grenada: In a Perfect World (feat. Open Mike Eagle)

flashbang

Busdriver, the resident braniac of experimental rap, wrote a tweet the other day that gave me pause: “It’s boggling how much effort goes into any given song that ultimately gets converted into a violently disposable MP3.” It’s a pretty straightforward sentiment that speaks to our habits as digital consumers and asks the non-musicians among us to be more respectful of the artist at work.

It’s a point worth remembering, especially as I present to you an MP3 from Flash Bang Grenada – Busdriver’s new project with Nocando. But this track, featuring their fellow Project Blowedian Open Mike Eagle, is hardly a throwaway.

When three of rap’s most progressive and self-aware MCs come together – over a spellbinding beat from Mono/poly – it’s going to take more than one listen (or five or 10 or more) to appreciate what’s happening here.

Flash Bang Grenada’s full-length 10 Haters comes out on Aug. 23.

Mick Boogie: Rarities and Remixes of A Tribe Called Quest

excursions

So it looks like Michael Rapaport’s documentary, Beats, Rhymes & Life: The Travels of A Tribe Called Quest, is making its Valley premiere at Tempe Marketplace this Friday (thanks to Drew for the heads up).

I can’t wait to see it, though it could be admittedly difficult to watch the movie peel back the layers to uncover the demise of my favorite group. Part of the idealist fanboy in me does not want to witness the bitter infighting.

If nothing else, the documentary appears to have revived interest in Tribe – hopefully even introducing the group to a younger generation (check out a post today on five songs sampled by Tribe at Phoenx New Times’ Up on the Sun blog). As a tribute, Mick Boogie created Excursions, a mixtape of “all the rare songs, demos, limited-edition remixes, and collaborations you may have missed over the years.” I’ve been lucky and persistent enough to collect a lot of these – whether on cassette, vinyl and/or CD. Sharing them was going to part of the goal for the Sundays with A Tribe Called Quest feature that I simply stopped doing. Perhaps it’s time to pick it back up.

In the meantime, follow the link below to stream/download Mick Boogie’s mixtape:

[ZIP]: Mick Boogie | Rarities and Remixes of A Tribe Called Quest

A tracklist isn’t provided, but it’s pretty easy to hunt one down. As I mine my Tribe collection, here’s one of the tracks Mick Boogie used:

Q-Tip + Kanye West: Award Tour at Brooklyn Hip-Hop Festival

I can’t wait to see Michael Rapaport’s documentary on A Tribe Called Quest – and I’m hearing its Phoenix arrival is coming soon – but until then I am warmed by the clips coming out of the 2011 Brooklyn Hip-Hop Festival, for which Q-Tip served as the headliner.

Here we have Kanye West assisting on “Award Tour,” and, well, is there really anything else to say about that? I have so many B-sides and remixes and other Tribe odds and ends in my collection that I might just have to devote a week or two to them on this blog. Maybe once the documentary lands in Phoenix, I’ll do just that.

New Zilla Rocca (feat. Has-Lo): Full Spectrum

fullspectrum

In the dead of Phoenix summer, when sweat trickles down body parts unknown, I typically stick to three colors for clothes: white, black and plaid. (Pro tip: Generra Hypercolor is a big mistake.)

Fashion was never really my forte anyway. I strive for boring and functional – I’m content so long as I have a solid pair of adidas. But there’s nothing bland about Zilla Rocca’s rap palette, which is on full display on his new single “Full Spectrum,” feat. his Wrecking Crew cohort Has-Lo with production by Dr. Quandary (World Around Records).

Like GZA’s “Labels” or Blackalicious’ “Alphabet Aerobics,” Zilla and Has-Lo flip a three-minute tale full of clever wordplay and imagery from a singular theme – in this case, colors (hence the title).

Stream/download the track below. It will appear on the upcoming Nights & Weekends EP, for which Kickstarter donations are being accepted to help fund physical copies and a Super 8 camera for the filming of a video for “Full Spectrum.”

Full Spectrum feat Has-Lo (prod by Dr. Quandary) by ZillaRoccaNoir

New Isaiah Toothtaker: Muerte Folks

toothtaker_crown

Tucson emcee/tattoo artist Isaiah Toothtaker, who earlier this year released his full-length Illuminati Thug Mafia, is already unleashing new treats.

On Monday, Toothtaker dropped a free single called Muerte Folks, a haunting two-verse tale on the topic of suicide.

Production was handled by Depakote, a newcomer to the Machina Muerte crew who reinterprets Heartbeats by the Knife without losing any of its chilling edge. (Anyone know where the opening lines come from … sounds like a movie perhaps?)

A video for Muerte Folks, created by Marco Oliva and Thomas Haskins at Hobo Stew, was also released:

Open Mike Eagle: The Processional, live on Knocksteady

Open Mike Eagle - Rappers Will Die of Natural Causes

Open Mike Eagle’s new album, Rappers Will Die of Natural Causes, came out two weeks ago, an LP that falls in the must-hear – and must-have – category (I want that album cover in vinyl size – or larger).

The album’s first track, The Processional, gives the uninitiated a pretty good idea of what Mike Eagle is about, from an even-keeled flow to his pop-culture references (shout out to ’97 Weezer in the opening line) to a sung hook so catchy it should make hip-hop fans out of people who claim to not like hip-hop. OME’s singing of a Busta Rhymes verse from the 1996 track Abandon Ship is alone worth the cost of admission here.

Watch the Los Angeles-based MC perform the track for Knocksteady below and remember he’ll return to the Valley on July 2 – about five months after our show – for a gig at Chaser’s in Scottsdale.

RELATED:
New Open Mike Eagle: Nightmares
Awkward: Advice (feat. Open Mike Eagle)

El-P feat. Nocando: Time Won’t Tell remix (video)

timewonttell

Earlier this year, Nocando topped off one of El-P’s tracks from his 2010 instrumental release Weareallgoingtoburninhellmegamixxx3 with vocals, forming a West Coast/East Coast collaboration that begs for a full album of material.

We saw the video for the track from El-P in August, a strangely uplifting depiction of a young boy attempting to rise above the urban decay around him.

Nocando’s version – directed by Kyle Gray – turns our attention to the withered wasteland at the Salton Sea, a toxic graveyard that offers a West Coast counterpart to this dire vision of what feels like a real-world backdrop to The Road.

Check out a behind-the-scenes look at the video, shot and edited by Humberto Hidalgo: